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Photo: Courtesy of Black Girls Rock!

BLACK GIRLS ROCK! Comes to The Kennedy Center

After more than a decade since its inception, BLACK GIRLS ROCK! has become an unstoppable force in the fight to empower black women in the arts and in the world. In its latest venture, BLACK GIRLS ROCK! has partnered with The Kennedy Center’s Hip Hop Culture to launch the inaugural BGR! Fest beginning on International Women’s Day.

“I think it’s going to be pretty awesome,” says Beverly Bond, founder and CEO of BLACK GIRLS ROCK!. “It’s really a great gathering of black women artists. Black women don’t always get those mainstage platforms. The combination of everybody we have on the show, together in this one space during International Women’s weekend, is going to be a powerful statement.”

The three-day event features a free welcome party with celebrity DJs Mc Lyte and Bond herself, a book talk, panels, a concert with headliner Jazmine Sullivan, DC’s own Maimouna Youssef and more.

“The crazy part is that the panel sold out before the concert,” Bond says. “And Michaela Angela Davis, who is actually one of the panelists, had to stop for a minute and say, ‘You know what? I appreciate that the panel sold out before the concert! Black women are here to fix it!’”

Bond worked closely with The Kennedy Center’s Director of Hip Hop Culture Simone Eccleston while producing BGR! Fest. It wasn’t the first time they’d worked together.

“This is the second touch point with BGR,” Eccleston says. “Back in 2014, the center had a multi-week festival celebrating hip-hop culture known as the One Mic Festival. As part of the three weeks of programming, there was a collaboration with BGR to present Rock Like a Girl.”

After connecting at the One Mic Festival, Eccleston and Bond established a professional relationship and a genuine friendship. It was only a matter of time before they found a mutual cause to bring them together again.

“Within the Hip Hop Culture program, one of our specific areas of focus has been celebrating women,” Eccleston says. “We’ve continued with that throughline over the arc of the season, and it would only be fitting that Beverly Bond be back and for us to have BGR!Fest.”

The timely collaboration between BLACK GIRLS ROCK! and The Kennedy Center on International Women’s Day weekend signifies the recognition of black women and their contributions to arts and society.

“The goal of the program is to provide audiences at large with an understanding of the breadth and depth of the culture and its impacts, not only on contemporary society, but its role in

shaping culture,” she continues. “If we’re talking about communities that have shaped culture and sparked innovation, you cannot have that conversation without having black women at the center of it.”

While the BLACK GIRLS ROCK! organization has achieved great success and popularity, the movement has inspired black women and girls to assert themselves with its now famous namesake phrase.

“I want them to know that black girls rock,” Bond said. “If they’re taking away one thing, it’s to support our art, support our artists and to help elevate our voices.”

Join BRG! Fest at The Kennedy Center on March 10 at 8 p.m. Concert tickets are $59-$119 and available at here. Learn more about BGR! Fest here.

The Kennedy Center: 2700 F St. NW, DC; 202-467-4600; www.kennedy-center.org

Photo: Daniel Lempres

Leading The Way With Glass In Hand

DC’s wine scene continues to expand and innovate, with new restaurants and bars pushing boundaries and challenging the status quo. Gone are the days of stuffy wine lists. As consumers become more educated and adventurous, wine programs must evolve to keep up with hot trends, new regions and unique varietals.

The wine industry has long been male-dominated, but that too is rapidly changing. More women rise to the top and thrive within all areas of the wine industry – from winemakers to business owners to sommeliers at the hottest dining destinations. We sat down to chat with a few of the amazing women driving the District’s wine scene.

Photo: Marissa Bialecki

Photo: Durazo Photography

Stacey Khoury-Diaz
Owner, Dio Wine Bar

Originally from Sonoma County, Stacey Khoury-Diaz fell in love with the natural wines movement she’d experienced across the country and abroad. She opened Dio Wine Bar in the H Street Corridor in September 2017 to fill the natural wines gap she felt was missing in DC.

On Tap: Your menu indicates wines that are made by female winemakers. Do you find there are any notable differences between wines made by women and wines made by men?
Stacey Khoury-Diaz:
When I opened Dio, I wanted to highlight other women in the industry, so about 20 percent of our list is made up of wines that are from woman-owned wineries or wineries with a woman winemaker. I tend to see a lot more elevated wines made by women.

OT: What advice would you pass along to women beginning their career in the wine industry?
SKD:
Men can walk in and simply say, “This wine is awesome.” But a woman has to be more prepared with facts and statistics to prove her knowledge base. This applies on many levels in business. We have more obstacles and have to work harder to prove ourselves.

OT: What’s your go-to wine at the moment?
SKD:
I can’t stop drinking a winter rose by Daniel Ramos from Spain. It’s 100 percent garnacha and a very deep, fragrant rosé. It tastes like roses, vanilla and baking spices. It’s beautiful!

OT: What sets Dio apart from other local wine bars?
SKD:
We really highlight the fact that we’re a natural wine bar, meaning the wines are all organic or biodynamic with little added. I’m socially and environmentally driven, so natural wines fit how I live my life. We’re eclectic as far as countries represented and have a lot of fun bringing in wines that aren’t available elsewhere.

Dio Wine Bar: 904 H St. NE, DC; www.diowinebar.com

Photo: Marissa Bialecki

Photo: Marissa Bialecki

Niki Lang
Partner and Sommelier, Maxwell Park

Niki Lang has years of experience in the wine and hospitality industries, and most recently embarked on a venture with business partners Brent Kroll and Daniel Runnerstrom. Shaw’s Maxwell Park opened in June 2017 and continues to garner praise and accolades from locals.

On Tap: What wine can you not get enough of lately?
Niki Lang:
I’ve been nerding out over Northern Piedmont recently. My favorite is La Kiuva, a Picotendro [local name for the Nebbiolo grape] from Valle d’Aosta [in Italy]. It’s a lighter, more delicate style but still very interesting and complex.

OT: How did you find your way to the wine industry?
NL:
I grew up with my grandmother and wine was part of everyday life for her, so I was always exposed. When I took the first course from the Court of Master Sommeliers, it opened up a whole new world. I went into wine sales for a few years, worked at other fine dining restaurants in DC, and even worked at a distillery to learn mixology and the distillation process to broaden my knowledge of the beverage world.

OT: What’s the collaborative process like with your business partners?
NL:
Brent, Daniel and I have different backgrounds, so we bounce ideas off each other constantly. We have 50 wines by the glass that change monthly. March’s theme is “The Upside Down” – Southern Hemisphere wines. It’s collaborative and fun, and we try to keep it clever.

OT: How do you think the DC wine industry has evolved throughout your career?
NL:
DC feels like it’s been exploding with fine dining restaurants. I’ve seen a trend toward value-driven, approachable wine lists that focus on obscure varietals. At Maxwell Park, we work with almost 50 different distributors because we change our list so often and we want unique, experimental wines that are popular among consumers.

Maxwell Park:1336 9th St. NW, DC; www.maxwellparkdc.com

Photo: Daniel Lempres

Photo: Daniel Lempres

Vanessa Cominsky
Sommelier, St. Anselm

With its namesake location in Brooklyn, St. Anselm expanded to the District last fall and was an instant success in the up-and-coming Northeast area near Union Market. Vanessa Cominsky was part of the opening team and currently oversees a wine program of more than 700 options.

On Tap: What’s your top priority as a sommelier?
Vanessa Cominsky:
Our goal is to challenge perceptions and take people on an adventure. There’s truly something for everyone, from classics to more funky picks. This area is also so vibrant and people are excited to come in and explore, which helps me as a sommelier.

OT: What’s in your glass today?
VC:
My honest answer is a double shot of espresso. Blue Bottle saves my soul. I’m also into Sicilian and Southern Italian wines right now like Azienda Agricola COS, one of the original wines from Sicily that’s imported in the States.

OT: What challenges do you face as a female wine professional?
VC:
I’m almost numb to the “Oh, you’re the sommelier?” looks at this point. I hope eventually I won’t have to list my accomplishments to justify that I’m qualified to do my job. Until we don’t have to do that, we’ll have a lot of work to do within the industry.

OT: What makes St. Anselm relevant in DC’s ever-changing foodie scene?
VC:
We have Joe Carroll [the restauranteur behind St. Anselm] in New York, and he always gives input on what’s coming. I also eat out a lot and listen to people. Writing off trends seen on social media and Instagram would also be a big mistake. It’s a big part of how we connect with [customers] in regards to food and wine.

St. Anselm: 1250 5th St. NE, DC; www.stanselmdc.com

Photo: M.K. Koszycki

Photo: M.K. Koszycki

Darlin Kulla
Beverage Director and Sommelier, KNEAD Hospitality + Design

After returning to DC for an internship in climate change, Darlin Kulla quickly realized office life wasn’t her path. She soon began working with various fine wine programs throughout the District, and now she’s gearing up to sit the advanced exam through the Court of Master Sommeliers this fall while leading the wine programs at Succotash and Mi Vida.

On Tap: What advice would you give yourself if you could go back to the beginning of your career?
Darlin Kulla:
I wish I’d know that it’s okay to ask for help, advice or mentorship. It’s easy to forget we’re not in this alone. There are so many people in DC that are driven and talented; it’s a great community and very supportive.

OT: Tell us a bit about the wine programs at Succotash and Mi Vida.
DK:
Succotash is Southern American food, so think bold, structured wines that can stand up to the food. Southern food is not shy! Mi Vida’s menu is more varied in terms of styles, even though it’s a smaller list. We went heavier in Spanish and Iberian wines. There are some fun Portuguese wines and also a Mexican Chardonnay by the glass.

OT: Wine perhaps isn’t the first pairing people think of with Mexican cuisine. How do you help guests select wines to pair with more complex dishes from the menu?
DK:
We have descriptors for all the wines printed on the list so the consumer is able to get a snapshot of the wine before they order, which is helpful with more eclectic wines. People are becoming more adventurous and what they’ll try continues to exceed expectations.

OT: What wine is currently on your short list?
DK:
I drink a lot of Beaujolais – that tends to be my go-to.

Learn more about KNEAD at www.kneadhd.com. Two new spots, Gatsby in Capitol Riverfront and The Grill at The Wharf, will join the restaurant group’s existing locations later this year.

Mi Vida: 98 District Sq. SW, DC; www.mividamexico.com
Succotash: 915 F St. NW, DC; www.succotashrestaurant.com

Photo: Gian Di Stefano

Kristin Chenoweth Brings Wicked Fun to Strathmore

They say good things come in small packages, and 4-foot-11 dynamo Kristin Chenoweth is a living example that the phrase applies to performers as well. Known for her incredible singing on Broadway, her quirky character roles in movies and on TV, and her oodles of charm in just about every performance she’s ever done, Chenoweth is beloved by people of all ages.

She won a Tony for her performance as Sally Brown in You’re a Good Man, Charlie Brown in 1999, though she’s best-known for her renowned run as Glinda in the Broadway smash Wicked. Other memorable runs on the Great White Way include roles in The Apple Tree, On the Twentieth Century and Promises, Promises. And there’s no role she hasn’t made a lasting impression with on-screen, from West Wing to Trial & Error to Neil Gaiman’s American Gods.

“I’m very proud of the work I’ve done and have been blessed with some amazing roles,” Chenoweth says. “The critics have always enjoyed these choices and that makes me understand I am on the same planet as everyone else. I know what I think is tasteful and funny and good, and that always seems to line up with them and that makes me happy.”

A veteran of the concert stage, the Tony- and Emmy-winning actress will perform at Strathmore on April 8 with a show any Broadway fan is sure to love.

“This concert is timed really well because my new album will be coming out around Mother’s Day, and I would like to start bringing some songs from that to my shows,” she says. “I don’t have a title yet, but I keep calling it For the Girls. It’s my way of giving myself permission to sing other women artists whose work has inspired me and changed my life musically.”

That means songs from performers like Dinah Washington, Judy Garland, Dolly Parton and Eva Cassidy.

“It’s really going to be a celebration of women. It’s important for me to recognize singer-songwriters like Chely Wright – who is a giant in the country music industry – and there’s an original song I wrote with her that I am excited to play for people.”

There’s a big part of Chenoweth, she says, that wants to be a mentor to younger audiences and teach them about some of these songs and singers who they may not be familiar with. It’s something she realized while doing an episode of Glee.

“Ryan Murphy had me sing ‘Maybe This Time’ from Cabaret, and I just assumed everyone knew that song. But so many people reached out to me on social media asking where the song came from. I just died because these kids don’t know. I want to let them know who came before me and even some who may be younger than I. Just because you like one certain type of music doesn’t mean you can’t research and learn to appreciate others.”

Her concert will also include plenty of Broadway tunes, jazz standards, gospel songs and even opera, plus tunes from her previous release of American Songbook classics The Art of Elegance.

“Of course I’m going to sing ‘Popular’ and some songs that I will never not sing because it’s part of my DNA, but I want to make it a new show every time,” she says.

Another song that’s sure to be on the set list is “Taylor, the Latte Boy” written by Marcy Heisler and Zina Goldrich, which tells the humorous tale of a woman who falls for her barista at Starbucks.

“I was a young Kristin Chenoweth doing Steel Pier at the time [in 1997] and there was a performance honoring Kander and Ebb [a famous songwriting team], and someone handed me this music. Marcy and Zina told me they had been writing the song with me in mind. I was so nervous because the show was the next day and it’s not a short song. I spent the rest of the night learning it, and as I did, I realized this is totally me. I sang it that night and wow, did it go over.”

Soon after, she sang the song on The Rosie O’Donnell Show and it’s been a staple of her performances ever since.

“As artists, we have to recognize and understand that when we don’t sing songs like this, it’s a let down to the audience. I know that because I once saw Barbra Streisand live and she didn’t sing ‘People.’ I learned a lot there.”

The singer is very familiar with Strathmore, having starred in the Music Center’s groundbreaking I am Anne Hutchinson/I am Harvey Milk production in 2016. Currently, she doesn’t have any concrete plans to go back on Broadway. But last October, Chenoweth and her original Wicked costar Idina Menzel reunited for the NBC special A Very Wicked Halloween, and the duo’s magic was reignited on an astounding version of the show’s “For Good.” She has a few things in the fire for 2019 and is looking forward to touring at concert venues around the country when not filming any TV projects.

“Currently, I’m in development season and there are three ideas I have that three different writers have put a treatment to. I’ve fallen in love with all of them, so I do believe I will be doing something new on television soon. I’d rather do something that is me and my taste. I’m always going to choose and do something a little offbeat. That’s who I am.”

A lesson she says she’s been learning over and over in the past year is not being so serious and just enjoying the moment. Last fall, she traveled to Italy and sang a duet with Andrea Bocelli to a pretty famous audience and screwed up a song. She stopped and started over and then just messed up again and decided to cut to the end.

“People were loving it. It reminds you that life isn’t always perfect and in some ways that was my favorite moment of the trip. I am a perfectionist and I can get myself wound up pretty high. I had to laugh, and I did. Sometimes that happens in concerts and I may forget a word and I’ll point it out. I like using those moments to show I am not a robot. I am not autotuned. I am an artist who is real and authentic.”

She promises that people who don’t know who she is when they come in the door at Strathmore will know who she is when they leave.

“I want people to come to this show and be in the moment and enjoy themselves. It’s a treat you give yourself when you do that. We think we’re doing the right thing when we’re worrying about something, but I want people to put all that aside and just go with me on this journey. It will be an extraordinary, fun night.”

Kristin Chenoweth will perform at Strathmore on Monday, April 8 at 8 p.m. Tickets start at $78 and are available at www.strathmore.org.

Learn more about Chenoweth at www.officialkristinchenoweth.com and follow her on Instagram and Twitter @kchenoweth.

The Music Center at Strathmore: 5301 Tuckerman Ln. North Bethesda, MD; 301-581-5200; www.strathmore.org

Photo: Tony Powell

Female-Empowered Vanity Fair on the Complexities of Humanity & Transcendence of Gender

With few exceptions, it’s music to a journalist’s ear when an interviewee says, “You’re asking my favorite question.” But it’s just icing on the cake when your subject is a feminist playwright whose focus is reclaiming female narratives, and you strike a chord that leads to a thoughtful reflection on gender equity in theatre, driving social change through the arts, and breaking down the walls between millennial audiences and the classics.

“I don’t believe that classics deserve to be museum pieces or laid in some beautiful, unmoving grave,” Kate Hamill tells me. “I think they should be able to run around, and we should be able to draw on those altars with crayon and see what they mean to us.”

Hamill’s interpretation of Vanity Fair, on Shakespeare Theatre Company’s Lansburgh Stage through the end of March, is the only female-written stage adaptation of William Makepeace Thackeray’s epic 1600-page novel. When she started toying with the idea of reclaiming the 1840s text for a 2018 audience and was told it couldn’t be done, she accepted the challenge head on.

“I’m a bit of a brat,” she says laughing, “so the minute someone says, ‘You can’t do that,’  I’m like, ‘I’m going to do it.’”

The playwright creates a 12-year portal into the lives of friends Becky Sharp and Amelia Sedley, from when they graduate school at 18 to becoming grown women with children at 30. As the pair navigates their own individual paths in climbing the social ladder within a patriarchal society, Hamill tears down the archetypes of good girl versus bad girl and shows audiences that neither woman is perfect nor particularly condemnable. In fact, women are just human beings like everyone else.

“It’s imaginative and a spectacle, but rooted in truth so you’re not left with just a show,” actress Rebekah Brockman, who plays Becky, says of Hamill’s work. “There’s a pulse behind it and human beings behind it.”

Brockman says there’s a gradual grounding of reality that happens over the course of Becky and Amelia’s friendship as the two experience major milestones together, and credits Hamill with giving the characters more depth.

“You can’t be too quick to judge someone because there’s a reason people make bad decisions. There’s a reason people act the way they do.”

Brockman and Maribel Martinez, who plays Amelia, wax philosophical on the topic across the table from me, finishing each other’s sentences as eloquent phrases pour out of them.

“There’s more to be found in humanity,” Martinez says.

“More complexity,” Brockman continues.

The actresses are elated to be working together on a Hamill play, a feeling intensified by the fact that Shakespeare Theatre’s production is truly a feminist work. The director, Jessica Stone, rounds out the powerhouse female talent at the helm of Vanity Fair.

“I do think it’s really heartening that places like Shakespeare Theatre, which is dedicated largely to classical work, is producing so much work directed by women and made by women,” Hamill says.

Brockman and Martinez share the playwright’s vision for shaping their characters to be more multidimensional and creating a storyline that encourages empathy rather than judgment from the audience.

“I wanted to create a play which challenges you over and over again to challenge your own judgment, because I think when you judge these women it says more about you than it does about them,” Hamill says. “It’s really important to bring that story to DC.”

She hopes that by shifting the narrative to focus on how the women’s bond strengthens over time, audiences will see how Becky and Amelia are able to inch toward defeating the patriarchal system they live within. The playwright is also eager to do away with gender constructs onstage; many of her works promote gender fluidity.

“I’m interested in not only breaking down arbitrary gender roles, but also in creating more interesting work for female artists – I’m always happy to see a woman in a man’s role,” she says with a chuckle. “When you’re an actress, it’s nice to be asked to stretch in that way.”

Hamill played Becky in the original production in New York, giving her unique insight into how she envisions the story unfolding onstage. The current leads are in lockstep with the playwright, describing theatre as an agent for change. Martinez and Brockman say the gender switches in the production highlight the theme of fluidity in companionship, in all relationships even, that we all experience when the curtain closes and we return to reality.

The topic that seems to bond these three artists more than any other we cover in what are truly meaningful, fascinating conversations to me as a woman and lover of the arts is female empowerment in theatre; giving women a seat at the table in leadership roles is what will ultimately make change. Hamill notes that though there are statistically more women than men in theatre school, fast-forward 20 years and of those former students, significantly more men are offered lead roles and directorial opportunities.

“I’m not saying every female story filtered through a male gaze is a bad thing, but it’s a problem when that is the only kind of story we’re getting,” she says.

All three women feel the tides are changing, and they’re encouraged and excited. Though the hill is not an easy climb, the top is in sight and it’s women like them who will get us there.

“All of the different voices that the world has to give,” Martinez says with an infectious optimism in her voice, “we need them in higher positions so that it trickles down and we get all the exciting things that theatre can be.”

Catch Martinez and Brockman in Hamill’s Vanity Fair on the Shakespeare Theatre Company’s Lansburgh Theatre stage now through Sunday, March 31. Tickets are $49-$135 and can be purchased at www.shakespearetheatre.org. Learn more about the playwright at www.kate-hamill.com.

Shakespeare Theatre Company’s Lansburgh Theatre: 450 7th St. NW, DC; 202-547-1122; www.shakespearetheatre.org

Photos: Courtesy of 10 creatives // Illustration: Trent Johnson

The Artistic, The Inspiring and The Fashionable: 10 Creative Female Forces in the District

With a record number of women running for president in 2020 and the largest number of women in a congressional freshman class yet, 2019 is shaping up to be the Year of the Woman in politics. Much less hyped in DC’s media, however, are the strides made by women in the arts. That’s why for our Women’s Issue, On Tap chose to highlight 10 outstanding women from the areas of performing arts, fine arts, wellness and empowerment, and style. From Strathmore’s CEO to one of Rihanna’s stylists, meet the badass ladies responsible for expanding a culture of inclusivity and women empowerment in the city.

PERFORMING ARTS

Photo: Margot Schulman

Photo: Margot Schulman

Monica Jeffries Hazangeles
President and CEO, Strathmore

Monica Jeffries Hazangles began her artistic journey when she first joined choir in elementary school, but focused her vision after falling in love with arts management as a graduate student during her time with the Friends of Chamber Music in Kansas City, Missouri.

From there, she joined American University’s Arts Management program in DC then Strathmore, where she’s served as president since 2011. In September 2018, she added the title and responsibilities of CEO to her repertoire. While serving as the Strathmore’s president over the years, Hazangles formed her personal worldview on the importance of the arts, believing they are “elemental to who we are as people.”

“[The arts] give us expanded ways to express ourselves,” she says. “They elevate, enrich and transform us. It is our job to make them as accessible as possible to the residents of this region and state. If arts are within reach of everyone who wants to access them, we will ensure that generations grow up believing the arts are essential.”

Her advice for finding authority and voice as a woman in the arts is “to demonstrate that there are many ways to lead and to be creative.”

“Women can be extremely effective in demystifying leadership.”

Strathmore: 5301 Tuckerman Ln. North Bethesda, MD; www.strathmore.org

Photo: DJ Corey Photography

Photo: DJ Corey Photography

Rebecca Ende Lichtenberg
Managing Director, Studio Theatre

Rebecca Ende Lichtenberg left Theatre J last October to join Studio Theatre as its new managing director. Although she is only 37, Lichtenberg has already made a splash in DC’s performing arts scene over the past eight years; moving to Studio Theatre gives her the chance to shine on a bigger stage, so to speak.

Studio Theatre’s Queen of Basel, showing from March 6 to April 7, focuses on empowering women by flipping the script on a play rooted in misogyny. The play is a modern, Latinx-focused retelling of Miss Julie, which tells the story of a woman who kills herself because a man told her that was the only way to escape the burden of their premarital rendezvous. Playwright Hilary Bettis’ version, complete with actual female character development, is sure to be devoid of the outdated, sexist themes of the original.

“Hilary’s take on [the play] is born from how sick the misogyny of his original made her feel, so she actively counters that with a production that is a Miss Julie without unexamined misogyny,” Lichtenberg says. “That’s why we’re proud to present Queen of Basel. It’s a take on Miss Julie that is empowering, told from a prismatic Latinx perspective, and most importantly, is unexpected.”

For dates and tickets to Queen of Basel, visit www.studiotheatre.org.

Studio Theatre: 1501 14th St. NW, DC; www.studiotheatre.org

Photo: Courtesy of Arena Stage

Photo: Courtesy of Arena Stage

Seema Sueko
Deputy Artistic Director, Arena Stage

Seema Sueko says in the grand scheme of things, she does theatre to build successful communities; but there is a deeper, underlying layer of her passion.

“Nothing beats the excitement and electricity of being in a rehearsal room with fellow artists and discovering the truths of a character’s arc or the truth of a piece of text,” she says. “We are discovering what it means to be human. It is powerful and it is humbling.”

Sueko’s current production, The Heiress, runs until March 10 and has some juicy bits of truth in store for the audience. Playwrights Ruth and Augustus Goetz based The Heiress on Henry James’ novella Washington Square, the inspiration for which he found through a piece of gossip. After Sueko finished assembling the design team for the play, she noticed she had unintentionally hired a cast of people who all identified as women, which she thought fit perfectly.

“Once I realized that, I could see how all-female design team allows us to build on the legacy of growing empowerment of this story from gossip to stage.”

The Heiress runs through March 10. For information regarding showtimes and tickets, visit www.arenastage.org.

Arena Stage: 1101 Sixth St. SW, DC; www.arenastage.org

FINE ARTS

Photo: Courtesy of Marcella Stanieri

Photo: Courtesy of Marcella Stanieri

Marcella Stranieri
Illustrator

Marcella Stranieri has always loved to draw. She’s kept a journal of her thoughts, ideas and drawings ever since she was little, and often finds loose scraps of paper covered in doodles and observations in her pockets and bags.

“These two idiosyncrasies, drawing and writing, collided with each other a few years ago when I quit smoking,” the DC-based illustrator says. “My hands were itching for cigarettes all the time. It was driving me nuts, so I started drawing out my ideas instead of writing them to keep my hands busy. I loved it so much, so I decided to start an Instagram for them.”

Now, her Instagram page @marcella.draws has more than 46,000 followers and is still growing. She finds inspiration for her sarcastic pen and paper line drawings in her daily experiences with friends, family and strangers alike. She’s found a lot of support from both men and women on Instagram and has noticed men commenting that they relate with her drawings, even the particularly “girly” ones.

“I like that people are slowly realizing that the default relatable thing does not have to be masculine. Men can relate to women the same way that women have been relating to men for the past few millennia.”

To see the latest artwork from Stranieri, follow her on Instagram @marcella.draws, and visit her website www.marcelladraws.com.

Photo: Courtesy of Lauren Brown

Photo: Courtesy of Lauren Brown

Lauren Melanie Brown
Founder, Fashion Grunge

Freelance photographer Lauren Melanie Brown created Fashion Grunge, an online platform dedicated to art, fashion and music of the 90s grunge era, in 2008 when she was living in New York City.

“The era of blogs was starting, and I was uninspired in my day job and wanted a place to talk about my favorite era of music and fashion,” Brown says. “Now Fashion Grunge has become an international platform for artists to contribute work and music related to the grunge aesthetic as they see fit. It’s great to get so many global perspectives while also tying in nostalgic culture.”

As a woman of color, Brown says she’s always trying to uplift marginalized voices and experiences on her platform.

“I always encourage people of all identities to contribute to the Fashion Grunge platform, whether it’s in traditional images or essays to express inner thoughts. I think visibility is the key for appreciating and educating about minorities. I consciously use my reach online to show not just a singular notion of what you can be and express.”

To read Fashion Grunge, visit www.fashiongrunge.com. For more information about Brown, visit www.laurenmelaniebrown.com.

Photo: Courtesy of Tati Pastukhova

Photo: Courtesy of Tati Pastukhova

Tati Pastukhova
Co-founder + Managing Director, ARTECHOUSE

Nearly a decade ago, Tati Pastukhova and Sandro Kereselidze created Art Soiree, a DC-based organization dedicated to uplifting and curating contemporary artists and their work. As technology advanced, the pair quickly realized the lack of space for artists who work with new wave digital mediums. That’s where ARTECHOUSE comes in. The “art space dedicated to showcasing experiential and technology driven works” also houses the first augmented reality bar in the U.S.

“Technology has expanded our abilities as humans to interact with what we are given and that includes our imagination and expression in arts,” Pastukhova says. “The new forms of art that will emerge through technology will allow viewers to be a part of the storytelling and of the creative processes, enabling them to curate their own experience of art, unique to themselves.”

In early spring, ARTECHOUSE will feature an installment titled “In Peak Bloom,” showcasing works of art based on DC’s famous cherry blossoms from an all-female cast of creators.

“We believe in treating everyone equal and part of that is not creating a differentiation or highlighting one individual or group over the other. It is important to highlight [the fewer number of women in arts and tech] in hopes of inspiring the current and future generation to enter these fields.”

To learn more about Art Soiree, visit www.artsoiree.com, and for more information about ARTECHOUSE, visit www.dc.artechouse.com.

ARTECHOUSE: 1238 Maryland Ave. SW, DC; www.dc.artechouse.com

WELLNESS + EMPOWERMENT

Photo: Wendy K. Yalom

Photo: Wendy K. Yalom

Kimberly Pendleton
Women’s Empowerment Coach

As a women’s empowerment coach and women’s studies professor at the University of Maryland, Kimberly Pendleton helps women realize their full potential through online and in-person courses, workshops and programs. She started her personal business of women’s empowerment coaching when she was finishing her PhD. Now, Pendleton helps over 200 clients from around the globe to strengthen their personal relationships, find out who they are and drop baggage.

“My premium program UNCOVER has helped women recover their relationships, find love and most importantly, feel at home in themselves,” Pendleton says.

UNCOVER, a 10-week program focusing on inner awakenings through embodied practices and coaching exercises, has a $1,237 price tag, but Pendleton says the high cost of service is supportive of the “high level of energy and training” that goes into her work.

“I do believe in paying women for their labor and valuing their knowledge, especially in areas that bring soft skills and social/emotional intelligence to the forefront. I also have seen that when women invest in themselves at an edge that makes them feel a little nervous, they show up for themselves in a different way and experience more rapid transformation.”

Pendleton also offers some complimentary services including #MeToo workshops, an e-newsletter and Roadmap to Romance, a free week of video trainings on self-love, empowerment, and relationships available at www.roadmaptoromance.com.

For more information about Pendleton and the services she provides including UNCOVER, visit www.kimberlypendleton.com.

Photo: Courtesy of Leah Beilhart

Photo: Vanessa Baioni

Leah Beilhart
Founder, Behold.Her

Leah Beilhart wanted to be a professional soccer player, but that all changed after one service trip to the Czech Republic from Germany.

“It was the first time I saw a photograph of myself and cried,” she says. “The amount of sweat, mud and joy across my face was priceless. It changed my life and made me decide that I wanted to give that same pleasure to another human being.”

Over the next several years, Beilhart built her portfolio, reputation and skills as a freelance photographer before landing in DC.

“Portraiture became my main game and eventually the catalyst for Behold.Her when I found myself in DC wanting to create an environment where women could feel carefree and less filtered.”

Behold.Her, now in its third year, began as a portraiture and conversational series, but soon blossomed into a project series captivating a community of women and celebrating its diverse racial, cultural, religious and sexual orientation backgrounds.

“The biggest things we focus on is self-worth. We want women to focus completely on listening and sharing. Self-development takes a lot of energy. Most women leave emotionally depleted, but at the same time re-energized to approach life a little differently or feel less alone.”

Beilhart says Behold.Her is working toward a Self Worth Conference at the end of the year. Each quarter of 2019 will have its own theme: self-worth, sexuality and consent, money and guilt, and finally, community and relationships. All four themes will be combined at the multi-day, self-focused conference for women.

For additional information about Beilhart, visit her website at www.leahbeilhart.com. For details about Behold.Her and its various programs and conferences, visit www.beholdher.co.

STYLE

Photo: Alison Beshai

Photo: Alison Beshai

Frederique Stephanie
Freelance Stylist + Consultant

From Belgium to the Middle East, France to Ireland and England to DC, Frederique Stephanie has trotted the globe as a freelance stylist and public relations consultant. Freddie, as her friends call her, has worked as a stylist for celebrities like Rihanna, Drew Barrymore, Alexa Chung, Lily Allen and Pixie Geldof. But the biggest highlight of Freddie’s career was working on the Adidas Originals campaign featuring David Beckham, Snoop Dogg and Noel Gallagher, among other big names. Style is important to Stephanie, and always has been. And while she is definitely stylish, she says she’s not a fashionista.

“Style is a better word,” she says. “It is a reflection of my unique complexity as a human being.”

Stephanie decided to move across the Atlantic when she saw the growth potential for the DC creative market. She says her success in the nation’s capital comes from her unique background and perspective.

“I’m a black girl with Caribbean roots raised in Paris, but who spent most of her life in London. The DC creative scene needs more variety and different point of views. The city is changing and so will the industry standards as people start pushing boundaries.”

Now working as a PR consultant for Eaton DC, a collective of culture, media, hospitality, wellness and progressive social change, Stephanie says it’s “one of the most significant projects [she’s] ever worked on.”

“[Eaton DC] is the perfect platform because of what it stands for and the impact it already has on the city. They are doing incredible work, which is essential in the current [social and political] climate.”

To see what’s stylish to Frederique Stephanie, follow her on Twitter @frederique_s, and check out her blog, www.thepopuphouse.com.

Photo: Matt Spivack

Photo: Matt Spivack

Jai Lescieur
Stylist + Creative Director

Jai Lescieur recently moved to DC from London where she began her career as a styling manager and creative consultant. She worked on a variety of projects that included assisting on a shoot for Vogue China, working on a documentary about David Beckham, customizing outfits for a British TV show and getting published in British Vogue. Now, Lescieur works closely with Lauren Melanie Brown at Fashion Grunge and continues to freelance as a stylist.

“I feel like I have barely scratched the surface of what DC has to offer and I am excited to continue exploring the city,” she says.

Her love for fashion and art stems from a childhood spent in Mexico City, where her mother would dress up even when she wasn’t going out and her father would wear pants tailored from curtains just because he loved the fabric so much. Now that she’s grown, Lescieur finds inspiration from powerful women like Alexandria Ocasio-Cortez and Michelle Obama who are exploring different kinds of fashion while in the public eye.

“I love how they are changing the conversation of how women are viewed by what they wear. Although some people will always unfairly criticize powerful women for what they wear, these women are showing that fashion can also be a symbol of their empowerment.”

For more information about Jai Lescieur, visit her website at www.jailescieur.com or follow her on Instagram @jai_stylefactory.

Photo: Trent Johnson

Behind the Bar: Women’s Issue Edition

DC has risen in the ranks as one of the most exciting bar scenes in the country as of late. At the helm of many of the buzziest bars in the city are women leading award-winning teams to craft the best and brightest cocktail programs. Whether they’re mainstays, newcomers or home to a specific spirit, each one is worth taking note of – not just because of the world-class drinks, but for the noteworthy ladies at the helm, too.


Megan Barnes (Photo - Trent Johnson)

Photo: Trent Johnson

Megan Barnes

Beverage Director + Partner, Espita Mezcaleria

Notice mezcal popping up across the city over the past few years? You probably have Espita Mezcaleria’s Megan Barnes to thank for that. The Shaw spot’s menu highlights the spicy and smoky spirit’s best qualities, converting even the most stubborn drinkers into passionate connoisseurs who keep diaries around their favorite varieties.

“I loved it from first sip,” Barnes says of the spirit.

She got her start at Columbia Room working under Drink Company’s Derek Brown, who introduced her to mezcal.

“After work, I would walk down to Oyamel because at the time, that was the only place you could get mezcal. Now, I go down to Mexico about three times a year, and that’s also opened the door for me to learn about different ranges, styles, techniques and flavors. And meeting the families who are producing the mezcal – it’s really kind of a romance.”

Although Barnes’ time at Espita so far has been a well-awarded one, including a RAMMY last year for best bar program, she credits the bar team behind her and the city’s supportive cocktail scene for her continued successes.

“The DC bar scene is probably the best in the entire country. We’re so tight-knit and we’re always rooting each other on, especially the women in the city. We love each other so much.”

Espita Margarita (Photo - Trent Johnson)

Photo: Trent Johnson

Margarita
Tequila
Lime
Ligit Triple
“Nogave” syrup

Espita Mezcaleria: 1250 9th St. NW, DC; www.espitadc.com

 


Alex Bookless (Photo - Trent Johnson)

Photo: Trent Johnson

Alexandra Bookless

Beverage Director, Eaton Workshop

Eaton Workshop’s ambitious pursuit of creating a social justice-minded hub for travelers and locals alike is a perfect match for seasoned beverage director Alexandra Bookless.

“We’ve got four concepts including the cafe [and] the coworking space, and we do events as well, so there’s a lot going on,” she says of the bars she oversees within the multi-use downtown space, which sees about a 50/50 split between natives and visitors.

Bookless and her team develop detailed menus for Allegory, American Son, Kintsugi, Wild Days and a soon-to-open bar within their coworking space. Not only do they make it seem effortless, but Bookless has helped usher in a new wave of luxury hotels as spots for community and craft cocktails.

“People really support our ideas and allow us to have a strong creative voice, which is really on theme for Eaton Workshop in general – just supporting art in all forms. It’s kind of a holistic approach to supporting creative outlets here.”

Allegory drink (Photo - Trent Johnson)

Photo: Trent Johnson

2666 from Allegory
Pechuga mezcal 
Reposado tequila
Sherry 
Creme de cacao
Mole bitters
Chocolate-covered fig made in-house 

Eaton Workshop: 1201 K St. NW, DC; www.eatonworkshop.com

 


Alejandra Martin 2 (Photo - Trent Johnson)

Photo: Trent Johnson

Alejandra Martin

Bartender + Manager, Gaslight Tavern

Alejandra Martin credits her family with her love of the food and beverage industry. Her parents owned a Mexican restaurant in California, and she says the restaurant world has always been in her blood. A bartender of 11 years, she joined the team at Shaw’s Gaslight Tavern when it opened last January.

“It’s been great to have been here from the beginning,” she says of the Art Deco-inspired bar. “We base our cocktails on the setting, so a lot are classic cocktails or spins on them. We stick to that time period but still get creative with them.”

Martin’s creativity shines in drinks she creates outside of the pantheon of classics, too. She crafted a current special called the Mezcalito, an homage to her love of the spirit. She keeps the retro feel with a float and an ornate glass.

“I like it because it’s a little different and it’s layered, with a fernet float on top. It’s cute and flavorful – a complex yet simple cocktail.”

The warm and inviting space is filled with – as the name would suggest – fireplaces, and its location sees locals stopping in to be guided into the arena of old-school drinks by Martin.

Mezcalito (Photo - Trent Johnson)

Photo: Trent Johnson

Mezcalito
Mezcal
Agave syrup
Pinch of salt
Fernet float
Dehydrated lime
Fresh-squeezed lemon

Gaslight Tavern: 2012-2014 9th St. NW, DC; www.gaslight-dc.com

 


Columbia Room (Photo - Daniel Lempres)

Photo: Daniel Lempres

Suzy Critchlow

Head Bartender, Columbia Room

Suzy Critchlow has risen to the top of the industry thanks to her curiosity, creativity and initiative. Despite reverence for the history of the craft, change is part of the ethos of Columbia Room. Critchlow and her team are constantly reimagining and refining their menu at the award-winning Blagden Alley spot, pushing the boundaries of classic cocktails. Their current menu Distortion is no exception.

“We’re distorting ingredients, flavors, visuals and sound,” she says. “Another menu I really loved was one called Women Rule. It was all inspired by female chefs, mixologists and bartenders. Pretty much as soon as we release a menu, we hit the ground running designing a new one.”

And although there’s no shortage of innovation in her current role, she says DC’s fast-paced drink scene keeps her on her toes and always challenges her to be even better.

“There are new places opening all the time, [which] challenges you to make sure that you’re still keeping your standards very high because there are so many people out there who are so talented and have a lot to bring to the table. It gets better [in DC] every day.”

Columbia Room_drink (Photo - Daniel Lempres)

Photo: Daniel Lempres

The Prose Punch
Gin
Fino
Pear
Roses
Whey
White vermouth

Columbia Room: 124 Blagden Alley NW, DC; www.columbiaroomdc.com

 


Erin Adams (Photo - Courtesy of AC Hotels)

Photo: Courtesy of AC Hotels)

Erin Adams

General Manager, AC Hotel National Harbor

On Tap: Tell us a bit about the offerings at AC Lounge within the hotel.
Erin Adams: AC Lounge is our bar area where guests can enjoy local craft beers, expertly made signature cocktails such as locally inspired gin and tonics, specialty wines sourced from around the world including Spanish Albarino and Rioja, and a curated selection of tapas-style small bites.

OT: Any mainstays or customer favorites on the drink menu?
EA:
To kick the evening off, we offer a nightly ritual of passing the porrón – a tradition started because of our Spanish roots. The porrón is a traditional glass wine pitcher filled with wine and tipped directly into mouths as a conclusion to the work day and kickoff to the evening.

OT: Why should local drink enthusiasts visit the lounge?
EA: AC Lounge is unique from other National Harbor bars as we highlight our Spanish roots and culture in the experience. Our bar shelves resemble National Harbor’s picturesque sunsets, and the space offers floor-to-ceiling window views of the destination as well as an outdoor terrace that can be enjoyed year-round.

AC Hotel cocktail (Photo - Courtesy of AC Hotels)

Photo: Courtesy of AC Hotels

Cherry Blossom Sour
Sloop Betty Vodka
St. Germain
Simple syrup
Cherry brandy
Oloroso sherry
Lemon juice

AC Hotel National Harbor: 156 Waterfront St. National Harbor, MD: www.marriott.com/hotels

Daniel Lempres contributed to this article.

 

Photo: Jeremy Reper

Offseason of Change Brings Optimism for Washington Spirit

After losing 41 of the past 48 regular season games, one could hardly blame the Women’s National Soccer League’s (WNSL) Washington Spirit for hitting the reset button. Through various changes in the front office, ownership and on the field, this young team is looking to reverse its recent fortunes and begin building a foundation for lofty championship goals.

Starting at the top, longtime owner Bill Lynch sold his majority stake in late 2018 to Steve Baldwin. Shortly after, the team announced Richie Burke would take over as head coach and technical director. Burke has an extensive track record in youth soccer around the DC area, making him the logical fit to lead the team’s youth movement.

“Being involved in the professional game is an incredible buzz,” Burke says. “It’s an incredible reward. It’s like a drug you get drawn back to all the time. The project itself has a lot of really good people involved, and it was an opportunity that was hard to turn down.”

Burke and the Spirit agree that the team is a project. As the squad gears up for training camp and preseason matches this month, everyone is focused on the simple goal of improving habits and team culture rather than agonizing over results.

“Last year was kind of rough,” forward Ashley Hatch says. “We feel we could have had better results, but we got unlucky and things didn’t go our way. We’re a very talented team that works hard, so I want to help us get the results we deserve.”

During the 2018 campaign, the Spirit finished with a record of two wins, five draws and 17 defeats. Despite this, Burke insists he’s not simply bringing a new style and structure with him, as he’s crystal clear on his extremely high expectations for the team to work toward.

“I’m very organized and very structured, and I want to play an aesthetically pleasing game,” the coach says. “I do know that we’re going to work hard and play hard. Success for me is winning the WNSL championship. I set the goals high. I want to win and win with style.”

One aspect of this season that every WNSL team must overcome is this summer’s 2019 FIFA Women’s World Cup. Already this year, the Spirit has had three players train with the U.S. women’s national team including Rose Lavelle, Mallory Pugh and Andi Sullivan. The league has implemented a 12-day break in the schedule to account for the international tournament in early June.

“You have mixed feelings,” Burke says. “I’m thrilled for the players and the franchise. I couldn’t be happier for the players themselves. I hope they score goals out the ying-yang.”

Instead of fretting about the World Cup, the Spirit is solely focused on things within the players’ control such as play on the field and the ways they plan to integrate all the changes. In addition to changes in the front office, the Spirit was featured heavily at the January WNSL draft, making four selections in the first round.

“I think that with all the changes going on, it’s going to be a very exciting team,” says Sullivan, the team’s midfielder. “I really just want to help the new team and culture take off. I want to make the transition easy for everyone and be someone that can connect the pieces.”

The DMV native, along with the aforementioned Pugh and Lavelle, are heavily featured in marketing for the coming season. The trio is often mentioned when the best young U.S. soccer players are brought up and are a huge reason Burke feels confident in his steadfast belief the team will achieve success in short order.

“It’s a fresh start,” Sullivan continues. “Capitalizing on that energy is going to really up the standard and level [for the team]. It’s a great opportunity, and it’s an optimistic look toward the future. It makes now seem like a great time to go for it, and that’s how we’re approaching [the season].”

The transition won’t be perfect. Rebuilds in professional sports are often rocky, rife with growing pains and career firsts, however the Spirit can only rise up the standings. For soccer enthusiasts in the DMV, catching a team right as they begin to figure it out is one of the most fascinating rides for any fan. With this much talent and potential on the roster, it’s only a matter of time for this core.

“The best part about having young players is we’re hungry,” Hatch says. “We want to prove ourselves as a team and individuals. I think it will definitely play in our favor.”

The Washington Spirit begins the preseason on Saturday, March 16 at the City Stadium in Richmond, Virginia. The team will begin the regular season versus the Sky Blue FC on the home field at the Maryland SoccerPlex on Saturday, April 13. For more information about the squad, visit www.washingtonspirit.com.

Maryland SoccerPlex: 18031 Central Park Cir. Boyds, MD; 301-591-0927; www.washingtonspirit.com

Photo: Courtesy of Chrystalle Ball

Leading Ladies of DC’s Beer Scene: Deep Roots Gain New Ground

The world of craft beer is dramatically different than it was even a few years ago. Quality beer is more readily available than ever and thanks to social media, it’s easy to keep up with new beers and breweries. Here in DC, women have a prominent place in the beer scene.

Chrystalle Ball is the founder of DC Metro Girls Pint Out, the local chapter of a national craft beer organization for women to enjoy happy hours, tastings and other events that build community around a love of beer. She joined the Arizona chapter originally, but after moving to the DMV, she found there were no chapters here. She got to work, and DMV Girls Pint Out had its first event in 2013.

“There is a stereotype that women don’t drink beer,” Ball says. “People come to our events for the first time and they’ll say, ‘Oh, I didn’t know there were so many women that drink beer in this area.’ There are, you just have to look.”

Ball says that over the past five-plus years of involvement in the DC beer community, a lot more women are beginning to actually work in beer. She notes Lake Anne Brew House in Reston, Virginia, which is women-owned and has many women brewers, and says that DC also has plenty of women industry veterans like Kristi Mathews Griner of Beltway Brewing Company in Sterling, Virginia.

“Women are popping up all over the area in brewing roles, and it needs to keep happening,” she says, noting that the Pink Boots Society, which helps women advance their careers in the beer industry, is an important resource. “Women are pigeonholed toward wine, but women love beer – and women were the first brewers of beer.”

Sara Bondioli, president of the DC Homebrewers Club, says that the long tradition of women brewers also helped inspire her to try it herself.

“I was reading a book that had a section on the history of brewing, and for most of history, women were the main brewers,” Bondioli says. “It’s only more recently that it’s been seen as a male profession. It hadn’t occurred to me that homebrewing was even an option until then, but I did a lot of baking from scratch and I thought I would try making beer from scratch.”

Fast forward to about seven years later, and she’s now running the club and helping other women get into homebrewing, too. Women club members started the Homebrewing Outreach and Participation Sisterhood (HOPS), which has women-focused brew days, happy hours and speaking events. Bondioli says that through homebrewing, women and men alike have freedom to create funky combinations while enhancing their appreciation of the brewing process.

“I’ve had some really creative beers through the homebrew. Someone made a pickleback beer, but they did it in a very restrained way that worked out really well. Especially with the club, you get to see what other people create and it gives you ides of things to try as well.”

Her signature beer? A strawberry rhubarb saison. This creative spirit is everywhere in the beer world, from the beers themselves to their labels. Chelsea Bailey, who runs the @21stamendmentgirl beer Instagram account and works in DC Brau’s tasting room, says she originally started the account to highlight the beauty of beer design.

“Honestly, I started drinking craft beer because I love the labels,” she says. “I challenged myself to drink a whole bottle of whatever I chose [to feature], I developed a palate and it grew into this whole other world.”

Bailey landed her job at DC Brau thanks in part to her social media presence, and it’s given her “a chance to meet other people who are like-minded and passionate.”

“There are people who have heard about my Instagram account, and I’m excited to go in and talk about beer with them.”

All three women say that there’s a number of things happening in the DC beer world to look forward to this spring. This month, ANXO Cidery & Pintxos Bar is exclusively pouring ciders, wines, beers and cocktails from female-owned and operated businesses. On the homebrewing front, the DC Homebrewers Club is now accepting entries for its annual homebrewing competition, the Cherry Blossom Challenge. And DMV Girls Pint Out will soon host its fifth annual Girl Scout Cookie and beer pairing event; check website for updates.

“If someone wants to get into beer and has experienced that whole beer snobbery thing, I would love for them to come to our events and just try things,” Ball says.

That’s the main theme that seems to unite area breweries and beer enthusiasts: condescension and pretentiousness are out, and inclusiveness and community are in.

“Overall, the DC beer scene is supportive of having women involved, active and part of the group,” Bondioli says. “Most of the places out here seem to understand that they don’t have to market beer to women differently. They can just make a good beer and women and men will drink it – and everyone out here can appreciate that.” Bailey echoes that sentiment.

“Beer isn’t a man’s drink. It’s everybody’s drink.”

Follow Bailey on Instagram @21stamendmentgirl and learn more about DMV Girls Pint Out at www.girlspintout.org or on Twitter @dmvgirlspintout. Check out the DC Homebrewers Club at www.dchomebrewers.com, the club’s Cherry Blossom Challenge at www.dchbcompetition.com and the Pink Boots Society at www.pinkbootssociety.org. More on the breweries and cideries below.

ANXO Cidery & Pinxtos Bar: 300 Florida Ave. NW, DC; www.anxodc.com
Beltway Brewing Company: 22620 Davis Dr. Ste 110, Sterling, VA; www.beltwaybrewco.com
DC Brau: 3178 Bladensburg Rd. Suite B, NE, DC;www.dcbrau.com
Lake Anne Brew House: 4310, 11424 Washington Plaza W.Reston, VA; www.lakeannbrewhouse.com

Photo: Daniel Lempres

What’s On Tap: ANXO cidery & PintXos Bar’s Rachel Fitz Celebrates Women in Food and Drink

When ANXO Cidery & Pintxos Bar opened in Truxton Circle, they were the only sit-down restaurant in the neighborhood. Co-owner Rachel Fitz says the grid couldn’t handle a business of ANXO’s size – her team had to increase power and water for the entire neighborhood – but it was important for them to operate in the District and support the local community. A former social worker, Fitz’s commitment to community engagement has translated to her role at ANXO. After the resounding success of the cidery’s collaboration with Planned Parenthood of Metropolitan Washington on International Women’s Day last year, Fitz decided to extend and expand ANXO’s celebration of women. For Women’s Month 2019, ANXO is featuring women in the industry throughout March at special events, and everything poured at the cidery is provided by women-owned or women-run breweries. Plus, happy hour profits for the entire month are going to DC’s Planned Parenthood office.

On Tap: Tell me about your introduction to cider, and your path to opening ANXO.
Rachel Fitz:
My business partners and I traveled around Spain and fell in love with cider. I thought, “Who knew there was all this cider in the world that’s not sweet and is interesting?” We all come from a beer background and really fell in love with cider. The idea when we opened was to start as a cider bar and do a small amount of production, mostly what comes out of the barrel downstairs – that’s our sidra. [Cider] is the original beverage of the United States. We’re really just getting back to our roots, no pun intended.

OT: What exactly did ANXO do last year for International Women’s Day?
RF:
We decided to highlight female producers. We thought it was going to be a small-scale fundraiser [for Planned Parenthood], but we were blown away by the positive support from attendees and those featured. We had no idea these companies had women running or owning them. It got us thinking about how many other women there are doing amazing things, and how women are rarely in the spotlight.

OT: What inspired the longer celebration this year?
RF:
[Last year] was a huge success. We raised over $2,600 in one night and wanted to grow it, so we decided, “Why not do an entire month of celebrating?” We decided to pour only products made or owned by women. With 36 draft lines, plus liquor, wine and nonalcoholic beverages, we went into it thinking it would be challenging. Turns out, there are a ton of female producers. Every day, we come across new options.

OT: Are you doing collaborations with other brewers as well?
RF:
We did two collaborations: a brut IPA with Denizens and a cider with Eden out of Vermont called Nevertheless We Persisted. [The cider] will be released on International Women’s Day. This is the first year of doing a month-long collaboration, and we hope to do it again next year and get other places doing this. It would be great if in the District, everybody was highlighting amazing women in the industry.

OT: Why do you think it’s important to not only highlight women in the industry, but also create a space for them to connect?
RF:
I think a lot of the time there is not a comfortable space to ask questions that would really help you as a young professional. It’s hard to go up to somebody who is very established in the industry and say, “I want to make more money” or ask, “How do I get to where you are?” I wanted to create an environment where people are comfortable [doing] that, and to learn from people who have already been through that.

OT: What would you say to women interested in the cider industry who worry it’s a boys’ club?

RF: Tom Oliver, a famous U.K. cidermaker, says he firmly believes that women are going to be the future of cider. A lot of people think cider is a female beverage – it’s certainly not. But women have a lot of say in the market: in the products that are being produced, in the way that they’re presented. Women have a very powerful voice, and it’s great to see women who are growing trees, orcharding and also making cider. There are no limitations.

ANXO is exclusively pouring products from women-owned or operated breweries and distilleries for the entire month of March at their Truxton Circle location. Specifics on their other Women’s Month events are available at www.anxodc.com/womensmonth

ANXO Cidery & Pintxos Bar: 300 Florida Ave. NW, DC; 202-986-3795; www.anxodc.com


Greetings, beer nerds! As you likely know, there are a number of fantastic spots in the DMV where you can grab a pint, and their menus are always evolving and adapting to your tastes. If you’d rather avoid the guessing game, check out what’s coming up at a few of these fine establishments.

SUNDAY, MARCH 4

Women’s Month Collaboration Dinner
A group of female chefs will be taking over ANXO’s kitchen including award-winning women like Ilma Lopez, Cagla Onal and Amy Morgan. The four-course menu will be paired with ciders and wines made by women in the industry. 7 p.m. Tickets $97.50. ANXO Cidery & Pintxos Bar: 300 Florida Ave. NW, DC; www.anxodc.com

THURSDAY, MARCH 7

Beer & Donuts
With three taps, board games and donuts, Arlington’s Sugar Shack is the place to be on Thursday nights. Taps will pour the latest offerings from Right Proper Brewing Company; tap takeover nights always feature local craft brewers, donuts and a variety of board games. 4-9 p.m. Admission is free. Sugar Shack Donuts & Coffee: 1014 South Glebe Rd. Arlington, VA; www.sugarshackdonuts.com

FRIDAY, MARCH 8

ANXO’s International Women’s Day Celebration
For the entire month of March, ANXO will donate happy hour profits to the local Planned Parenthood. On Women’s Day, Elanor Leger of Eden Specialty Ciders will be at ANXO, women’s month T-shirts will be available and ANXO’s newest collaboration with Eden will be available in cans. 5 p.m. Admission is free. ANXO Cidery & Pintxos Bar: 300 Florida Ave. NW, DC; www.anxodc.com

SATURDAY, MARCH 9

Cheers & Namaste
There’s no better way to spend a Saturday morning than enjoying a flight of local beer and doing some yoga. Classes at Right Proper’s Brookland location include a flight of house favorites and an hour of yoga suitable for any experience level. Don’t forget your mat. 12-1 p.m. Tickets $15.  Right Proper Brewing Company Production House and Tasting Room: 920 Girard St. NE, DC; www.rightproperbrewing.com

DC Brewers’ Guild HopFest
The DC Brewers’ Guild is throwing its ninth annual HopFest hosted by DC Brau. The event is an opportunity to sample some of the hoppiest brews from the area’s best brewers. Beer offerings will include community favorites alongside unique HopFest creations and rare brews. Tickets include a special DC Brewers’ Guild glass and unlimited pours. 1-5 p.m. Tickets start at $35. DC Brau: 3178 Bladensburg Rd. NE, DC; www.dcbg.org

SUNDAY, MARCH 10

Records, Beer and BBQ
The only thing better than crate-digging is doing so with a fresh pint in hand. Join Hellbender Brewing for a record swap/sale in the tasting room featuring barbecue courtesy of Smoke and Ember BBQ. 12-5 p.m. Admission is free. Hellbender Brewing Company Tasting Room: 5788 2nd St. NE, DC; www.hellbenderbeer.com

WEDNESDAY, MARCH 13

De Dolle Vintage Flight Night
De Dolle’s Belgian strong ales are world-renowned for their bold flavors. Many of De Dolle’s offerings age exceptionally well and thrive when barreled, though the brewery is also known for blending maltiness and acidity in its pale ales and sours. The Sovereign will offer 15 different De Dolle beers and four different vintage flights. 5-11:30 p.m. Admission is free. The Sovereign DC: 1206 Wisconsin Ave. NW, DC; www.thesovereigndc.com

WEDNESDAY, MARCH 20

D&V International Beer Dinner
Enjoy fine dining and European beer pairings in the style of the Trappist monks of Belgium. Learn about featured breweries from a Belgian beer expert and taste a variety of beers in the style, many imported specifically for this event, after dinner. 7-10 p.m. Tickets $60. Granville Moore’s: 1238 H St. NE, DC; www.granvillemoores.com    

Visiting Cidery: Wild Hare Ciders
Brewed in the foothills of the Blue Ridge Mountains with heritage apples grown in the Shenandoah Valley, Wild Hare Cidery excels at apple-only as well as botanical and other fruit-infused ciders. Tickets include a guided tasting of several Wild Hare offerings including limited releases. 7-10 p.m. Tickets $10. Capitol Cider House: 3930 Georgia Ave. NW, DC; www.capitolciderhouse.com

THURSDAY, MARCH 21

Southwest Neighborhood Happy Hour
The tap room at Union Stage invites locals to enjoy happy hour specials and mingle with other folks from the neighborhood. Union Stage features an extensive liquor list, 16 taps and house-made pizzas. 5 p.m. Admission is free. Union Stage: 740 Water St. SW, DC; www.unionstage.com

SATURDAY, MARCH 23

Peche Mortel Day
Shipped from Montreal’s Dieu Du Ciel brewpub, Peche Mortel is a standout imperial coffee stout known the world over. To celebrate their 2019 releases, Dieu Du Ciel shares special variants of its famous stout with brewpubs all around the world, including ChurchKey. This year’s offerings include seven variants of the imperial stout, some of which are aged in bourbon or whiskey barrels and finished with an array of ingredients including cherries, coffee and toasted coconut. 12 p.m. Admission is free. ChurchKey: 1337 14th St. NW, DC; www.churchkeydc.com

SATURDAY, MARCH 30

ANXO’s Women’s Month Close-Out Party
Join ANXO in celebrating the end of a successful Women’s Month. The closeout is a comedy brunch, marking the first time a comedian has performed in ANXO’s dining room. Tickets are available both with and without drink pairings. Showings at 11 a.m. and 1:30 p.m. Tickets $40-$65. ANXO Cidery & Pintxos Bar: 300 Florida Ave. NW, DC; www.anxodc.com

Spring BrewFest
BrewFest promises a day of craft beer, live music, food and more. The event will feature a variety of popular local craft beers, as well as a preview of local 2019 offerings. Virginia wineries and distilleries will also be pouring. 11-5 p.m. Tickets $10-$50. Fredericksburg Fairgrounds: 2400 Airport Ave. Fredericksburg, VA; www.fredbrewfest.com

Ex Hex (left to right) // Mary Timony, Laura Harris, Betsy Wright, Photo: Michael Lavine

DC Rock Royalty Mary Timony Talks Music, New and Old

DC native and multi-talented musician Mary Timony is everywhere. The Friday before I was scheduled to chat with her, I found myself at comedian and musician Fred Armisen’s Lincoln Theatre show. And so did Timony – onstage with Armisen, performing an absurdly funny sketch about overbearing drummers and mean bandmates.

“Fred’s a friend from the music world and […] I play in a band with Carrie [Brownstein] who does Portlandia with him, so it’s all connected,” she says. “So many of my friends were on the tour. They were like, ‘Come on down!’ I had no idea Fred would be inviting me to come onstage until I got there, but it was fun.”

Aside from her one-night-only contribution to the comedy world, she’s recently lent her talents to local band Hammered Hulls. Popping up at local shows in venues like Black Cat and Comet Ping Pong, Timony graces the stage with Chris Wilson (Ted Leo and the Pharmacists, Titus Andronicus), Alec MacKaye (Faith, Ignition, The Warmers) and Mark Cisernos (Des Demonas, Deathfix, Medication) as part of the DC supergroup.

“It’s pretty fun to play in [Hammered Hulls],” she says of its impressive roster. “I’ve always loved Alec’s stuff. I was really into his band Ignition and saw them play all the time when I was a teenager. I love Chris [and] Mark’s playing. Mark was basically trying to start a new project and it just happened. Mark is the songwriter and I’m playing bass, which is fun because I don’t do that normally.”

Timony can usually be found playing guitar in bands like Ex Hex, who just announced a new album, It’s Real, out later this month. She and bandmates Betsy Wright and Laura Harris were busy with their individual musical pursuits between their debut album and the upcoming record, and the break saw Timony’s band Helium reissuing and touring their material. But Timony says that crafting another Ex Hex record was always everyone’s main priority.

“We were just trying to get enough songs together to make it happen. It took awhile because we toured forever, but it was really fun to do other stuff like the Helium reissues. We toured too much and were a little burnt out and just needed to regenerate or whatever. Once we started going, it was a really exciting thing to put together.”

The balancing act of playing in multiple bands sounds like enough to keep one person perennially busy, but Timony finds time for another passion: teaching music. While she says she’s scaled back in the wake of her touring life picking up again – “I’m going to miss my students while I’m gone, but hopefully they’ll be okay” she laments with a laugh – she still has a handful of students under her tutelage that she guides into similar musical greatness. She even taught a few lessons to Maryland’s Lindsey Jordan, perhaps better known as Snail Mail, before Jordan broke out into the indie rock scene in a big way.

“I went to one of the first shows she played and I was like, ‘Whoa, she’s just so alive and mature beyond her years,’” Timony affectionately recalls of Jordan. “She has a real natural charisma and talent, so it’s been cool and totally crazy to watch. It was like a tornado. I’m really happy for her. It’s so exciting.”

While Timony herself certainly has a hand in shaping the world of DC music, whether it be through teaching, playing or joining forces with some of the city’s finest musical talents, she notes her excitement around the recent resurgence of rock bands in the District. She lived in Boston for a bit, but got her start in the DC-based, Dischord Records-signed band Autoclave. She recalls how when she returned home the scene had quieted down a bit, but much to her happiness it’s picked back up at full speed.

“It’s mostly kids in their 20s and the whole Sister Polygon label and everyone surrounding that. It’s really nice that it’s happening now. I’m glad that there’s creativity happening and people are putting out their own records and making all these cool shows happens.”

She adds with a laugh, “Although I’m like pretty old and never leave my house, so.”

On the contrary, Timony and her talented bandmates in Ex Hex hit the road in support of It’s Real next month, including a stop at 9:30 Club on Friday, May 10. For more on Ex Hex, visit www.mergerecords.com/ex-hex.

9:30 Club: 815 V St. NW, DC; 202-265-0930; www.930.com