With a record number of women running for president in 2020 and the largest number of women in a congressional freshman class yet, 2019 is shaping up to be the Year of the Woman in politics. Much less hyped in DC’s media, however, are the strides made by women in the arts. That’s why for our Women’s Issue, On Tap chose to highlight 10 outstanding women from the areas of performing arts, fine arts, wellness and empowerment, and style. From Strathmore’s CEO to one of Rihanna’s stylists, meet the badass ladies responsible for expanding a culture of inclusivity and women empowerment in the city.
PERFORMING ARTSMonica Jeffries Hazangeles
President and CEO, Strathmore
Monica Jeffries Hazangles began her artistic journey when she first joined choir in elementary school, but focused her vision after falling in love with arts management as a graduate student during her time with the Friends of Chamber Music in Kansas City, Missouri.
From there, she joined American University’s Arts Management program in DC then Strathmore, where she’s served as president since 2011. In September 2018, she added the title and responsibilities of CEO to her repertoire. While serving as the Strathmore’s president over the years, Hazangles formed her personal worldview on the importance of the arts, believing they are “elemental to who we are as people.”
“[The arts] give us expanded ways to express ourselves,” she says. “They elevate, enrich and transform us. It is our job to make them as accessible as possible to the residents of this region and state. If arts are within reach of everyone who wants to access them, we will ensure that generations grow up believing the arts are essential.”
Her advice for finding authority and voice as a woman in the arts is “to demonstrate that there are many ways to lead and to be creative.”
“Women can be extremely effective in demystifying leadership.”
Strathmore: 5301 Tuckerman Ln. North Bethesda, MD; www.strathmore.orgRebecca Ende Lichtenberg
Managing Director, Studio Theatre
Rebecca Ende Lichtenberg left Theatre J last October to join Studio Theatre as its new managing director. Although she is only 37, Lichtenberg has already made a splash in DC’s performing arts scene over the past eight years; moving to Studio Theatre gives her the chance to shine on a bigger stage, so to speak.
Studio Theatre’s Queen of Basel, showing from March 6 to April 7, focuses on empowering women by flipping the script on a play rooted in misogyny. The play is a modern, Latinx-focused retelling of Miss Julie, which tells the story of a woman who kills herself because a man told her that was the only way to escape the burden of their premarital rendezvous. Playwright Hilary Bettis’ version, complete with actual female character development, is sure to be devoid of the outdated, sexist themes of the original.
“Hilary’s take on [the play] is born from how sick the misogyny of his original made her feel, so she actively counters that with a production that is a Miss Julie without unexamined misogyny,” Lichtenberg says. “That’s why we’re proud to present Queen of Basel. It’s a take on Miss Julie that is empowering, told from a prismatic Latinx perspective, and most importantly, is unexpected.”
For dates and tickets to Queen of Basel, visit www.studiotheatre.org.
Studio Theatre: 1501 14th St. NW, DC; www.studiotheatre.orgSeema Sueko
Deputy Artistic Director, Arena Stage
Seema Sueko says in the grand scheme of things, she does theatre to build successful communities; but there is a deeper, underlying layer of her passion.
“Nothing beats the excitement and electricity of being in a rehearsal room with fellow artists and discovering the truths of a character’s arc or the truth of a piece of text,” she says. “We are discovering what it means to be human. It is powerful and it is humbling.”
Sueko’s current production, The Heiress, runs until March 10 and has some juicy bits of truth in store for the audience. Playwrights Ruth and Augustus Goetz based The Heiress on Henry James’ novella Washington Square, the inspiration for which he found through a piece of gossip. After Sueko finished assembling the design team for the play, she noticed she had unintentionally hired a cast of people who all identified as women, which she thought fit perfectly.
“Once I realized that, I could see how all-female design team allows us to build on the legacy of growing empowerment of this story from gossip to stage.”
The Heiress runs through March 10. For information regarding showtimes and tickets, visit www.arenastage.org.
Arena Stage: 1101 Sixth St. SW, DC; www.arenastage.org
FINE ARTSMarcella Stranieri
Marcella Stranieri has always loved to draw. She’s kept a journal of her thoughts, ideas and drawings ever since she was little, and often finds loose scraps of paper covered in doodles and observations in her pockets and bags.
“These two idiosyncrasies, drawing and writing, collided with each other a few years ago when I quit smoking,” the DC-based illustrator says. “My hands were itching for cigarettes all the time. It was driving me nuts, so I started drawing out my ideas instead of writing them to keep my hands busy. I loved it so much, so I decided to start an Instagram for them.”
Now, her Instagram page @marcella.draws has more than 46,000 followers and is still growing. She finds inspiration for her sarcastic pen and paper line drawings in her daily experiences with friends, family and strangers alike. She’s found a lot of support from both men and women on Instagram and has noticed men commenting that they relate with her drawings, even the particularly “girly” ones.
“I like that people are slowly realizing that the default relatable thing does not have to be masculine. Men can relate to women the same way that women have been relating to men for the past few millennia.”
Founder, Fashion Grunge
Freelance photographer Lauren Melanie Brown created Fashion Grunge, an online platform dedicated to art, fashion and music of the 90s grunge era, in 2008 when she was living in New York City.
“The era of blogs was starting, and I was uninspired in my day job and wanted a place to talk about my favorite era of music and fashion,” Brown says. “Now Fashion Grunge has become an international platform for artists to contribute work and music related to the grunge aesthetic as they see fit. It’s great to get so many global perspectives while also tying in nostalgic culture.”
As a woman of color, Brown says she’s always trying to uplift marginalized voices and experiences on her platform.
“I always encourage people of all identities to contribute to the Fashion Grunge platform, whether it’s in traditional images or essays to express inner thoughts. I think visibility is the key for appreciating and educating about minorities. I consciously use my reach online to show not just a singular notion of what you can be and express.”
Co-founder + Managing Director, ARTECHOUSE
Nearly a decade ago, Tati Pastukhova and Sandro Kereselidze created Art Soiree, a DC-based organization dedicated to uplifting and curating contemporary artists and their work. As technology advanced, the pair quickly realized the lack of space for artists who work with new wave digital mediums. That’s where ARTECHOUSE comes in. The “art space dedicated to showcasing experiential and technology driven works” also houses the first augmented reality bar in the U.S.
“Technology has expanded our abilities as humans to interact with what we are given and that includes our imagination and expression in arts,” Pastukhova says. “The new forms of art that will emerge through technology will allow viewers to be a part of the storytelling and of the creative processes, enabling them to curate their own experience of art, unique to themselves.”
In early spring, ARTECHOUSE will feature an installment titled “In Peak Bloom,” showcasing works of art based on DC’s famous cherry blossoms from an all-female cast of creators.
“We believe in treating everyone equal and part of that is not creating a differentiation or highlighting one individual or group over the other. It is important to highlight [the fewer number of women in arts and tech] in hopes of inspiring the current and future generation to enter these fields.”
ARTECHOUSE: 1238 Maryland Ave. SW, DC; www.dc.artechouse.com
WELLNESS + EMPOWERMENTKimberly Pendleton
Women’s Empowerment Coach
As a women’s empowerment coach and women’s studies professor at the University of Maryland, Kimberly Pendleton helps women realize their full potential through online and in-person courses, workshops and programs. She started her personal business of women’s empowerment coaching when she was finishing her PhD. Now, Pendleton helps over 200 clients from around the globe to strengthen their personal relationships, find out who they are and drop baggage.
“My premium program UNCOVER has helped women recover their relationships, find love and most importantly, feel at home in themselves,” Pendleton says.
UNCOVER, a 10-week program focusing on inner awakenings through embodied practices and coaching exercises, has a $1,237 price tag, but Pendleton says the high cost of service is supportive of the “high level of energy and training” that goes into her work.
“I do believe in paying women for their labor and valuing their knowledge, especially in areas that bring soft skills and social/emotional intelligence to the forefront. I also have seen that when women invest in themselves at an edge that makes them feel a little nervous, they show up for themselves in a different way and experience more rapid transformation.”
Pendleton also offers some complimentary services including #MeToo workshops, an e-newsletter and Roadmap to Romance, a free week of video trainings on self-love, empowerment, and relationships available at www.roadmaptoromance.com.
For more information about Pendleton and the services she provides including UNCOVER, visit www.kimberlypendleton.com.Leah Beilhart
Leah Beilhart wanted to be a professional soccer player, but that all changed after one service trip to the Czech Republic from Germany.
“It was the first time I saw a photograph of myself and cried,” she says. “The amount of sweat, mud and joy across my face was priceless. It changed my life and made me decide that I wanted to give that same pleasure to another human being.”
Over the next several years, Beilhart built her portfolio, reputation and skills as a freelance photographer before landing in DC.
“Portraiture became my main game and eventually the catalyst for Behold.Her when I found myself in DC wanting to create an environment where women could feel carefree and less filtered.”
Behold.Her, now in its third year, began as a portraiture and conversational series, but soon blossomed into a project series captivating a community of women and celebrating its diverse racial, cultural, religious and sexual orientation backgrounds.
“The biggest things we focus on is self-worth. We want women to focus completely on listening and sharing. Self-development takes a lot of energy. Most women leave emotionally depleted, but at the same time re-energized to approach life a little differently or feel less alone.”
Beilhart says Behold.Her is working toward a Self Worth Conference at the end of the year. Each quarter of 2019 will have its own theme: self-worth, sexuality and consent, money and guilt, and finally, community and relationships. All four themes will be combined at the multi-day, self-focused conference for women.
Freelance Stylist + Consultant
From Belgium to the Middle East, France to Ireland and England to DC, Frederique Stephanie has trotted the globe as a freelance stylist and public relations consultant. Freddie, as her friends call her, has worked as a stylist for celebrities like Rihanna, Drew Barrymore, Alexa Chung, Lily Allen and Pixie Geldof. But the biggest highlight of Freddie’s career was working on the Adidas Originals campaign featuring David Beckham, Snoop Dogg and Noel Gallagher, among other big names. Style is important to Stephanie, and always has been. And while she is definitely stylish, she says she’s not a fashionista.
“Style is a better word,” she says. “It is a reflection of my unique complexity as a human being.”
Stephanie decided to move across the Atlantic when she saw the growth potential for the DC creative market. She says her success in the nation’s capital comes from her unique background and perspective.
“I’m a black girl with Caribbean roots raised in Paris, but who spent most of her life in London. The DC creative scene needs more variety and different point of views. The city is changing and so will the industry standards as people start pushing boundaries.”
Now working as a PR consultant for Eaton DC, a collective of culture, media, hospitality, wellness and progressive social change, Stephanie says it’s “one of the most significant projects [she’s] ever worked on.”
“[Eaton DC] is the perfect platform because of what it stands for and the impact it already has on the city. They are doing incredible work, which is essential in the current [social and political] climate.”
Stylist + Creative Director
Jai Lescieur recently moved to DC from London where she began her career as a styling manager and creative consultant. She worked on a variety of projects that included assisting on a shoot for Vogue China, working on a documentary about David Beckham, customizing outfits for a British TV show and getting published in British Vogue. Now, Lescieur works closely with Lauren Melanie Brown at Fashion Grunge and continues to freelance as a stylist.
“I feel like I have barely scratched the surface of what DC has to offer and I am excited to continue exploring the city,” she says.
Her love for fashion and art stems from a childhood spent in Mexico City, where her mother would dress up even when she wasn’t going out and her father would wear pants tailored from curtains just because he loved the fabric so much. Now that she’s grown, Lescieur finds inspiration from powerful women like Alexandria Ocasio-Cortez and Michelle Obama who are exploring different kinds of fashion while in the public eye.
“I love how they are changing the conversation of how women are viewed by what they wear. Although some people will always unfairly criticize powerful women for what they wear, these women are showing that fashion can also be a symbol of their empowerment.”