Photo: Colin Medley

Dynamic Duo Partner Rocks DC

Lucy Niles and Josée Caron, better known as Partner, a Canadian rock duo with hilariously relatable lyrics and guitar chops for days, graced the DC9 stage Wednesday after making waves on the SXSW circuit in March. Ahead of their show, I sat down with the duo to talk inspiration behind their debut album, In Search of Lost Time, what it’s like working alongside a close friend, and how others can draw from their example to trust in their creative work.

Niles and Caron’s subject matter has an undeniable everyday appeal. With songs about making the most of weekdays off from a hectic work schedule on “Personal Weekend,” the paranoia that comes from being high in public on “Everybody Knows,” and the excitement of a new crush on “Play the Field,” listeners will find at least one relatable song on their first full-length album. The band says their inspiration for these songs comes from common threads amongst their lives.


Both on and off the stage, Niles and Caron have a palpable and cohesive energy that many duos spend entire careers honing. In addition to the two on guitar, an equally talented three-piece band joins them for live performances. While they were in college, Niles and Caron spent time in and out of different projects before they formed Partner in their post grad years.

“Everyone in the other bands moved away and it was kind of just me and Lucy. We were living together and it kind of was just exactly the right circumstances,” Caron says of the band’s eventual creation. “One day we were hanging out and there was this guitar beside me and I just started yelling words.”

“It was around when she was getting into weed, so we would just smoke and talk about childhood memories and stuff like that,” Niles adds.

Forming the band led to an eventual permutation of old friends, and with each tour and recording session, their relationship becomes deeper.

“It’s a really fast way to grow as people. I think our bond is stronger now,” Niles says.

Caron is quick to agree.

“We’ve been playing together pretty much since we met, casually at first, then we started touring together but not as seriously,” she says. “It just sort of built up, but we also live together so we’re together all the time anyway.”

While their sound is distinct and decidedly self-assured, Caron and Niles say they find their inspiration from a host of artists.

“It’s all over the place,” Niles says. “Sound wise, we’re influenced by Ween, obviously, because they’re pan-genre. We’re kind of more influenced by attitudes and energies or whatever.”

“[We’re even influenced by] people that aren’t known really at all,” Caron adds. “We love to discover.”

“Pretty much anybody that seems like they know exactly what they’re trying to say and… they sound like they’re free, that’s what inspires us,” Niles says.

The duo also draws inspiration from many non-musical places.

“We’re really obsessed with the Enneagram personality test,” Niles says.

“It’s kind of spiritual, so it’s like we’re on some kind of path,” Caron muses.

Niles agrees, adding, “We’re trying to improve ourselves and shit.”

Caron emphasizes that recently, reality TV is “for sure” a huge inspiration.

This attitude translated beautifully into Wednesday’s live show, where Caron impressively belted Lady Gaga’s “A Million Reasons” after telling the audience the recent Netflix documentary on Gaga’s life “changed everything” for her. They also covered Melissa Etheridge’s “I’m The Only One” and sang a new song that was inspired by a poem written by Caron’s boss. Both band mates smiled through the entirety of the song, as if no one in the world was ever going to have as much fun as they were in that momentexcept maybe for their audience.

One of the most refreshingly unexpected aspects of their album are the skits—seven in total—scattered throughout. Consisting mostly of recorded phone calls, the skits make perfect sense in a world of songs about the band’s everyday life. Perhaps the most hilarious are the ones including Caron’s supportive and funny dad. I asked her how she managed to get such great soundbites of her dad, and she tells me the band played a bit of a trick to get them.

“We knew we had to get him when he didn’t know he was being interviewed, and then we asked for his consent later,” she explains. “But it’s also my dad, and obviously from the record you can tell he really wants me to do this kind of thing.”

Niles adds that “We definitely would not have gone forward with it if he hadn’t been okay with it.”

The band knew they wanted skits to be a big part of the album, but the better parts of it came together later.

“We knew we wanted to have skits from the universe and stuff of our album,” Niles says. “We wanted people to feel like they were having a whole experience. We didn’t really have any ideas for a skit, and then we just smoked a bunch of hash.” 

Caron says the band “wanted to show our life and everyone who was involved in the record and everything getting made.”

Niles adds, “We definitely didn’t realize how the skits would be received. But then we came out with the skits, and a lot of people said that they loved them and a lot of people are like ‘we love your album, but we hate the skits’ so it’s like completely 50/50.”

While their subject matter and energy is carefree and playful, the powerful and positive example they set as talented women telling the stories of their everyday lives is not lost on the duo. I asked them for advice they would give to any young creatives who are afraid to put themselves out there.

“I don’t wanna say there’s nothing to be afraid of, but you deserve to be allowed to take up space if you want to. In that way, you don’t have to feel like you’re not allowed,” Niles says.

“I think that when you make something that you love, you can feel safe in your creation, and can look for that feeling of being supported by your art,” Caron says. “That will give you the strength and the momentum to  put yourself out there in whatever place makes sense for you. It’s really about finding your voice.”

For more information about Partner, click here

Photo: Trent Johnson

Queer Guitar Pros Partner Shred at SXSW

People say that I talk like Ellen Page // I guess that makes sense since we come from the same place // But it’s more than just a regional thing // Cause if it’s 50 percent maritime, it’s 50 percent lesbian

The opening lyrics to Ontario-based Partner’s “The ‘Ellen’ Page” pretty much sum up this quirky and insanely talented band’s vibe. Not yet on my radar before receiving a SXSW press email – even though they’ve been featured in NPR Austin 100, Stereogum’s Bands to Watch and Pitchfork – I was sold in the opening line of the pitch:

“Imagine if Beavis & Butthead were queer guitar pros who knew how to harmonize solos and spent too much time listening to Weezer and AC/DC.”

I mean, who wouldn’t be intrigued? And after Trent and I decided to end our packed first night at SXSW with their set at Valhalla on March 13, we knew within seconds of being front and center that we’d made the right choice. My spidey sense immediately began tingling when I caught NPR and Tiny Desk’s Bob Boilen out of the corner of my eye (if he’s in a room at SXSW, I know the band is going to be good) while Trent was just excited to be in a prime location for shooting photos (check out his excellent “Tuesday and Wednesday at SXSW” gallery here).

The five-piece band is led by self-described “lesbian stoner goofballs” Josée Caron and Lucy Niles, and backed by guitarist Daniel Legere, drummer Brendan Allison and bassist Kevin Brasier (who literally has the most infectious smile and unabashedly happy stage presence I’ve ever seen), and the description is spot on. Caron does have a striking resemblance to Page, both in her mannerisms and physical appearance, and offers up a half humorous, half this is probably for real “O” face during guitar solos that is…well, memorable, to say the least.

Niles is a bit more understated, offering up witty banter over the course of the set with Caron and handling a sore/worn out throat gracefully. The best friends, who say they’re “part musical act, part teenage diary and 100 percent queer,” both sing and can seriously shred the guitar. I say this as a pianist without any guitar experience, but who watched them play for nearly an hour about a foot away from me. The sheer talent pulsing from their fingers was palpable, and the music journalists (Boilen included, pardon me while I swoon) in the crowd were impressed.

The foundation of Partner’s sound is classic/garage rock, with some pop sensibilities and razor-sharp lyrics added to the mix. Songs like “Sex Object” about snooping in your roommate’s room and finding a sex toy (off of their 2017 album In Search of Lost Time) and new song “Big Gay Hands” (inspired by wanting their girlfriends’ respective, and big, hands all over their bodies) offer a glimpse into the subject matter they cover in their repertoire. After playing the latter, the duo joked about the fact that the song is both of their parents’ favorite, but that the parental units each have their own name for the song title that does not involve using the word “gay.”

Their set included a few covers – not very many bands can pull off Melissa Etheridge and AC/DC with the same level of energy and chops – and I was also very impressed with how vocal they were about their influences. Etheridge is chief among them, along with k.d. lang, Indigo Girls, Ween, and Tegan and Sara (Caron was sporting a T&S T-shirt), among others. In my humble opinion, it’s the most talented musicians that are quick to point out who they look up to, and who have their own fan moments about other kick ass musicians (and actors like Page).

I’m catching up with them on Friday, so check back this weekend for a full interview where I pick their brains about their garage rock sound, sick guitar riffs and Ellen Page.

Learn more about Partner here.