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Mr Twin Sister

Music Picks: Judas Priest, Santigold, Mr Twin Sister and More

WEDNESDAY, MAY 1

The Bright Light Social Hour
The president is a drag queen – well, at least in the new music video for “Lie to Me” by The Bright Light Social Hour. Inspired by the 2016 election, the psychedelic rock band’s single from their newest album Jude Vol. 1 compares Trump supporters to infatuated lovers blinded by devotion. After playing at SXSW, The Bright Light Social Hour immediately embarked on a tour. It’s only fitting they bring their conscious rock to DC. Doors at 7 p.m. Tickets are $15. Songbyrd Record Cafe and Music House: 2475-2477 18th St. NW, DC; www.songbyrddc.com

SATURDAY, MAY 4

Delta Rae
Hailing from North Carolina, Delta Rae’s six-member, country-folk band performs regularly at music festivals around the country. They’ve taken the stage at Bonnaroo, Austin City Limits, Firefly, Summerfest, Lollapalooza, Hangout Fest and more. Delta Rae released their second album After It All in 2015. Two years later, they released an EP, A Long and Happy Life, and are currently touring to support their latest work. Doors at 6 p.m. Tickets are $25. 9:30 Club: 815 V St. NW, DC; www.930.com

MONDAY, MAY 6

Santigold
Few musicians seem like they are having as much fun as Santigold, an artist who seems to have an endless amount of energy. With soothing vocals, wise lyrics and often thumping electric backdrops, Santigold has been a pop mainstay since 2008; and because of her longevity, she’s celebrating 10 years of success since her debut self-titled album. Doors at 7 p.m. Tickets are $40. Fillmore Silver Spring: 8656 Colesville Rd. Silver Spring, MD; www.fillmoresilverspring.com

TUESDAY, MAY 7

Nana Grizol
This Athens, Georgia outfit is described as an indie folk band, however they play with a breakneck pace unlike most folk bands I’ve heard. The lo-fi approach to their instrumentation combined with their harmonic chants on songs like “Many Places 2 Call Home” and “New Years Wish,” both off of their 2018 release Theo Zumm, is infectious. Another interesting aspect of this band is the length of their songs, as most are reminiscent of old punk anthems lasting anywhere from 45 seconds to two minutes. Despite this brevity, the group touches on everything from growing up to American hypocrisy. Show at 9 p.m. Tickets are $12. Comet Ping Pong: 5037 Connecticut Ave. NW, DC; www.cometpingpong.com

SATURDAY, MAY 11

Ben Platt
Ben Platt is familiar with the proverbial spotlight. In fact, it’s been on him all his life. From the age of nine, Platt has appeared on the big stage many times, most notably in Dear Evan Hansen for which he won the 2017 Tony Award for Best Lead Actor in a Musical.His powerhouse vocals, emotive performances and acting chops even landed him a role in the hit comedy film Pitch Perfect. As if that wasn’t enough, Platt, who is signed to Atlantic Records, released his debut album Sing to Me Instead just last month. Doors at 6:30 p.m. Tickets start at $50. The Anthem: 901 Wharf St. SW, DC; www.theanthemdc.com

Mr Twin Sister
With weightless, ethereal melodies and the angelic vocals of lead singer Andrea Estella, Mr Twin Sister possess the ability to send listeners into a dreamy trance. But don’t be fooled – they can also get down with the funkiest of basslines. Nonetheless, their sounds set the perfect mood for spring. Mr Twin Sister is best known for “Meet the Frownies,” which was sampled by Dr. Dre and Kendrick Lamar. Doors at 7 p.m. Tickets are $15. U Street Music Hall: 1115 U St. NW, DC; www.ustreetmusichall.com

SUNDAY, MAY 12

Judas Priest
Talk about longevity! Legendary heavy metal band Judas Priest has been disrupting the scene for 50 years. They achieved great mainstream success early on, selling millions of albums and solidifying their position as one of the best heavy metal bands of all time. But time and success haven’t slowed their ambitions. Firepower, released last year, is the group’s 18th album. Rumor has it the next one is already in the works. Doors at 6:30 p.m. Tickets start at $75. The Anthem: 901 Wharf St. SW, DC; www.theanthemdc.com

Lee DeWyze
Remember the autotune craze? It feels like 10 years ago you couldn’t put together a playlist without half of the songs being aided by electric vocals. From Daft Punk to Bon Iver to T-Pain, the tool was a large part of the pop culture zeitgeist. And while some did it better than others, a ton of musicians gave it a shot. Some of the best music from this fad included the moments exceptionally talented vocalists used the sonic tool for layering. One of the men capable of this feat is Lee DeWyze, and though autotune is less frequent these days, when this artist decides to do so, it focuses his singing talent. Doors at 6:30 p.m. Tickets are $20. Jammin Java: 227 Maple Ave. E. Vienna, VA; www.jamminjava.com 

MONDAY, MAY 13

Kate Toupin
A former Houndmouth keyboardist and vocalist, Kate Toupin is further proving she might be more interesting in a solo setting. Her music is energetic and honest, and her debut EP Moroccan Ballroom was entirely live, providing a transparent sound less talented musicians might avoid in their first release. The only thing better than hearing a live studio session on a streaming platform is to witness it firsthand, and now’s your chance. Doors at 7:30 p.m. Tickets are $13-$15. DC9 Nightclub: 1940 9th St. NW, DC; www.dc9.club 

WEDNESDAY, MAY 15

Johnnyswim
The husband and wife musical duo of Johnnyswim are unreasonably charming. Amanda Sudano and Abner Ramirez have been making heartfelt music together since 2005. It’s unclear whether love or music came first, but who cares? It works. In their latest album Moonlight, the band joined forces with Grammy Award-winning producer and songwriter Malay. Invigorated by a fresh perspective, Johnnyswim is back and better than ever. Doors at 6:30 p.m. Tickets are $40. Lincoln Theatre: 1215 U St. NW, DC; www.thelincolndc.com

 FRIDAY, MAY 17

Jessica Pratt
A descriptor you’ll see for Jessica Pratt pretty much everywhere is that she’s not loud. Her music is quiet, creating a sense of intimacy and secrecy. Though Pratt has a talent for using her voice, she chooses to almost whisper into the mic, allowing the guitar chords to stand out in their own right. All her songs are soft and gentle but each cause pause, making you think and focus all at once. Doors at 6:30 p.m. Tickets are $15. Miracle Theatre: 535 8th St. SE, DC; www.themiracletheatre.com

Juice WRLD
Juice WRLD is to hip-hop what Nirvana was to rock. That’s to say, their music speaks to the pains of growing up, teenage angst and young heartbreak. This kind of self-consciousness is a phenomenon in rap music, generally known for its braggadocious and confident lyrics, though reflective in other ways. But Juice WRLD is at the forefront of new age rap. His latest album Death Race for Love debuted at number one on theBillboard 200. Doors at 6:30 p.m. Tickets start at $50. The Anthem: 901 Wharf St. SW, DC; www.theanthemdc.com

FRIDAY, MAY 17

Molly Tuttle
There are few better at playing an acoustic guitar than Molly Tuttle. Her bluegrass songs serve as a showcase for her biting lyrics, guitar skills and vibrant, twangy vocals. The artist has mastered the genre, ranging from quick-paced anthems to stinging ballads. She’s versatile, she’s exceptionally talented and she’s a tremendous songwriter. No frills, no B.S. – just unmistakable bluegrass. Doors at 7 p.m. Tickets $18. Pearl Street Warehouse: 33 Pearl St. SW, DC; www.pearlstreetwarehouse.com

SUNDAY, MAY 19

Olden Yolk
This band describes its music as dystopian, which is an epic way to summarize this duo’s penchant for one-off creations. Made up of songwriting duo Shane Butler and Caity Schaffer, their interlaced vocals ebb and flow beautifully over their synchronized instrumentation, often featuring guitar strums and a steady drum beat. There’s nothing flashy about the two, kind of like how there’s nothing flashy about egg yolks – is that what they’re going for? Sure, probably. Doors at 7:30 p.m. Tickets $12. DC9 Nightclub: 1940 9th St. NW, DC; www.dc9.club 

Tacocat

While the words taco and cat are SEO dynamos in their own right, putting the two words together is a brilliant marketing strategy for targeting millennials. While I know I’m overthinking this name thing, the band Tacocat doesn’t even need a silly name to get people interested. Their music is more than capable of holding attention. The band lives in a world ruled by surf rock and indie chill, providing ample opportunity for dancing, toking or whatever else you’re in the mood for. Show at 7 p.m. Tickets $18. U Street Music Hall: 1115 U St. NW, DC; www.ustreetmusichall.com

TUESDAY, MAY 21

TV Girl
I think TV Girl describes their music better than I ever could: “You can sing along to, but wouldn’t sing around your parents, unless your parents are avant-garde film fans who smoke pot while fantasizing about aliens in outer space.” Okay, okay, I added everything after parents, but the point still stands: this indie band makes easily digestible music with some pretty deep subject matter. I mean, their last album was titled Death of a Party Girl, which could also be the title of a faux biography of a fictional scream queen. Either way, this sometimes X-rated music is super chill and extremely smooth. Doors at 7 p.m. Tickets are $15. Rock & Roll Hotel: 1353 H St. NE, DC; www.rockandrollhoteldc.com

WEDNESDAY, MAY 22

Chromatics
Chromatics have yet to release their long-awaited fifth studio album. In the meantime, fans will have to feast on the electronic band’s latest single “Time Rider,” an updated 80s synth-pop gem. Performing for the first time in years, the electronic band announced a six-week tour, Double Exposure, making a stop at DC’s iconic 9:30 Club. Doors at 7 p.m. Tickets are $31. 9:30 Club: 815 V St. NW, DC; www.930.com

THURSDAY, MAY 23

American Football
The sport of American football is rough and tumble. If you look up NFL highlights, you’ll probably hear hip-hop or metal because of the breakneck pace. The band American Football is a much more subdued soft rock band with slow starts and dramatic choruses. Their self-titled third LP is increasingly steady, which is perfect for what the band is going for. If you’re more into subtle emo sways, this band is probably for you. Doors at 7:30 p.m. Tickets are $30. Black Cat: 1811 14th St. NW, DC; www.blackcatdc.com

Disclosure
Best known for their brilliant collaborations with Sam Smith, Disclosure is at the top of their game. The four-time Grammy-nominated electronic duo will be touring in the U.S. for the first time in three years. Last year, Disclosure released EP Moonlight, intended to proceed the band’s third studio album expected this summer. Doors at 9 p.m. Tickets are $30-$40. Echostage: 2135 Queens Chapel Rd. NE, DC; www.echostage.com

MONO
Tokyo-based instrumental rock band MONO rejects the traditional standards of rock music, embracing genre-mixing methods and never conforming to musical norms. They often blend orchestral arrangements with heavily distorted, guitar-based instrumentals. After dropping their tenth studio album Nowhere Now Here, MONO has been touring the world quite extensively. Doors at 7 p.m. Tickets are $15-$30. Union Stage: 740 Water St. SW, DC; www.unionstage.com

What’s On Tap: May 2019

Greetings, beer nerds! As you likely know, there are a number of fantastic spots in the DMV where you can grab a pint, and their menus are always evolving and adapting to your tastes. If you’d rather avoid the guessing game, check out what’s coming up at a few of these fine establishments.

THURSDAY, MAY 2

Caboose’s Fourth Anniversary Beer Dinner
Don’t miss this spring beer dinner in honor of Caboose Brewing Company’s fourth anniversary. The evening will include a five-course meal and beer pairing created by executive chef David Rabin and Caboose’s wonderful brewing team. 7:30 p.m. Tickets $75. Caboose Brewing: 520 Mill St. NE, DC; www.caboosebrewing.com

The Kapittel Farewell Party
Join The Sovereign as they bid a fond farewell to the beers of Kapittel. On this day, they will feature five classic ales from Watou, Belgium. All Kapittel beers will be priced individually by the glass and in 4-oz. tasting pours. 5-11:30 p.m. Free to attend.The Sovereign: 1206 Wisconsin Ave. NW, DC; www.thesovereigndc.com

FRIDAY, MAY 3

Slaters Lane Socials: Spanish Tapas
Join Rustico Alexandria for their next installment of the Slaters Lane Socials series. On the first weekend of each month, the restaurant will showcase a few fun and exciting food specials paired with one of their favorite craft brewers. This month, Rustico is celebrating the cuisine of Spain with executive chef Stephen McRae’s delicious tapas menu. 5-11:30 p.m. Free to attend. Rustico Restaurant and Bar: 827 Slaters Ln. Alexandria, VA; www.rusticorestaurant.com

SATURDAY, MAY 4

Dawn Patrol Release Party on the Patio
Join Lost Rhino Retreat for a party on the patio for the release of Lost Rhino’s Dawn Patrol Session IPA. Taps open at 2 p.m. and the event will feature live music, barbecue, seafood boil, beer bucket specials and more. Join for a great opportunity to bring in the summer a little early with the release of this new brew. 2-10 p.m. Free to attend.Lost Rhino Retreat: 22885 Brambleton Plz. Ashburn, VA; www.lostrhino.com

The First Annual Brewer Spring Art and Culture Crawl
Enjoy a beverage from each of Silver Spring’s three breweries while slurping up new knowledge about the art, architecture and culture of Silver Spring’s blossoming urban community. The ticket price includes a pint of your choice at each brewery, a T-shirt and a chance to win some prizes along the way. 1-4 p.m. Tickets $50. The Rotary Club of Downtown Silver Spring: 923 Ellsworth Dr. Silver Spring, MD; www.silverspringrotary.org

Rocket Frog 1st Anniversary Party
It’s been one year since Rocket Frog opened its doors to the public. This will be a festival-style event inside the brewery. The festival features their 12 taps behind the main bar, an additional 10 taps in the brewing area, and one firkin (TBD), all with your favorite Rocket Frog beer. There will be several variations from beers served throughout the first brewery’s first year. 12-6 p.m. Tickets $30-$48. Rocket Frog Brewing Company: 22560 Glenn Dr. #103, Sterling, VA; www.rocketfrogbeer.com

WEDNESDAY, MAY 8

Calvert Woodley’s DMV Brewery Night
Join for a walk-around tasting featuring breweries from DC, Maryland and Virginia, who will be showcasing their favorite brews. Come sample their flagship offerings as well as some seasonal specials. As an added bonus, all the brews will be available for purchase at specially discounted prices. You’ll also receive a complimentary glass for the tasting. 6 p.m. Tickets $25. University of the District of Columbia Heritage Hall: 4200 Connecticut Ave. NW, DC; www.calvertwoodley.com

SATURDAY, MAY 11

Cheers for Babies
Join Sauf Haus in Dupont Circle for a happy hour fundraiser supporting the Maternity Home and Pregnancy Center programs of The Northwest Center. Since 1981, The Northwest Center has served over 57,300 women and babies in the DC area. With your help they can continue in their mission of empowering women and strengthening families. 6-9 p.m. Free to attend. Sauf Haus Bier Hall: 1216 18th St. NW, DC; www.saufhausdc.com

WEDNESDAY, MAY 15

Horizontal Tasting: Cider, Beer and Wine
Celebrate spring by exploring cider, beer and wine together! Your ticket includes a guided, five-part horizontal tasting. For each course, Capitol Cider House will pair a different cider with a similar beer or wine. To sweeten the night, the fifth and final course will pair a dessert wine with Capitol Cider’s house made North Columbia – essentially, the apple version of port wine. Capitol Cider House: 3930 Georgia Avenue NW, DC; www.capitolciderhouse.com

FRIDAY, MAY 17

SAVOR: An American Craft Beer & Food Experience
What happens when celebrated chefs team up with some of America’s finest craft breweries? The answer: an unforgettable night of sensory delight. Set amidst the grandeur of the National Building Museum, SAVOR is the premier beer and food pairing event in the country. Discover your new favorite craft beers and pairings and meet the people behind the beer, including owners and brewers, who will be personally serving their beer. Starts at 7:30 p.m. Tickets $135. National Building Museum: 401 F St. NW, DC; www.savorcraftbeer.com

SATURDAY, MAY 18

Sour Mania!
Pucker up and join Mad Fox for their 2nd Annual Sour Beer Festival. Sample special and limited-edition sour ales from around the region and across the country at this indoor event. Enjoy live music and fantastic food while sipping some truly tart ales. Admission to the brewpub is free and space is available on a first come, first served basis. Please call the restaurant for table reservations. Tasting begins at 11 a.m. on Saturday. Check out the samtpler package offer available online only. 11 a.m. – 11:30 p.m. Tickets start at $20. Mad Fox Brewing Company: 444 W. Broad St. Falls Church, VA; www.madfoxbrewing.com

The Ultimate Beer Pong Tournament
Are you the master of beer pong? Do you want to help a good cause while also consuming libations? Well, this is the perfect event for you. Join Town Tavern with your best beer pong partner and drink and play for a cause. The bar is hosting a beer pong tournament to raise money and awareness for the Leukemia & Lymphoma Society. 6:30 p.m. Tickets $5-$25. Town Tavern DC: 2323 18th St. NW, DC; www.towntaverndc.com

SUNDAY, MAY 19

Bingo with the DC Sisters
Come to the DC Sisters’ monthly bingo night. They will be at Red Bear Brewing with games, raffle tickets for the 50/50 raffle, extra game books, and food and beverages will also be available for purchase. 1-4 p.m. $20 will get you six rounds of bingo, each with a $100 cash prize and potentially a door prize. Red Bear Brewing: 209 M St. NE, DC; www.dcsisters.org

Pups N’ Pints
Join Fairfax Dogfish Head Alehouse for a fundraiser in an effort to raise money for the HART Organization. Kick off the day with the annual 5K run and then enjoy the outdoor bar and grill. 10 a.m. – 10 p.m. 5K registration is $40. Dogfish Head Alehouse: 13041 Lee Jackson Memorial Hwy. Fairfax, VA; www.dogfishalehouse.com

SATURDAY, MAY 25

Rivershed Run
Kick off your long weekend with a fast and flat run that starts in urban Alexandria, cools down through beautiful Cameron Run Park and finishes at the Port City Brewery. After the 5K, you will have earned your fair share of calories.  So, plan to stay for the ultimate Virginia Memorial Day BBQ. Live bluegrass all afternoon, All American food trucks with a pig roast, burgers and apple pie. All that and the release of Port City’s new Rivershed Ale. 10 a.m. – 2 p.m.5K registration is $45. Port City Brewing Company: 3950 Wheeler Ave. Alexandria, VA; www.portcitybrewing.com

Stone Carving at the Brewery
New District Brewing Company has had paint nights and food pairings, but now it’s time for stone carving. Come in empty handed and walk out with a small stone creation made with your own two hands. The instructor will guide you through a class to give you the basics of stone carving while the brewery will provide plenty of beer to coax out your muse. 2 p.m. Tickets $30. New District Brewing Company: 2709 South Oakland St. Arlington, VA; www.newdistrictbrewing.com

Woodbridge Beer Fest
This beer event is taking over the main drag of Woodbridge for the second year, filling it with beer, food and even wine. There will be 12 breweries providing the best of local and regional craft breweries, food vendors, live music and other entertainment. Want to stay late? The Brew Republic taproom will host an after party. Festivities begin at 11 a.m. Tickets start at $39. Brew Republic Bierwerks: 15201 Potomac Town Pl. Woodbridge, VA; www.brewrepublic.beer

Stage and Screen: The White Snake, John Cusack, God of Carnage and More

THROUGH SUNDAY, MAY 19

The Great Commedia Hotel Murder Mystery
The Great Commedia Hotel Murder Mystery promises to give you “Zanni bellhops, femme fatales, hidden clues, mustachioed detectives and more!” In the tradition of classic mysteries from Agatha Christie, Sherlock Holmes and Clue, this entertaining whodunnit ends Faction of Fools Theatre Company’s monumental 10th anniversary season. Various dates and times. Tickets $22. Faction of Fools Theatre Company: 800 Florida Ave. NE, DC; www.factionoffools.org

THROUGH SUNDAY, MAY 26

The White Snake
Inspired by an ancient Chinese fable, The White Snake tells the story of animal spirit White Snake, who transforms into a beautiful woman to experience the human world. When White Snake falls in love with a pharmacist’s assistant, their illicit romance draws the ire of a villainous monk who sets out to destroy their relationship. Various dates and times. Tickets $19-$45. Constellation Theatre Company: 1835 14th St. NW, DC; www.constellationtheatre.org

THROUGH SUNDAY, JUNE 2

The Oresteia
Adapted from the Greek tragedy trilogy, Ellen McLaughlin’s The Oresteia is coming to the Shakespeare Theatre Company. On the surface, it’s an epic story about love, betrayal, murder and revenge. But at its core, The Oresteia is a critique of human civilization. McLaughlin condenses the trilogy into one dynamic show with expert finesse. Various dates and times. Tickets $44-$118. Shakespeare Theatre Company’s Sidney Harman Hall: 610 F St. NW, DC; www.shakespearetheatre.org

THROUGH SUNDAY, JUNE 9

Love’s Labor’s Lost
In this early Shakespeare comedy, a young king and his three companions swear off women in order to focus on their studies and fasting. However, when a princess and her female companions arrive, the young men find it increasingly difficult to deny their lustful desires. Directed by Vivienne Benesch, Love’s Labor’s Lost is a delightfully witty, amusing and timeless tale. Various dates and times. Tickets $42-$79. Folger Theatre: 201 E. Capitol St. SE, DC; www.folger.edu

WEDNESDAY, MAY 1 – SUNDAY, JUNE 2

The Children
The protagonists of The Children, a couple of retired physicists, live in a remote cottage on the British coast. They live a simple, modest life in the aftermath of a nuclear disaster, carefully conserving their resources to get by. But a surprise visit from a former colleague upends the couple’s lives, revealing old secrets with catastrophic consequences. The Children is loosely based on the Fukushima nuclear disaster of 2011. Various dates and times. Tickets $52-$65. Studio Theatre: 1501 14th St. NW, DC; www.studiotheatre.org

SATURDAY, MAY 4 – SATURDAY, MAY 25

God of Carnage
The 2009 Tony Award-winning play God of Carnage was originally a French tale but has been translated due to popular demand. The play centers around a feuding set of parents who meet after their children clash in a playground altercation. What begins as a civil conversation devolves into a jarring confrontation between the parents and ultimately their own partners. Various dates and times. Tickets $50. Keegan Theatre: 1742 Church St. NW, DC; www.keegantheatre.com

TUESDAY, MAY 7 – THURSDAY, MAY 9

The Chibok Girls: Our Story
Few girls have captured the world’s attention like the Chibok Girls. In 2014, 273 Nigerian girls were kidnapped from a school in the town of Chibok, stirring international outrage and widespread protests in Nigeria. In a predictable fashion, the world seemed to forget about the kidnapped girls just as quickly as they’d learned about their disappearance. Renegade Theatre’s The Chibok Girls: Our Story is a reminder in the form of testimonial theatre. The event also features Nobel Prize-winning playwright and author Wole Soyinka and is part of CrossCurrents, a “citywide biennial festival that highlights innovative artists from around the world who are harnessing the power of performance to humanize global politics.” Begins at 7:30 p.m. each night. Tickets are $20. Davis Performing Arts Center: 37th and O Streets NW, DC; www.georgetown.edu

THURSDAY, MAY 16

John Cusack, Plus a Screening of High Infidelity
John Cusack is recognizable from a ton of movie roles, but perhaps none are as iconic and memorable as Rob Gordon, a music connoisseur and record shop owner searching for love in the classic rom-com High Fidelity. Throughout the film, Gordon muses on his past relationships and the sobering realities of love and companionship. Cusack himself will discuss the film in person and take questions from the audience following the screening at the Warner Theatre. Doors at 6:30 p.m. Show at 7:30. Tickets $49-$150. Warner Theatre: 513 13th St. NW, DC;www.warnertheatredc.com

Music Picks: April 2019

TUESDAY, APRIL 2

Muse
Commercially successful English rock band Muse will stop in DC as a part of The Simulation Theory world tour. The band’s eighth studio album by the same name was released in November last year. Perhaps, the best way to describe their latest project is through the album cover. It was designed by Stranger Things artist Kyle Lambert, and like the show, the songs have a futuristic feel with all the trappings of electronic rock. Show starts at 7:30 p.m., tickets start at $43. Capital One Arena: 601 F St. NW, DC; www.capitalonearena.com

WEDNESDAY, APRIL 3

Kennedy Center Spring Gala with Idina Menzel
Award-winning Broadway star, singer and actress Idina Menzel is set to perform at The Kennedy Center’s annual gala, Celebrating the Human Spirit. Menzel is best known for her portrayal of Elphaba in the smash musical Wicked and for voicing Queen Elsa in the hit animated film Frozen. Including a mix of fan favorites and original songs, the gala concert is poised to be a memorable one. This year, the center will be honoring Citizen Artist Forest Whitaker and Distinguished Philanthropists Patrick G. Ryan and Shirley W. Ryan. Show starts at 8 p.m., tickets start at $99. The John F. Kennedy Center for the Performing Arts: 2700 F St. NW, DC; www.kennedy-center.org

FRIDAY, APRIL 5

Amanda Palmer
Amanda Palmer is absolutely haunting in her newest studio album There Will Be No Intermission. Tackling difficult subjects like abortion, miscarriages and cancer, this is exactly the kind of daring work one should expect from Palmer. She’s gained a bit of a reputation for her shocking, bold imagery – and she’s aware of it. In an interview with On Tap’s Trent Johnson, Amanda said, “You don’t go see Halloween 8 and expect a guy without a knife, just like you’re not coming to an Amanda Palmer show and expecting Disney songs and jazz hands.” Show starts at 7:30 p.m., tickets $39-$54. National Theatre: 1321 Pennsylvania Ave. NW, DC; www.thenationaldc.org

The Infamous Stringdusters
And the Grammy goes to…The Infamous Stringdusters! The quintessential progressive bluegrass band earned its first Grammy nod in 2011 for the song “Magic No. 9.” Last year, they secured the big win: Best Bluegrass Album for Laws of Gravity. In their follow-up project, The Infamous Stringdusters are expected to release a new album in April. Their jovial title track “Rise Sun” teases a groovy, uplifting celebration of life. Show starts at 9:30 p.m., tickets $25. 9:30 Club: 815 V St. NW, DC; www.930.com

SATURDAY, APRIL 6

The Vijay Iyer Sextet
Highly acclaimed keyboardist-composer Vijay Iyer is close to achieving icon status at the age of 47. Boasting an impressive musical catalogue, critics have offered nothing but praise for the young jazz genius. He formed the The Vijay Iyer Sextet, collaborating with five other contemporary masters to release Far From Over, an album that made Rolling Stone’s “50 Best Albums of 2017.” Shows start at 7 p.m. and 9 p.m., tickets $45. The Kennedy Center: 2700 F St. NW, DC; www.kennedy-center.org

SUNDAY, APRIL 7

Aaron Lee Tasjan
When Aaron Lee Tasjan and his band performed at Bob Boilen’s famous Tiny Desk at NPR, Boilen later wrote, “The sound of the middle-and-late 1960s came through his sea green, Gorsuch 12-string guitar while his voice felt both familiar and fresh.” In other words, Tasjan is a vintage-loving, fedora-wearing, oldies-listening hipster. But what’s wrong with that? Especially when you’re damn good at what you do. In his new album Karma For Cheap, the Nashville resident takes audiences back in time – YouTube archives it is, youngsters – to rediscover what they love about classic rock music. Show starts at 8 p.m., tickets $15. Songbyrd Record Cafe and Music House: 2475 18th St. NW, DC; www.songbyrddc.com

City of the Sun
The New York City trio City of the Sun play experimental, instrumental music with indie rock, American folk, flamenco and blues influences. Somehow, this eclectic band combines these genres in a coherent fashion. Their sound challenges the perception of instrumental music and resolves to propel it into the future. Show starts at 8 p.m., tickets $15-$18. Union Stage: 740 Water St. SW, DC; www.unionstage.com

MONDAY, APRIL 8

Neyla Pekarek
After going solo, Neyla Pekarek is soaring on her own. Formerly a cellist for the uber-successful band The Lumineers, Pekarek decided to split with the band after eight years because it was no longer the right fit. Announcing her departure, The Lumineers tweeted, “A band is like an organism – it grows, changes and evolves.” Soon after her exit, Pekarek dropped her debut solo album Rattlesnake earlier this year. She was inspired by a Colorado frontierswoman known as “Rattlesnake Kate” who, according to legend, shot 140 snakes on horseback to protect her infant son. In what she’s described as “a feminist record,” Pekarek lays her perky vocals and instruments on 13 tracks meant to inspire fellow women. Show starts at 7:30 p.m., tickets $18-$20. Union Stage: 740 Water St. SW, DC; www.unionstage.com

THURSDAY, APRIL 11

Arielle
Guitarist, singer-songwriter Arielle is an old fashioned, young woman from Austin who prefers all things bohemian and lives to jam out. Her classical folk-rock sound has caught the attention of many notable acts. She’s opened for Heart, Vince Gill, Eric Johnson, Joan Jett, Gregg Allman and more. The talented up-and-comer shows special promise and has plans to release a new album in the near future. Show starts at 8 p.m., tickets $12. Jammin Java: 227 Maple Ave. E Vienna, VA; www.jamminjava.com  

FRIDAY, APRIL 11 – SUNDAY, APRIL 14

Damaged City Music Festival
Damaged City Music Festival’s is DC’s premiere hardcore punk rock festival. This annual festival draws punk lovers from around the world to the nation’s capital for a rockin’ good time. This year, the diverse lineup includes Despise You from L.A., Raw Brigade from Colombia, Rotten Mind from Sweden, Impulso from Italy and more. Various dates and times. Tickets $10-$60. Damaged City Music Festival: Various locations around DC; www.damaged-city.com

FRIDAY, APRIL 12

Robert Glasper Trio
Few musicians, if any, are in Robert Glasper’s category. Fusing an extensive command of jazz with his love of hip-hop and R&B, Glasper was always destined to become a visionary artist as a singer, expert pianist and producer. His unique musical background placed him in a world of his own, which did not go unnoticed by the industry. Glasper has been nominated for a Grammy six times, winning three. Working with artists across genres including Erykah Badu, Stevie Wonder, Norah Jones, Kendrick Lamar and Esperanza Spalding, Glasper’s brilliant artistry has garnered the respect of his peers. Show starts at 6 p.m., tickets $55-$70. City Winery: 1350 Okie St. NE, DC; www.citywinery.com

SUNDAY, APRIL 14

Los Lonely Boys
Chances are you’ve heard the song “Heaven” by Los Lonely Boys. The Chicano rock band is from Texas – and they sound like it. Steeped in their regional brand of blues with country rock overtones, Los Lonely Boys is literally a band of brothers. Despite several career setbacks in recent years, the Garza brothers always make positivity a priority by sharing their feel-good music with the world. Show starts at 8 p.m., tickets $40-$55. City Winery: 1350 Okie St. NE, DC; www.citywinery.com

Queen Latifah
Hip-hop legend and award-winning actress Queen Latifah will grace audiences with a performance in The Bridge Concert Series at the Kennedy Center. Latifah was a pioneer for women in hip-hop, creating a more inclusive space in what was and still is a male dominated genre. The Bridge Concert Series seeks to showcase the contributions black artist have made to American society. Show starts at 8 p.m. $59-$199. The John F. Kennedy Center for the Performing Arts: 2700 F St. NW, DC; www.kennedy-center.org

MONDAY, APRIL 15

Bad Suns
The Southern California rock band Bad Suns formed in 2012 and first gained popularity with their song “Cardiac Arrest.” Following the release of their new album Mystic Truth, the band will be kicking off their tour, traveling to cities throughout North America and Europe. Keep your eye out for this dynamic group – there’s just something about those Bad Suns. Doors at 7 p.m., tickets $25. 9:30 Club: 815 V St. NW, DC; www.930.com

Terror Jr
American electro-pop duo Terror Jr came to prominence in when their single “3 Strikes” was featured in Kylie Jenner lip gloss commercial. With an apparent endorsement from the social media star, Terror Jr was thrust onto the scene early in their career. Their unapologetic, catchy pop tunes sustained the momentum and placed them prominently on the charts. Upon the release of their debut album Unfortunately, Terror Jr earlier this year, critics were surprised to find the group had gone political. Addressing heavy issues like reproductive rights, LGBTQ rights and substance abuse, Terror Jr is growing up and revealing all their dimensions. Show starts at 7 p.m., tickets $18. U Street Music Hall: 1115 U St. NW, DC; www.ustreetmusichall.com

TUESDAY APRIL 16

The Dip
This soulful, swingin’ band will give you all the feels and leave you wondering why you’ve never heard of them before. Hailing from Seattle, The Dip gives you Motown vibes complete with a full horn section and a lead singer whose raspy, booming voice is simply beautiful. Show starts at 8 p.m., tickets $15-$30. Union Stage: 740 Water St. SW, DC; www.unionstage.com

Foals
Topping the U.K. charts with their album Everything Not Saved Will Be Lost Part 1, it’s safe to say Foals is making their mark at home. The English rock band – who managed to crossover with two albums on the Billboard 200 – is currently touring following the release of the first part of their double album.  Everything Not Saved Will Be Lost Part 2 is expected to drop this fall. Lead singer Yannis Philippakis described the first project as a prequel that ended in what felt “like a cliffhanger.” Doors at 7 p.m., tickets $38.50. 9:30 Club: 815 V St. NW, DC; www.930.com

Spiritualized
What’s space rock, you say? Think The Dark Side of the Moon meets 21st century sensibilities. Want to hear it? Look no further than English rock band Spiritualized. Prepare to be transported to outer space where time no longer exists, and you’re left floating in the vast expanse of the universe. Trippy, right? Show starts at 8 p.m., tickets $35. Lincoln Theatre: 1215 U St. NW, DC; www.thelincolndc.com

WEDNESDAY, APRIL 17

The National Symphony Orchestra Presents Beethoven’s Fifth: Fate Knocks!
The National Symphony Orchestra, led by Music Director Gianandrea Noseda, will perform Beethoven’s Symphony No. 5 for music lovers at The Anthem. With a strict dedication to artistic excellence, the 96-member orchestra is unlikely to disappoint. If you enjoy the classics, this masterpiece is one you won’t want to miss. Show starts at 8 p.m. Tickets $15-$30. The Anthem: 901 Wharf St. SW, DC; www.theanthemdc.com

THURSDAY, APRIL 18

Method Man and Redman
It’s been 20 years since Method Man and Redman from the legendary hip-hop group Wu-Tang Clan broke out as a duo and released their first album. Currently touring the country, the rappers will be stopping at Howard Theatre to perform classics from their repertoire. Show starts at 9 p.m., tickets $55-$65. Howard Theatre: 620 T St. NW, DC; www.thehowardtheatre.com

FRIDAY, APRIL 19

Adventure Club
Adventure Club is a Canadian dubstep duo who made the unusual transition from playing hardcore punk rock to light-hearted electronic dance, where they fit right in. They are best known for their hit remixes of Flight Facilities’ Crave You and Yuna’s Lullabies, which have 82 and 52 million views on YouTube, respectively. Show starts at 9 p.m., tickets $25-$35. Echostage: 2135 Queens Chapel Rd. NE, DC; www.echostage.com

TUESDAY, APRIL 23

Los Amigos Invisibles & Aterciopelados
Venezuelan band Los Amigos Invisibles blends funk, disco and pop with a distinctive Latin sound that makes you want to get up and dance. They are especially popular in their home country, where their music has been well-received since their debut album in 1995. Touring with Columbia’s top rock band duo Aterciopelados, this multicultural concert is sure to delight Spanish and English listeners alike. Show starts at 8 p.m., tickets $45-$50. The Howard Theatre: 620 T St. NW, DC; www.thehowardtheatre.com

WednesAY, APRIL 24

Emily Reo
Emily Reo’s newest album Only You Can See It is dropping in April. Her quirky sound falls somewhere between synth-pop and alternative, indie rock. Tunes like “Strawberry” and “Ghosting” from her new project have already created buzz, addressing the very topical issues of “ghosting” – the new-age term for suddenly ignoring someone – and toxic masculinity. Doors at 9 p.m., tickets $12. Comet Ping Pong: 5037 Connecticut Ave. NW, DC; www.cometpingpong.com

SUNDAY, APRIL 28

Cisco Adler
Grammy nominated producer and artist Cisco Adler is best known for his collaborations with rapper Shwayze. Their song “Corona and Lime” peaked at number #23 on the Billboard Hot 100 as one of the anthems of that era. After breaking out as a solo artist, Adler’s has settled into a smooth, alternative rock sound with reggae moods. Show starts at 8 p.m., tickets $17-$20. DC9: 1940 9th St. NW, DC; www.dc9.club

TUESDAY, APRIL 30

Julia Jacklin
If Joni Mitchell was reborn as a millennial, she would sound something like Julia Jacklin. The Australian native’s delicate, ethereal and distinctive voice is mesmerizing and memorable. Her second studio album released in January explores romantic relationships and self-reflection. The singer-songwriter said, “This album came from spending two years touring and being in a relationship and feeling like I never had any space of my own.” Show starts at 8 p.m., tickets $15. Rock & Roll Hotel: 1353 H St. NE, DC; www.rockandrollhoteldc.com

Stage and Screen: April 2019

THROUGH SUNDAY APRIL 28

Mosaic Theater Company ‘s Native Son
The infamous streets of Southside Chicago set the scene in this dramatic, gripping production of Native Son. Adapted from Richard Wright’s legendary novel, Native Son tells the story of Bigger Thomas. When Bigger gets a well-paying job as a wealthy businessman’s driver, a series of unfortunate episodes lead to tragic consequences. With the original version set in the 1930s, this modern adaptation incidentally reveals the deep-rooted history of poverty in Chicago. Various dates and times. Tickets $20-$35. Atlas Performing Arts Center: 1333 H St. NE, DC; www.atlasarts.org

THROUGH SATURDAY, APRIL 20

The Peculiar Patriot
Liza Jessie Peterson was a teacher at the notorious Rikers Island prisons for 18 years. Inspired by her experiences, Peterson brings her one-woman show to the stage, exploring the effects of incarceration on communities and a broken system that perpetuates inequality. Her character Betsy LaQuanda Ross, a self-proclaimed “peculiar patriot,” makes frequent trips to penitentiaries, visiting her imprisoned family and friends in this funny and fiercely provocative show. Various dates and times. Tickets $14-$29. Woolly Mammoth Theatre Company: 641 D St. NW, DC; www.woollymammoth.net

SUNDAY, APRIL 7

The Sleeping Beauty
The famed Russian National Ballet is coming to the DMV, performing the timeless classic ballet The Sleeping Beauty. With choreography from ballet master Marius Petipa and compositions by the incomparable Tchaikovsky, this performance is sure to be a grand production. Founded in the late 1980s, the Russian National Ballet emerged in the Soviet transitional period of Perestroika. Ever since, the company has been dedicated to sharing its command of classic ballet with the world. Show starts at 2 p.m., tickets $34-$56. George Mason University Center for the Arts: 4373 Mason Pond Dr. Fairfax, VA; http://cfa.gmu.edu

TUESDAY, APRIL 9

Bob Saget
Few comedians have succeeded to crossover in the entertainment world as well as Bob Saget. Best known for his portrayal of Danny Tanner on ABC’s Full House, the versatile Saget has enjoyed an illustrious career. Nonetheless, he is and always was a comedian first. His stand-up is not what you would expect from America’s favorite dad – and with good reason: he’s not. Stepping out of the Full House shadow hasn’t been easy, but that’s exactly what Saget hopes to do in this not-so-family-friendly comedy performance. Show starts at 8 p.m., tickets $45. Sixth & I: 600 I St. NW, DC; www.sixthandi.org

SATURDAY, APRIL 13

Chelsea Handler
Known for her hilariously blunt delivery and bold blue humor, Chelsea Handler is switching it up for her upcoming Sit-Down Comedy Tour. Handler kicks off her tour in April with the release of her new memoir Life Will Be the Death of Me. In a rare display of vulnerability, she writes introspectively about childhood trauma, therapy, activism and more. The show will feature true stories from her book in an honest, stripped-down conversation. But don’t worry – her emotional anecdotes will only accompany the deeply inappropriate jokes audiences know and love her for. Show starts at 8 p.m., tickets $85-$145. Warner Theatre: 513 13th St. NW, DC; www.warnertheatredc.com

WEDNESDAY, APRIL 24 – MONDAY, APRIL 29

The Who’s Tommy
In celebration of the 50th anniversary of The Who’s legendary debut album, The Kennedy Center’s Broadway Center Stage presents rock musical The Who’s Tommy. Starring Riverdale’s Casey Cott, Tony Award winner Christian Borle and Hamilton’s Mandy Gonzalez, the incredibly talented cast is not likely to disappoint. This semi-staged concert production boasts music and lyrics by The Who’s own Pete Townshend. Various dates and times. Tickets $69-$219. The John F. Kennedy Center for the Performing Arts: 2700 F St. NW, DC; www.kennedy-center.org

FRIDAY, APRIL 26 – THURSDAY, JUNE 2

Jubilee
From acclaimed playwright and director Tazewell Thompson comes an inspirational tribute performance based on the world-famous Fisk Jubilee Singers. The renowned African American acapella group broke enormous racial barriers in the late 19th century, funding the education of newly freed slaves and performing across the globe. The performance includes popular spirituals like “Wade in the Water,” “Swing Low, Sweet Chariot” and “Nobody Knows the Trouble I’ve Seen.” Various dates and times. Tickets $76-$125. Arena Stage: 1101 6th St. SW, DC; www.arenastage.org

TUESDAY, APRIL 30 – WEDNESDAY, JUNE 26

Spunk
Based on three short stories by Harlem Renaissance author Zora Neale Hurston and adapted by Tony Award winner George C. Wolfe, Spunk combines elements of storytelling, music and dance. This lively production promises to entertain audiences with spirited characters and tales of love, jealousy and revenge. Set in the countryside, Spunk also depicts the African American experience in the early 20th century. Various dates and times. Tickets $40-$85. Signature Theatre: 4200 Campbell Ave. Arlington, VA; www.sigtheatre.org

Stage and Screen: March 2019

THROUGH SUNDAY, MARCH 24

Blood at the Root
Blood at the Root is the story of what happens when a black student chooses to occupy a primarily white space in her high school, driving hate, violence and chaos among her classmates. The play, inspired by the Jena Six court case in Louisiana, examines the link between bias, justice and identity and asks audiences to consider what is lost when implicit biases shape our view of – and adherence to – justice. Written by Dominique Morisseau, the play is described as moving, lyrical and bold. Various dates and times. Tickets $40. The Anacostia Playhouse: 2020 Shannon Pl. SE, DC; www.anacostiaplayhouse.com

FRIDAY, MARCH 1 – SUNDAY, APRIL 14

JQA
The latest offering from award-winning playwright Aaron Posner, JQA is an imaginative and thought-provoking story that illustrates conversations between John Quincy Adams, who was known for his integrity, statesmanship and arrogance, with other American leaders including Frederick Douglass, Andrew Jackson and his own father John Adams. Described as provocative, haunting and hilarious, JQA received an Edgerton Foundation New Play Award. Various dates and times. Tickets $92-$115. Arena Stage: 1101 6th St. NW, DC; www.arenastage.org

MONDAY, MARCH 4 – SUNDAY, MARCH 24

Confection
The newest offering from New York-based Third Rail Projects is an immersive, multisensory dance and theatre performance staged throughout the Folger Reading Rooms. Inspired by the richness of the Folger Library and the lavishness of the 17th-century aristocracy, the performance examines the power of appetite and desire. Directed by Zach Morris and Jennine Willett, Confection is a story of opulence and consumption that not only invites audiences into the Folger’s magnificent Reading Rooms, but also invites them to enjoy bite-sized treats made by local pâtissiers. Various dates and times. Tickets $40-$60. Folger Shakespeare Library: 201 E Capitol St. SE, DC; www.folger.edu

FRIDAY, MARCH 8 – WEDNESDAY, MAY 22

Into the Woods
Ford Theatre’s Into the Woods is a darkly funny reimagining of several beloved fairy tales from the minds of Stephen Sondheim and James Lapine. The play follows a baker and his wife on a quest to break a witch’s curse, which leads them into the woods where they cross paths with timeless characters like Cinderella, Little Red Riding Hood, Jack and the Beanstalk, Rapunzel, and a pair of lovelorn princes. The play has won Tony Awards for score and script, and this Peter Flynn-directed rendition promises to inspire both laughs and introspection. Various dates and times. Tickets $28-$81. Ford’s Theatre: 511 10th St. NW, DC; www.fords.org

SATURDAY, MARCH 9 – SATURDAY, APRIL 6

Hands on a Hardbody
Featuring a score by Amanda Green and Phish’s Trey Anastasio, Hands on a Hardbody tells the story of 10 Texans competing to win a new truck. The contest is hilarious and hard-fought, and characters learn that perseverance, determination and hope can lead them to their American Dream. The play has been described as a quintessential American musical, and features a diverse cast of characters highlighting the intersectionality of the American identity. Set to a score featuring blues, country and R&B, Hands on a Hardbody is a quirky play that promises to enliven the District in its regional premiere. Various dates and times. Tickets $62. Keegan Theatre: 1742 Church St. NW, DC; www.keegantheatre.com

TUESDAY, MARCH 14 – SUNDAY, MARCH 24

The National Geographic Society Environmental Film Festival
The Environmental Film Festival returns to the District for its 27th year. Sponsored by National Geographic, featured films tackle important environmental issues like overfishing and climate change in addition to presenting visually stunning tales of adventure like the Academy Award-nominated Free Solo, which follows Alex Honnold’s free climb of Yosemite’s El Capitan. The festival includes 11 days of documentary film screenings at more than 25 venues. Details on the films, schedule and tickets are available online. Tickets $12. Times and locations vary. National Geographic Society Environmental Film Festival: Various locations in DC; www.DCeff.org

MONDAY, MARCH 25

Bon Iver & TU Dance’s Come Through
In the first event of the Kennedy Center’s DIRECT CURRENT season highlighting contemporary culture, Bon Iver and TU Dance’s collaboration Come Through fuses genres and mediums. Over a soundtrack featuring new music from two-time Grammy winner Justin Vernon of Bon Iver, nine-member dance troupe TU Dance will mix varied styles such as classical ballet and modern dance. Show starts at 7:30 p.m. Tickets start at $49. The John F. Kennedy Center for the Performing Arts: 2700 F St. NW, DC; www.kennedy-center.org

TUESDAY, MARCH 26 – SUNDAY, MARCH 31

A Bronx Tale
Directed by Robert De Niro and Jerry Zaks, A Bronx Tale has been described as Jersey Boys meets West Side Story. Set in 1960s New York, the musical tells the story of a young man who must choose between his father’s love and his ambition to be a “made man” in the mafia. The score is comprised of 60s-era doo-wop, and the play contains several ensemble dance numbers. A Bronx Tale features numerous actors and actresses from its time on Broadway, and offers audiences opportunities to laugh, cry and tap their feet. Various dates and times. Tickets $54-$99. National Theatre: 1321 Pennsylvania Ave. NW, DC; www.thenationaldc.org

Photo: Daniel Lempres

What’s On Tap: ANXO cidery & PintXos Bar’s Rachel Fitz Celebrates Women in Food and Drink

When ANXO Cidery & Pintxos Bar opened in Truxton Circle, they were the only sit-down restaurant in the neighborhood. Co-owner Rachel Fitz says the grid couldn’t handle a business of ANXO’s size – her team had to increase power and water for the entire neighborhood – but it was important for them to operate in the District and support the local community. A former social worker, Fitz’s commitment to community engagement has translated to her role at ANXO. After the resounding success of the cidery’s collaboration with Planned Parenthood of Metropolitan Washington on International Women’s Day last year, Fitz decided to extend and expand ANXO’s celebration of women. For Women’s Month 2019, ANXO is featuring women in the industry throughout March at special events, and everything poured at the cidery is provided by women-owned or women-run breweries. Plus, happy hour profits for the entire month are going to DC’s Planned Parenthood office.

On Tap: Tell me about your introduction to cider, and your path to opening ANXO.
Rachel Fitz:
My business partners and I traveled around Spain and fell in love with cider. I thought, “Who knew there was all this cider in the world that’s not sweet and is interesting?” We all come from a beer background and really fell in love with cider. The idea when we opened was to start as a cider bar and do a small amount of production, mostly what comes out of the barrel downstairs – that’s our sidra. [Cider] is the original beverage of the United States. We’re really just getting back to our roots, no pun intended.

OT: What exactly did ANXO do last year for International Women’s Day?
RF:
We decided to highlight female producers. We thought it was going to be a small-scale fundraiser [for Planned Parenthood], but we were blown away by the positive support from attendees and those featured. We had no idea these companies had women running or owning them. It got us thinking about how many other women there are doing amazing things, and how women are rarely in the spotlight.

OT: What inspired the longer celebration this year?
RF:
[Last year] was a huge success. We raised over $2,600 in one night and wanted to grow it, so we decided, “Why not do an entire month of celebrating?” We decided to pour only products made or owned by women. With 36 draft lines, plus liquor, wine and nonalcoholic beverages, we went into it thinking it would be challenging. Turns out, there are a ton of female producers. Every day, we come across new options.

OT: Are you doing collaborations with other brewers as well?
RF:
We did two collaborations: a brut IPA with Denizens and a cider with Eden out of Vermont called Nevertheless We Persisted. [The cider] will be released on International Women’s Day. This is the first year of doing a month-long collaboration, and we hope to do it again next year and get other places doing this. It would be great if in the District, everybody was highlighting amazing women in the industry.

OT: Why do you think it’s important to not only highlight women in the industry, but also create a space for them to connect?
RF:
I think a lot of the time there is not a comfortable space to ask questions that would really help you as a young professional. It’s hard to go up to somebody who is very established in the industry and say, “I want to make more money” or ask, “How do I get to where you are?” I wanted to create an environment where people are comfortable [doing] that, and to learn from people who have already been through that.

OT: What would you say to women interested in the cider industry who worry it’s a boys’ club?

RF: Tom Oliver, a famous U.K. cidermaker, says he firmly believes that women are going to be the future of cider. A lot of people think cider is a female beverage – it’s certainly not. But women have a lot of say in the market: in the products that are being produced, in the way that they’re presented. Women have a very powerful voice, and it’s great to see women who are growing trees, orcharding and also making cider. There are no limitations.

ANXO is exclusively pouring products from women-owned or operated breweries and distilleries for the entire month of March at their Truxton Circle location. Specifics on their other Women’s Month events are available at www.anxodc.com/womensmonth

ANXO Cidery & Pintxos Bar: 300 Florida Ave. NW, DC; 202-986-3795; www.anxodc.com


Greetings, beer nerds! As you likely know, there are a number of fantastic spots in the DMV where you can grab a pint, and their menus are always evolving and adapting to your tastes. If you’d rather avoid the guessing game, check out what’s coming up at a few of these fine establishments.

SUNDAY, MARCH 4

Women’s Month Collaboration Dinner
A group of female chefs will be taking over ANXO’s kitchen including award-winning women like Ilma Lopez, Cagla Onal and Amy Morgan. The four-course menu will be paired with ciders and wines made by women in the industry. 7 p.m. Tickets $97.50. ANXO Cidery & Pintxos Bar: 300 Florida Ave. NW, DC; www.anxodc.com

THURSDAY, MARCH 7

Beer & Donuts
With three taps, board games and donuts, Arlington’s Sugar Shack is the place to be on Thursday nights. Taps will pour the latest offerings from Right Proper Brewing Company; tap takeover nights always feature local craft brewers, donuts and a variety of board games. 4-9 p.m. Admission is free. Sugar Shack Donuts & Coffee: 1014 South Glebe Rd. Arlington, VA; www.sugarshackdonuts.com

FRIDAY, MARCH 8

ANXO’s International Women’s Day Celebration
For the entire month of March, ANXO will donate happy hour profits to the local Planned Parenthood. On Women’s Day, Elanor Leger of Eden Specialty Ciders will be at ANXO, women’s month T-shirts will be available and ANXO’s newest collaboration with Eden will be available in cans. 5 p.m. Admission is free. ANXO Cidery & Pintxos Bar: 300 Florida Ave. NW, DC; www.anxodc.com

SATURDAY, MARCH 9

Cheers & Namaste
There’s no better way to spend a Saturday morning than enjoying a flight of local beer and doing some yoga. Classes at Right Proper’s Brookland location include a flight of house favorites and an hour of yoga suitable for any experience level. Don’t forget your mat. 12-1 p.m. Tickets $15.  Right Proper Brewing Company Production House and Tasting Room: 920 Girard St. NE, DC; www.rightproperbrewing.com

DC Brewers’ Guild HopFest
The DC Brewers’ Guild is throwing its ninth annual HopFest hosted by DC Brau. The event is an opportunity to sample some of the hoppiest brews from the area’s best brewers. Beer offerings will include community favorites alongside unique HopFest creations and rare brews. Tickets include a special DC Brewers’ Guild glass and unlimited pours. 1-5 p.m. Tickets start at $35. DC Brau: 3178 Bladensburg Rd. NE, DC; www.dcbg.org

SUNDAY, MARCH 10

Records, Beer and BBQ
The only thing better than crate-digging is doing so with a fresh pint in hand. Join Hellbender Brewing for a record swap/sale in the tasting room featuring barbecue courtesy of Smoke and Ember BBQ. 12-5 p.m. Admission is free. Hellbender Brewing Company Tasting Room: 5788 2nd St. NE, DC; www.hellbenderbeer.com

WEDNESDAY, MARCH 13

De Dolle Vintage Flight Night
De Dolle’s Belgian strong ales are world-renowned for their bold flavors. Many of De Dolle’s offerings age exceptionally well and thrive when barreled, though the brewery is also known for blending maltiness and acidity in its pale ales and sours. The Sovereign will offer 15 different De Dolle beers and four different vintage flights. 5-11:30 p.m. Admission is free. The Sovereign DC: 1206 Wisconsin Ave. NW, DC; www.thesovereigndc.com

WEDNESDAY, MARCH 20

D&V International Beer Dinner
Enjoy fine dining and European beer pairings in the style of the Trappist monks of Belgium. Learn about featured breweries from a Belgian beer expert and taste a variety of beers in the style, many imported specifically for this event, after dinner. 7-10 p.m. Tickets $60. Granville Moore’s: 1238 H St. NE, DC; www.granvillemoores.com    

Visiting Cidery: Wild Hare Ciders
Brewed in the foothills of the Blue Ridge Mountains with heritage apples grown in the Shenandoah Valley, Wild Hare Cidery excels at apple-only as well as botanical and other fruit-infused ciders. Tickets include a guided tasting of several Wild Hare offerings including limited releases. 7-10 p.m. Tickets $10. Capitol Cider House: 3930 Georgia Ave. NW, DC; www.capitolciderhouse.com

THURSDAY, MARCH 21

Southwest Neighborhood Happy Hour
The tap room at Union Stage invites locals to enjoy happy hour specials and mingle with other folks from the neighborhood. Union Stage features an extensive liquor list, 16 taps and house-made pizzas. 5 p.m. Admission is free. Union Stage: 740 Water St. SW, DC; www.unionstage.com

SATURDAY, MARCH 23

Peche Mortel Day
Shipped from Montreal’s Dieu Du Ciel brewpub, Peche Mortel is a standout imperial coffee stout known the world over. To celebrate their 2019 releases, Dieu Du Ciel shares special variants of its famous stout with brewpubs all around the world, including ChurchKey. This year’s offerings include seven variants of the imperial stout, some of which are aged in bourbon or whiskey barrels and finished with an array of ingredients including cherries, coffee and toasted coconut. 12 p.m. Admission is free. ChurchKey: 1337 14th St. NW, DC; www.churchkeydc.com

SATURDAY, MARCH 30

ANXO’s Women’s Month Close-Out Party
Join ANXO in celebrating the end of a successful Women’s Month. The closeout is a comedy brunch, marking the first time a comedian has performed in ANXO’s dining room. Tickets are available both with and without drink pairings. Showings at 11 a.m. and 1:30 p.m. Tickets $40-$65. ANXO Cidery & Pintxos Bar: 300 Florida Ave. NW, DC; www.anxodc.com

Spring BrewFest
BrewFest promises a day of craft beer, live music, food and more. The event will feature a variety of popular local craft beers, as well as a preview of local 2019 offerings. Virginia wineries and distilleries will also be pouring. 11-5 p.m. Tickets $10-$50. Fredericksburg Fairgrounds: 2400 Airport Ave. Fredericksburg, VA; www.fredbrewfest.com

Music Picks: Winter 2019

SATURDAY, FEBRUARY 2

El Ten Eleven
El Ten Eleven is one of those bandsm, that to the naked eye, defies sonic law. The duo makes dizzying, lush sounds using only a double-neck bass guitar and foot pedals. I know what you’re thinking: “Yeah, but they have a laptop, right? Everyone does that nowadays.” No, they do not have a laptop. Everything’s organic, as it has been for the band’s entire 10-album career. In an era where everything is prerecorded and premeditated, this kind of musicianship is even more impressive. Don’t miss the duo in action this winter. Doors 8 p.m. Tickets start at $17. Union Stage: 740 Water St. SW, DC; www.unionstage.com

THURSDAY, FEBRUARY 7

Martha Afework
Homegrown Martha Afework is proof that just because you fall in love with something as a child, that doesn’t mean you should give it up as an adult. Singing since the age of four, Afework has used her talents – and more recently, social media – to gain attention from people in the area. Now, the soulful R&B singer will headline the Fillmore without looking back. Doors at 7 p.m., show at 8 p.m. Tickets $15. Fillmore Silver Spring: 8656 Colesville Rd. Silver Spring, MD; www.fillmoresilverspring.com

FRIDAY, FEBRUARY 8

COIN
COIN isn’t necessarily the most innovative band on the block, but there’s something extremely likeable about their radio-friendly brand of indie pop. I can think of many artists before them  made a similar type of music who were much easier to write off as unoriginal. Perhaps it’s their vulnerability – the Nashville-based, four-piece band often sings of awkward romantic encounters, leaving home and growing up. Ah, youth. No matter what it is, COIN’s undeniable magnetism makes them worth seeing live. Doors at 6 p.m. Tickets $25. 9:30 Club: 815 V St. NW, DC; www.930.com

MONDAY, FEBRUARY 11

Eyelids
Chances are you’ve heard some lyrics that the members of Eyelids are responsible for, but maybe not of the band itself. The Portland, Oregon-based group has penned songs for The Decemberists, Elliott Smith and Stephen Malkmus, among others. Now on tour for their own songs in the form of release Maybe More, the indie rockers are ready to step out from the shadows of their legendary collaborators to make you hum and sing along to their work. Show at 9 p.m. Tickets $12-$14. Comet Ping Pong: 5037 Connecticut Ave. NW, DC; www.cometpingpong.com

Panda Bear
Though I wish I was writing about an actual panda bear who belted out lyrics about life in the jungle, you and I will have to settle on the very talented Noah Lennox. A founding member of experimental pop band Animal Collective, his own music as Panda Bear doesn’t stray far from the fabric of the aforementioned band. Looking for meticulously crafted electronic sounds? Check. What about vocals layered atop these very eclectic beats? Check. Basically, if you’re a fan of the entire collective, Panda Bear’s music will be right up your wheelhouse. Check out M.K. Koszycki’s interview with Lennox at www.ontaponline.com. Doors at 7 p.m. Tickets $25. 9:30 Club: 815 V St. NW, DC; www.930.com

WEDNESDAY, FEBRUARY 13

Andrew McMahon In The Wilderness
Ever wonder what those bands you listened to during your teenage years sound like when they grow past their angst-fueled music? That’s what Andrew McMahon sounds like these days, as the former band member of several California-based groups has  grown into a more mature musician. The pianist has harnessed his high-pitched voice into one of reason, discussing the topics of nostalgia, missed opportunities and failures with a joyful tone throughout his latest release Upside Down Flowers. Doors at 6 p.m. Tickets $40.50. 9:30 Club: 815 V St. NW, DC; www.930.com

Cherry Glazerr
L.A.-based trio Cherry Glazerr is known for their commentary on the world at large – after all, the band takes its name from NPR reporter Chery Glaser – but on their third record, they’ve teased a new era. Singer Clementine Creevy has indicated in press for their new album Stuffed & Ready that she’s begun to look inward for inspiration and it’s evident on the band’s lead single “Daddi,” which seems to reflect on the gray areas of attraction, control and power dynamics in relationships. The infectious song is a sure indication that the band’s new era will be an impressive one, too. Doors at 7 p.m. Tickets $20. U Street Music Hall: 1115 U St. NW, DC; www.ustreetmusichall.com

Current Joys
The solo project of Nicholas Rattigan, Current Joys is a moody singalong about the creative process. From extreme highs to lows, Rattigan rattles off emotional lyrics that are accompanied by thud-like guitar strums, each delivered with a purpose. A Different Age represents one of the most expressive and well-crafted albums you’ll hear this year. Doors at 7:30 p.m. Tickets $15. Black Cat: 1811 14th St. NW, DC; www.blackcatdc.com

THURSDAY, FEBRUARY 14

Beirut
Worldly wunderkind Zach Condon announced his band Beirut’s fifth album and lead single Gallipolli in the most Beirut way possible. He took to his band’s website to write a letter about the genesis of the album’s title track, which involved the band “stumbling into the medieval, fortressed island town of Gallipoli one night and following a brass band procession fronted by priests carrying a statue of the town’s saint through the winding, narrow streets.” The band has served as a musical passport to Condon’s travels since they formed back in 2006, and they’ll bring their sounds to DC this winter with new adventures in tow. Doors at 6:30 p.m. Tickets start at $41. The Anthem: 901 Wharf St. SW, DC; www.theanthemdc.com

The Parrots
Hailing from Madrid, The Parrots combine both Spanish and English lyrics to make a near-universal indie sound. Backed by guitar licks reminiscent of Chastity Belt or Courtney Barnett, their music is moody and their vocals provide a melodic whine. Though they haven’t recorded a new album since 2016, The Parrots has been releasing well-received singles since then and promise to bring an electric show to DC9. Doors at 7:30 p.m., show at 8 p.m. Tickets $12. DC9: 1940 9th St. NW, DC; www.dc9.club

FRIDAY, FEBRUARY 15

Chuck Prophet
The latest release in Prophet’s discography is Bobby Fuller Died for Your Sins, a concept album paying homage to the legendary artist responsible for “I Fought the Law,” made famous by The Clash. The album is gritty and fun, and I’m glad Prophet hasn’t wiped the slate clean quite yet but instead, is focusing on spreading his version of “California noir.” Doors at 6:30 p.m., show at 8 p.m. Tickets $20. Jammin Java: 227 Maple Ave. E. Vienna, VA; www.jamminjava.com

Gregory Porter
There are few better gifts for a Valentine than to see the wonderous Gregory Porter. His music is smooth and loving, borrowing vibes and emotions from 50s and 60s jazz – not to mention his sultry vocals. With his baritone contrasting with several backing instruments, Porter delivers songs perfect for a date night with your significant other. Show at 8 p.m. Tickets $58-$108. The Music Center at Strathmore: 5301 Tuckerman Ln. North Bethesda, MD; www.strathmore.org

Metric
Fusing indie with synth-pop, Canadian band Metric is set to visit the DMV this month. Touring on the back of their 2018 release Art of Doubt, the album brings out the best elements of the band. Aided by a radical energy in the band’s instrumentation, frontwoman Emily Haines continues to provide a lens into her creative process while delivering her seamlessly effortless vocal talents in each song. Doors at 6 p.m., show at 7 p.m. Tickets $38. Fillmore Silver Spring: 8656 Colesville Rd. Silver Spring, MD; www.fillmoresilverspring.com

SATURDAY, FEBRUARY 16

Dante Pope
I used to wonder why old school R&B music was so hard to replicate for newer artists. Obviously, the genre still has a foothold on the popular conscience as you can hear it in movies or in samples for hip-hop, but there is largely a dearth of new artists with this style. Leon Bridges took hold of it as a notable vocalist to mention, but one on the rise is Dante Pope. The multi-instrumentalist has pipes channeling the 70s, and his ability to strum the guitar only heightens his deft musicianship. Doors at 7 p.m., show at 8 p.m. Tickets $15-$17. Songbyrd Record Cafe and Music House: 2475 18th St. NW, DC; www.songbyrddc.com

SUNDAY, FEBRUARY 17

Dante Elephante
With an indie sound combining garage and surf, this group of four offers very enjoyable tunes to groove to. Whether you’re driving down a highway or jam-packed in the tiny, intimate DC9, these songs will carry you through. The lyrics come across as playful even when serious, and this isn’t a criticism because sometimes it’s helpful to laugh in the face of tough times. Doors at 7:30 p.m., show at 8 p.m. Tickets $10. DC9: 1940 9th St. NW, DC; www.dc9.club

Daughters
Back on the punk scene for the first time since 2010, Daughters returned with their 2018 release You Won’t Get What You Want. While everything about the group is punk, their pace is very deliberate compared to the break-neck speed the genre’s bands usually play at. Instead, Daughters is a manic deliberation with chants for choruses. Plus, some of their music sounds like something you might hear in a horror film’s score. Doors at 7:30 p.m. Tickets $20. Black Cat: 1811 14th St. NW, DC; www.blackcatdc.com

The Knocks
Chances are at least one of your favorite pop artists has collaborated with New York production duo The Knocks. Carly Rae Jepsen, Foster the People, Sofi Tukker and X Ambassadors are just a few of the big names who have lent their vocal talent to the pair’s upbeat songs. To celebrate the release of their new album New York Narcotic, they’ll bring a full-fledged dance party to U Street. Doors at 7 p.m. Tickets are $25. 9:30 Club: 815 V St. NW, DC; www.930.com

MONDAY, FEBRUARY 18

Empress Of
Lorely Rodriguez has released countless synth-pop gems under the name Empress Of since 2012. You may also know her from standout spots providing her signature crystal clear vocals on albums by contemporaries like Dirty Projectors, Khalid, MØ and more. As her career progressed, so did her vocal and production prowess, giving us last year’s catchy album Us. Her earlier work sounds just as good today as it did upon release, and her single “Go to Hell” is the ultimate kiss-off to everyone who didn’t believe in Rodriguez – and it’s my go-to pick me up song when feeling discouraged. Doors at 7 p.m. Tickets start at $15. Rock & Roll Hotel: 1353 H St. NE, DC; www.rockandrollhoteldc.com

TUESDAY, FEBRUARY 19

Jacob Banks
You can’t mention Jacob Banks without mentioning the word soul. The Nigerian-born, British singer-songwriter is downright gripping when he steps in front of a microphone. From a grumble to a shout – all on key – this man has some serious range and versatility. His latest release, 2018’s Village, provides a perfect showcase for his talents – and he uses all of them to mystify listeners. Doors at 7 p.m. Tickets $20. 9:30 Club: 815 V St. NW, DC; www.930.com

Julia Holter
Though Julia Holter sings, the classification of composer feels most natural when describing the artist’s musical stylings. Layered with wind instruments, drums and electronic sounds, her songs are absolutely packed with instrumentation – and the apparatus serving as the conductor’s baton is her voice. Whether it’s whiny, melodic or on the verge of shouting, her vocals provide the direction for all of the carefully curated sounds to follow. Show at 7 p.m. Tickets $17. U Street Music Hall: 1115 U St. NW, DC; www.ustreetmusichall.com

WEDNESDAY, FEBRUARY 20

Anderson .Paak
In an era of rap and hip-hop where nearly all artists are singing their own choruses, it’s interesting to see the pendulum swing. Anderson .Paak represents a lyricist who has the same cadence and rhyming skills as a hip-hop artist, but with real pipes. This style is extremely fun to listen to and seems like it’s even more satisfying to make, as he frequently features rap giants like Kendrick Lamar, Pusha T and Dr. Dre. With his raspy delivery and West Coast cool, Anderson .Paak is as unique as they come. Show at 8 p.m. Tickets start at $78. The Theater at MGM National Harbor: 101 MGM National Ave. Oxon Hill, MD; www.mgmnationalharbor.com

MNEK
It’s my humble opinion that MNEK should be one of the biggest pop stars in the world, and chances are the London-based artist has written or produced a song for one of your favorites. After all, the 24-year-old’s resume includes work for Beyoncé, Bastille, Stormzy and Diplo. I could go on, but you get the idea. And as I’m sure you’ve guessed, his solo work is just as impressive as the people he’s worked with. On the heels of his fantastic full-length album Language and countless impressive collaborations over the years, he’ll bring his innovative brand of pop to DC. Doors at 6:30 p.m. Tickets start at $17. Union Stage: 740 Water St. SW, DC; www.unionstage.com

THURSDAY, FEBRUARY 21

James Blake
Rumors of James Blake’s new album have been swirling around the web as of late. He released two new singles last year and appeared on the Black Panther soundtrack but now, the world is ready for a new full-length album. If the rumors are true, the timing is perfect as he’ll hit DC in late February – hopefully with new tunes in tow. Doors at 6:30 p.m. Tickets $48.50. The Anthem: 901 Wharf St. SW, DC; www.theanthemdc.com

Liz Cooper & The Stampede
Liz Cooper offers tremendous energy and a vibrant, upbeat demeanor on her latest record Window Flowers, the result of a yearlong effort to do something creative every day. Her style of sing-talking with a raspy delivery allows her to mix it up with each song, sometimes holding onto notes for a little longer than you’d expect – and sometimes letting them go with a breath. Doors at 7 p.m., show at 8 p.m. Tickets $12-$15. Songbyrd Record Cafe and Music House: 2475 18th St. NW, DC; www.songbyrddc.com

FRIDAY, FEBURARY 22

Kat Wright
If you’re in the mood for a retro sound this winter, look no further than Kat Wright. The almost lo-fi production of her music sends you back in time, as her vocals help paint the picture of a nostalgic view. Her powerful vocals are accompanied by backing bass, drums, keys and a powerful three-piece horn section. While she may not provide a visual aesthetic of the jazz singer smoking a cigarette, her more modern stage presence will more than make up for it. Doors at 6:30 p.m., show at 7:30 p.m. Tickets $12-$17. The Hamilton LIVE: 600 14th St. NW, DC; www.thehamiltondc.com

SATURDAY, FEBRUARY 23

The Suffers
Hailing from Houston, Texas, this eight-member band provides soul and R&B sensibilities with a pop music mentality. I say that because every song is jovial and enjoyable. With eight members, the band also has tremendous versatility, bouncing from sound to sound. The Suffers are led by vocalist Kam Franklin, who provides a powerful voice for the instruments to follow. Show at 7 p.m. Tickets $20. U Street Music Hall: 1115 U St. NW, DC; www.ustreetmusichall.com

Vince Staples
If Kendrick Lamar is the current king of hip-hop, Vince Staples is the prince. One of the best lyricists in the genre, Staples has zigged while others have zagged – providing breathtaking commentary on the world as he sees it. Though not every song has a political point of view, the best tunes are when he’s locked in on a subject for the world to hear. Doors at 8 p.m. Tickets $35. 9:30 Club: 815 V St. NW, DC; www.930.com

Washington Performing Arts Presents Lara Downes
Inspired by Georgia O’Keefe’s words, the trailblazing, NPR chart-topping Lara Downes has channeled her prodigious creativity into an intimate program of solo and ensemble works paying tribute to female composers and poets, both past and present. Her special guest is multi-instrumentalist/composer/singer and MacArthur “Genius” Award winner Rhiannon Giddens, who, through her own work and performances as a member of the Grammy-winning Carolina Chocolate Drops, embodies precisely the ethos Downes had in mind. Downes’ performance is a special presentation by Washington Performing Arts. Show at 8 p.m. Tickets $35. Writeup provided by venue. Sixth & I Historic Synagogue: 600 I St. NW, DC; www.sixthandi.org

Western Den
Deni Hlavinka and Chris West met on a college forum after Hlavinka posted an idea for a song. The next day, West sent over a completed version and the serendipitous partnership has been unstoppable ever since. In Western Den, the pair focuses on melodic folk music – but instead of a heavy emphasis on guitar strums, their music shines a light on Hlavinka’s piano skills. Doors at 8:30 p.m., show at 9 p.m. Tickets $12. DC9: 1940 9th St. NW, DC; www.dc9.club

THURSDAY, FEBRUARY 28

Vundabar
Despite their most recent release meditating on illness and death, Boston’s Vundabar has been called “a ceaselessly jovial band” by Pitchfork, and their live shows are no exception. The contrast between the band’s existential, contemplative and sometimes downright depressing material paired with their jangly garage rock-influenced music makes the perfect pairing for those of us who love to dance but also contemplate life’s trickier questions. Bring that marriage to a live show and you’ve got a performance that’s equal parts a party and a therapy session. Doors at 7 p.m. Tickets start at $15. Rock & Roll Hotel: 1353 H St. NE, DC; www.rockandrollhoteldc.com

Stage and Screen: Winter 2019

THROUGH SATURDAY, FEBRUARY 9

The Baltimore Waltz
It’s hard to blame someone diagnosed with the fictional “Acquired Toilet Disease” from going all out in the pleasures of the skin. With the fatal illness starting the timer leading to her impending doom, unmarried school teacher Anna heads to Europe with her brother Carl so she can live a little – complete with lots of food and sex. Meanwhile, Carl becomes entrenched in a bizarre espionage scheme meant to discover a cure for his not-long-for-this-world sister. You might be wondering, “Why did you mention a trip to Europe when Baltimore is mentioned in the title?” Well, about that… Various dates and times. Tickets $50. Keegan Theatre: 1742 Church St. NW, DC; www.keegantheatre.com

TUESDAY, JANUARY 29 – FRIDAY, MARCH 10

Nell Gwynn
Coming from humble beginnings, an orange seller eventually finds her way to the stage where she immediately becomes a household name. Upon Nell Gwynn’s successes, she manages to make a fan out of King Charles II. Eventually, the royal leader of England brings Gwynn to court as a favorite mistress. From there, the story about this amazing woman takes off. Various dates and times. Tickets $42-$79. Folger Theatre: 201 E Capitol St. SE, DC; www.folger.edu

WEDNESDAY, JANUARY 30 – SUNDAY, FEBRUARY 17

Shame
An adaptation of a documentary may not seem all that enthralling at first. However, the subject matter of Mosaic Theater Company’s Shame is more than enough to draw you in as it tackles the challenges facing Israelis and Palestinians who choose to work with one another despite significant hurdles. The story focuses on several examples of this predicament and integrates several mediums, including Facebook messages, tweets and telephoned threats. Various dates and times. Tickets $15-$35. Atlas Performing Arts Center: 1333 H St. NE, DC; www.atlasarts.org

MONDAY, FEBRUARY 4 – SUNDAY, MARCH 3

BLKS
Spurred by a scare, Octavia decides it’s time to forget about any troubles or trepidations and have a raucous night on the town with friends. Joined by companions June and Imani, the three depart into the city for an epic night. But the evening becomes more than a hardcore party session, as the trio encounter strange characters, outrageous events and endure a true test of their friendship. Poet and playwright Aziza Barnes wrote this play, which celebrates queerness and sisterhood as the friends wrestle with universal factors such as truth, love and the struggle of adulthood. Various dates and times. Tickets $20-$51. Woolly Mammoth Theatre Company: 641 D St. NW, DC; www.woollymammoth.net

TUESDAY, FEBRUARY 5 – SUNDAY, MARCH 10

Richard the Third
Power as an addiction is not only a trope in real life, but a common theme for villains in a number of stories – and perhaps the most famous is the power-hungry king from Shakespeare’s Richard III. Fueled by a bottomless well of ambition, the ruthless and cunning man continues to reach for more, more and more in his quest for power. By the play’s end, no one in the audience will be rooting for his lust. This is the study of what makes a villain, and few put on better performances than Shakespeare Theatre Company (STC). Various dates and times. Tickets $44-$102. STC’s Sidney Harman Hall: 610 F St. NW, DC; www.shakespearetheatre.org

THURSDAY, FEBRUARY 7 – SUNDAY, MARCH 3

El Viejo, El Joven y El Mar (The Old Man, The Youth, and The Sea)
A new play by Irma Correa, El Viejo, El Joven y El Mar tells the story of a renowned Spanish philosopher who runs into a fisherman, general and journalist. He speaks with each of them about their different beliefs regarding freedom, reason and faith; all the while, the old man is planning his escape from the Spanish island of Fuerteventura. Though the play is based on historical events, the subtext is heavily rooted in today’s society. The play is in Spanish with English subtitles. Various dates and times. Tickets $48. GALA Hispanic Theatre: 3333 14th St. NW, DC; http://en.galatheatre.org

THURSDAY, FEBRUARY 14

Story District’s Sucker for Love: A Valentine’s Day Special
No need to get mushy on Valentine’s Day when you can laugh at the misery of others, right? Okay, admittedly that sentence was a little Seinfeld-ish, but on the day dedicated to love, heart drawings and chocolates, Story District’s Sucker for Love provides an alternate mode of entertainment. Instead of a candlelit dinner with expensive wine, head to Lincoln Theatre to hear true stories involving sex, love, breakups, makeups, dating and anything else you can fit into the genre of Valentine’s Day. Show starts at 7 p.m., tickets $35-$45. Lincoln Theatre: 1215 U St. NW, DC; www.storydistrict.org

SATURDAY, FEBRUARY 16 – SUNDAY, FEBRUARY 17

Urban Bush Women’s Hair & Other Stories
Through personal narratives crafted in living rooms, communities and kitchens, Hair & Other Stories is dance theatre that blends conversations with movement to challenge existing – and sometime archaic – American values. The Urban Bush Women company is always on the cutting edge of delivering pieces that fit within the contemporary dance genre while also highlighting the cultural history and spiritual traditions of the African-American and African diaspora. Saturday night opening party starts at 8 p.m. Sunday afternoon performance starts at 4 p.m. Tickets $15-$100. Dance Place: 3225 8th St. NE, DC; www.danceplace.org

30 Days of DC Music

In honor of our local music issue, we present DC musicians, both well-established and on the rise, who make the city’s music scene stand out. To check out these tastemakers for yourself, listen to our 30 Days of DC Music playlist on Spotify – you might even find your new favorite artist.

AV

April + VISTA
This genre-bending DC duo recently opened for Swedish electropop icons Little Dragon during their sold-out, two-night run at H Street’s Rock & Roll Hotel last month, and stole the show with their live versions of recent releases and a cover of Radiohead’s “Pyramid Song.” They’ll continue to captivate stages while supporting like-minded acts Kllo and The JujuExchange, but be sure to listen to their spectacular EP You Are Here in the meantime. Visit www.aprilandvista.com for more.

BM

Bad Moves
Bad Moves are doing big things. Four DC natives with very DC day jobs joined forces to lend their incredible talent to make one of 2018’s most exciting records. Their music is cheerful, their subject matter relatable and their lyrics are seemingly handcrafted to make a live karaoke session at their shows a reality – Tell No One is practically perfect. They recently celebrated the release of the album at Black Cat in September, and I’m already eagerly awaiting new music from them while keeping this album on heavy rotation. Follow them on Twitter @BadMovesDC for more.

BU

Bottled Up
This DC band’s M.O. is surf rock with a soul, and an ever so slight nod to punk predecessors who occupied hallowed DC venues before them. While their lyrics deal with deeply personal matters – addictions, anxieties and general malaise – it’s clearly an outlet with which they heal and offer joy to others. Their boisterous guitars and penchant for peppering in “la la las” at the perfect moment will have you singing along in no time. No stranger to the myriad of venues on the local music circuit, they’ll be at DC9 on November 14. Visit www.bottledup.bandcamp.com for more. DC9: 1940 9th St. NW; www.dc9.club

BRNDA

BRNDA
Babe City Records-signed BRNDA make jarring, frenetic indie rock akin to Black Lips and Thee Oh Sees. Their short but impactful Thanks for Playing EP clocks in at 18 minutes but stays with you for much longer. The best part of BRNDA? Every member of the quartet contributes to vocals, evoking a fun call-and-response vibe that will have you singing along too. See them live at The Dougout on November 5. $5-$10 suggested donation for entry. Visit http://brendatheband.com for more. The Dougout: 1498 Douglas St. NE, DC; www.facebook.com/thedougoutdc

CC

Cautious Clay
While the musician, also known as Joshua Karpeh, may be a New Yorker now, his stint in the District as a George Washington University student gives him the right to say he’s part of the DC scene. Following a critically acclaimed EP, he sold out a show this past May and stood out as one of the highlights of this year’s All Things Go Fall Classic. The performance included Karpeh singing, and playing the saxophone and flute onstage. Unfortunately, you must wait until early next year to see him live in DC – he’ll take the U Street Music Hall stage on February 1 – but it will be worth the wait. Visit www.cautiousclay.com for more. U Street Music Hall: 1115 U St. NW, DC; www.ustreetmusichall.com

CG

Chain & the Gang
“Hey you want to check it out/ this experimental music they’re talking about?” Ian “Chain” Svenonious asks his listeners in the titular track of Experimental Music, the band’s late 2017 release for DC’s Dischord Records. If your answer to that question is yes, Svenonious and company are ready to take you on a journey. With influences from 50s-style surf rock to DC punk, and many genres in between, the track is both on the nose and a statement of the band’s ethos from their many years of making music. While Svenonious has been hard at work with one of his many other projects – Escape-ism – Chain & the Gang remain one of the most exciting and unexpected bands to grace the streets of DC. Visit www.dischord.com/band/chain-and-the-gang for more.

DC

Dreamcast
This project takes its name from the old school gaming console and borrows nostalgic sounds to make something totally new, courtesy of Davon Bryant. The DC native is a singer, songwriter, producer and drummer who makes extremely groovy tunes with retro sensibilities, but modern production flair. This fall, he released the spectacular jams “Outer Space” and “Up 2 U.” Visit www.soundcloud.com/burymeinamink for more.

FLA

Flasher
DC post punk fans rejoice. One of the most exciting bands in the genre right now is one of our own. Their June release for Domino Records, Constant Image, is heavily featured on my “Best of 2018” list. Flasher recently shared the stage with the iconic Breeders and will return to their hometown on November 30 at Black Cat. Follow the band on Twitter @ffflasher. Black Cat: 1811 14th St. NW, DC; www.blackcatdc.com

FA

Foreign Air
Electropop outfit Foreign Air remains one of the hardest working duos in DC music. The smooth and spacious sounds of their 2016 EP For the Light catapulted them into the national music conversation. Their sounds have been featured in TV shows and commercials and for good reason – their brand of emotion and electronics is the stuff of a music supervisor’s dreams. To the excitement of many fans (myself included), their single “Turning” was released last month and will be included on Foreign Air’s first full-length album, to be released soon. Visit www.foreignair.net for more.

Gauche

Gauche
An amalgamation of members from Priests, Downtown Boys and various other DC musicians, this rotating cast of musicians is anchored by Jason Barnett, Mary Jane Regalado and Daniele Yandel. Their playful beach goth, a.k.a. surf rock with emotional lyrics, infused brand of rock provides the perfect platform for a rotating cast to meditate on ending relationships, independence and navigating existence in the online world. See them live on December 4 at Black Cat. Visit www.g-a-u-c-h-e.bandcamp.com for more. Black Cat: 1811 14th St. NW, DC; www.blackcatdc.com


SHAED

SHAED’s Chelsea Lee
SHAED is comprised of Chelsea Lee and twin brothers Max and Spencer Ernst. A favorite of the DC pop scene and beyond, their emotive electropop is perhaps best exemplified by their EP Melt, which came out this past September. We caught up with vocalist Chelsea Lee on what the band’s been up to lately.

On Tap: I know that you all met at a 9:30 Club show. Can you tell me a bit more about your origin story?
Chelsea Lee:
I was a solo artist and a friend suggested I go see this band, raving about these twin boys who were opening. It was Max and Spencer on stage playing an acoustic set. I was 15 and instantly fell in love. We started hanging out regularly after and became best friends. We couldn’t fully commit to a project together until SHAED.

OT: You’ve played a lot of DC venues – 9:30 Club, Union Stage, Rock & Roll Hotel – do you have a favorite? A place on your wish list?
CL:
We’ve toured a lot, and 9:30 Club remains one of our favorite venues in the country. We would love to play The Anthem.

OT: How has the DC music scene supported you as you’ve progressed in your career?
CL:
DC has been incredibly kind to us. We just played a sold out show and recognized so many people that have been coming to see us since the beginning. Fortunately, the scene here is growing and some great music is coming out of the DMV.

OT: You recently released an EP. Any plans to release a full album soon?
CL:
Right now we’re focusing on writing. For now we just want to keep creating music and see what happens.

OT: Anyone from the DC music scene you’d really like to work with?
CL:
April + VISTA and GoldLink.

OT: Do you have any upcoming shows in the area?
CL:
We’re playing the 9:30 Club with St. Lucia on November 6.

SHAED opens for St. Lucia at the 9:30 Club on Tuesday, November 6. Tickets are $32.50. Doors at 7 p.m. Visit www.shaedband.com for more.

9:30 Club: 815 V St. NW, DC; www.930.com


GEMS

GEMS
The duo comprised of Lindsay Pitts and Clifford John Usher dropped their first release for the District’s own Carpark Records in 2015. Kill the One You Love is equal parts sad and smooth – everything you could ever want from a synth-pop album. The band kept fairly quiet for three years after but to the delight of all of us who love dancing and crying in equal measure, returned this year with several beautiful singles. They’ve also reimagined and re-recorded John Lennon’s iconic album Imagine in full. I can only hope this is an indication of another melancholy gem (ha) of an album on the horizon. Visit www.gems-band.com for more.

HC

HOLYCHILD
The brainchild of George Washington University graduates Liz Nistico and Louie Diller burst onto the pop scene in 2014 with “Happy with Me,” a song examining the daunting task of living up to impossible beauty standards with a crazy danceable beat. Since then, the self-described brat pop band set up shop in Los Angeles, California, and worked with artists like Kate Nash and Tkay Maidza. They returned as powerful as ever with three new singles this fall. Visit www.holychildmusic.com for more.

IJ

Innanet James
I like to think I’m on top of most recent releases, but my little brother is always one step ahead of me – a healthy sibling rivalry of who knows the best new artists frequently ensues. He sent along several tracks by this Maryland born, DC based rapper – 2018’s “Amazing” and “Bag” – and I’ve been hooked ever since. He raps over neo soul beats with honesty and precision, and featured his once DC residence on Quebec Place on the cover of his EP of the same name. He released his fantastic album Keep it Clean this September, complete with features from Pusha T, Taliwhoah and more. Follow him on Twitter @innanetjames for more.

JG

Jenna Camille
Maryland-born, DC-educated Jenna Camille has natural talent and classical training in spades. Her gorgeously smoky voice finds itself combined with jazzy electronic production on her infectious tracks. In addition to writing, recording and producing her own music, she is a frequent collaborator of other acts such as BELVE, Poor boY EXP and Seven Jackson. Follow her on Twitter @JennaCamille for more.

JUL

Julian
I’ve had the joy of seeing this project, helmed by Julia Leiby, open for several bands throughout the city. Bringing together a rotating cast of like-minded musical friends, Julian makes understated but powerful indie pop worthy of soundtracking a dreamy movie montage. Their latest release, Real Distance, saw them polish their sound, and is their strongest and most affecting work to date. Visit www.juliandc.bandcamp.com for more.

LAV

Lavender
This indie pop group comprised of five college friends makes ethereal anthems for anyone who loves glossy, dreamy tunes with a side of emotional honesty. They cite contemporaries The 1975 and The Naked and Famous as influences, and are a necessary addition to any playlist built for introspection or relaxation. Don’t be fooled by their chill vibes, though – the instrumentation is powerful and refined as well. Visit www.lavenderdc.bandcamp.com for more.

LL

Loi Loi
This pair of DC natives is set to release their album Me: Dystopia early next year. They’ll bring their vivacious marriage of darkwave (think dark and romantic), timely lyrics and worldly sounds to Union Stage on November 10 and Dupont Underground on November 16. Listen to the lead single “Company Girl” now. Follow them on Instagram @yo_soy_loiloi for more. Union Stage: 740 Water St. SW, DC; www.unionstage.com // Dupont Underground: 19 Dupont Cir. NW, DC; www.dupontunderground.org

LH

Luna Honey
Evoking the dark and powerful feelings of genre greats PJ Harvey and Nick Cave, Luna Honey makes music that can only be described as cathartic and beautiful. While Maura Pond’s vocals stand out on every track, what anchors Luna Honey is the marriage of bare basslines and baritone sax: unsettling and comforting all at once. Don’t miss them take the stage on November 11 at DC9. Visit www.lunahoney.bandcamp.com for more. DC9: 1940 9th St. NW, DC; www.dc9.club

MG

Makeup Girl
Have you ever discovered a band that makes you excited for the future? Both the future of that band and music as a whole? I couldn’t shake that warm, fuzzy feeling the first time I listened to Makeup Girl’s Living Safe EP, released this past summer. While their sound is reminiscent of early Two Door Cinema Club and Humbug era Arctic Monkeys, it’s clear this band is in a league of their own. Catch them at Arlington’s Galaxy Hut on November 11 and keep your eyes on them in general – this four piece group is going places. Visit www.makeupgirlband.com for more. Galaxy Hut: 2711 Wilson Blvd. Arlington VA; www.galaxyhut.com

MESS

The Messthetics
This band is nothing if not a supergroup. Comprised of two former Fugazi members and several other heavy hitters in the DC hardcore scene, the group harkens back to the heyday of DC punk and reminds us it’s not going anywhere. Their self-titled album was released on the beloved Dischord Records, and is a must for DC music lovers and anyone else who appreciates an excellent rock record. They’ll play Baltimore’s Rams Head Live on December 27. Visit www.dischord.com/band/messthetics for more. Rams Head Live: 20 Market Pl. Baltimore, MD; www.ramsheadlive.com

NH

Nick Hakim
I recommend Nick Hakim’s 2017 release Green Twins to just about anyone who will listen. What I won’t recommend, however, is putting Hakim’s music in a box. His retro-futurist vibe and hypnotic vocals are just the beginning of what makes his music stand out. Citing a whole host of “one of these things is not like the other” influences, Hakim’s music is perfect for a dreamy, cold winter’s day and something you have to synthesize for yourself. He dropped the single “Vincent Tyler” this summer, and I can’t wait to see what’s on the horizon for Hakim. Visit www.nickhakim.com for more.


WYLD

Wylder’s Will McCarry
Wylder’s dreamy blend of folk pop is heavily influenced by the natural surroundings of their native Virginia. As they gear up for their much-anticipated sophomore album, singer and guitarist Will McCarry told On Tap all about influences, favorite venues and upcoming music.

On Tap: With roots in DC and Virginia, how have both influenced your music?
Will McCarry: Rural Virginia had a huge influence on my musical taste and the kind of songs I want to write. The organic and naturalistic elements of our sound comes from my upbringing.

OT: Do you have a favorite local venue? Any that you haven’t played on your wish list?
WM: DC is home to amazing venues. In February we headlined U Street Music Hall for a show presented by the 9:30 Club. Performing in front of fans that braved a snowstorm to be there made it one we’ll never forget. Recently we had the chance to perform on stage at The Anthem, the venue is unlike any space we’ve performed in before.

OT: How have the music scenes in DC and Virginia supported you?
WM: [We] began in Fredericksburg, Virginia. The early days playing on campus helped us discover our path. As we began performing in DC more often, venues like Black Cat and Jammin Java gave us a chance to headline.

OT: What can listeners expect from your sophomore album?
WM:
I think this new record represents the next logical step for Wylder and features the most fully realized version of what I’ve always wanted this band to be. It is at once a major departure from Rain and Laura and an expansion on all the things fans enjoy about that record.  Our first single from the record, “Ready to Break,” will be out on November 16.

OT: Anyone from the DC music scene you’d really like to work with?
WM: We’d love to put together a show featuring a full orchestral section performing the songs alongside us

OT: Any upcoming shows in the area?
WM: You can catch us performing live in DC at Gypsy Sally’s on November 30 alongside The Last Bison or in Tysons Corner on December 1 for an acoustic set at Records and Rarities.

Catch Wylder at Gypsy Sally’s on Friday, November 30. Tickets start at $15. Visit www.wyldermusic.com for more.

Gypsy Sally’s: 3401 K St. NW, DC; www.gypsysallys.com


OG

OG Lullabies
I was lucky enough to catch OG Lullabies, the project of singer and violinist Taylor Brooke, earlier this year right around the release of her EP CRUESCONTROL. The otherworldly nature of her music evokes peace and an existence on a different earthly plane at times. With an emphasis on the all-encompassing experience music creates in a listener, Brooke’s beautiful sounds create a welcome respite from your everyday woes in sonic form. Visit www.oglullabies.com for more.

OTD

Oh He Dead
I have no idea what this DC duo’s name is in reference to, but I love it. I also love their bass-heavy, neo soul and refreshingly honest songwriting. To date they only have one single and a three song EP available, but I have full confidence the duo of Cynthia Johnson and Anthony Valenti will bless us with more repeat worthy tracks soon. Visit www.ohhedead.com for more.

PS

Park Snakes
“I am an alien, I am a ghost, I am the devil, I am alone,” sings vocalist Nenet on the band’s track “Alien,” a meditation on identity. Self-described as “degeneration rock,” this group’s music could easily soundtrack a noir film (or more realistically, a long DC drive on a foggy day). Be sure to add their latest release, Silk, to any winter playlists you may be curating. Visit www.parksnakes.com for more.

PRIESTS

Priests
DC’s most prolific punks of today released their album Nothing Feels Natural last year and have focused heavily on the District’s creative circuit and national tours. They run Sister Polygon Records and lend their talents to other DC bands, all while providing an unwavering political voice that’s needed now more than ever. They’ll take the stage at Baltimore’s Metro Gallery on December 11. It’s worth the trek to Charm City to see these icons in action. Visit www.666priests666.com for more. Metro Gallery: 1700 N. Charles St. Baltimore, MD; www.themetrogallery.net

RN

Rico Nasty
Everyone loves Rico Nasty but only the DMV gets to call her our own. She’s one of the hardest working artists in any genre. At 21, she’s already released six mixtapes, including her first release as an Atlantic Records signee, Nasty. She calls her catchy, sweet blend of rap “sugar trap,” and while she’s certainly come a long way from her first hit “iCarly” to her newer releases soundtracking shows like Insecure, she’s bound to be a fixture on the national rap scene for a long time. Visit www.riconastymusic.com for more.

SS

Stronger Sex
This experimental electronic duo will have you dancing as much as contemplating a variety of timely topics. They blend 80s synth sensibilities dating back to The Cure or Talking Heads with theatrical and impassioned vocals. Their 2018 full length release There is No Stronger Sex is a smart breath of fresh air and the answer to everyone’s contemplative but groovy needs. Visit www.strongersex.bandcamp.com for more.

UB

Ultra Beauty
This band provides an unlikely combination of pop and punk, but not in the way bands you loved in middle school did. Instead, it’s more like jagged, heavy instrumentation layered with catchy choruses sung sweetly. By combining the best elements of these two genres, the trio provides some of the most exciting tunes to come out of the city this year with their self titled debut.  Visit www.ultrabeauty.bandcamp.com for more.