In Monday’s wide-ranging onstage interview by NPR’s Ari Shapiro to celebrate the synagogue’s 15th anniversary, Diggs, whose mother is Jewish and father is African-American, discussed his career, including his latest role in the play White Noise and life after Hamilton.
“Daveed’s artistic choices mirror the multifacted nature of his talents and his personal background,” said Sixth & I Executive Director Heather Moran. “Offering colorful and provocative art at the intersection of race, culture and identity, Daveed Diggs embodies the essence of what Sixth & I stands for.”
Diggs won a Tony and a Grammy in 2016 for his dual part as Marquis de Lafayette and Thomas Jefferson in the musical Hamilton. While Diggs made his entrance to the song “Guns and Ships” from the musical – the conversation focused on his hip hop group Clipping and more recent work, not just the founding-father themed phenomenon.
He performed “Something in the Water” from the soundtrack of Blindspotting, the 2018 movie he wrote and starred in with friend and collaborator Rafael Casal. Mutual friends introduced the two and set them up on a “rapper playdate” shortly after college and they have been creating music and art together since, Diggs said.
He dismissed the idea of dividing his career into pre- and post-Hamilton eras, instead saying his spot in the musical was actually “part of a very long progression.”
At first, working on the musical was just “doing a piece of art with my friends,” he said. “It felt very small until the whole world wanted to see it.”
“What Hamilton did for me, more than anything else, was allow me to keep working in the way that I’ve always been working but making money off of it,” Diggs said.
He had been writing raps and doing plays with his friends for as long as he could remember, “and nobody cared, and then Hamilton happened and everybody cared.”
Days after wrapping up his three year stint as Lafayette and Jefferson, Diggs said he flew straight to play a teacher in the movie Wonder. He later had roles in Black-ish, The Unbreakable Kimmy Schmidt and the upcoming small screen adaptation of Snowpiecer.
“I just wanted to keep doing things that I have never done before,” Diggs said, so film and TV were the logical next steps.
But Diggs has also found his way back to the stage – although he emphasized he was looking to do another play, not musicals, as Hamilton was a unique scenario.
His latest role is Leo in Suzan-Lori Parks‘ White Noise that opened last month off-Broadway. The piece tackles how two interracial couples who are longtime friends deal with the aftermath of Leo getting attacked one night and brings up intense racial discussions.
The conversations Park’s play or Shapiro’s discussion with Diggs at Sixth & I can spark are why live performances are needed in an age of so many screens and media choices, Diggs said.
“We just are all here negotiating whatever we’re talking about in real space,” Diggs said. “Places that have committed to creating these kinds of spaces are so important because they create community.”
Diggs’ appearance is a part of a larger fundraising campaign for the synagogue’s 15th anniversary celebration this year. for more on his work, visit www.daveeddiggs.com.
Sixth & I Historic Synagogue: 600 I St. NW, DC; 202-408-3100; www.sixthandi.org