Outlaw printmaking. Those two words are not some sort of statement. I’m not standing on a step ladder in a free speech zone protesting the medium because a) Why would anyone do that? and b) I don’t know enough about printmaking to stand in front of random strangers on the street discussing the art form.
No, outlaw printmaking is a genre within the medium. Just as rock and rap provide a certain aesthetic in music, so does outlaw printmaking in the fine arts. Bill Fick is one of the members in the movement.
“I’m very comic-y and cartoonish,” Fick says about his work. “It can be just an iconic image. It’s not really telling a story, but people can form their own narrative from the images. Outlaw printmaking is not particularly defined. It’s a lot of artists working in print with a general rock vibe: sometimes satirical, sometimes edgy.”
The renowned artist and veteran teacher is currently on the Speedball Roadshow – U.S. Printmaking Tour. Joined by fellow printmaker Carlos Hernandez, the show is designed to ignite a fervor in people willing to learn about their styles and journeys. The Lee Arts Center in Arlington is set to host the duo on May 12 for a free, six-hour session.
“It’s an educational process,” Hernandez says. “We teach and show our audience the spirit of printmaking. You get your fingers dirty and you create something that people aren’t familiar with. We’re spreading the gospel, if you will.”
Though the art form doesn’t classify as a religion, these two live and breathe the process. Both began their printmaking journeys in college, and though they each approach the medium with a different background – Hernandez with typography and Fick with block carving – each exudes passion for their shared profession.
“When I was in college, I used to do a lot of gig posters with Xerox,” Hernandez says. “It had a punk rock quality to it, and all the great gig posters that were made in the 60s and 70s served as great inspiration. Graphic design and printmaking go hand in hand; it lets me use those [same] techniques.”
Fick adds, “[Printmaking] naturally became a medium I work with. I love the carving process when you transfer the block onto a piece of paper, and I love the history of graphic art.”
A combined offering of these radically different perspectives and approaches is a colossal component of the tour, as each stop includes a modified itinerary pending the wants and desires of the venue. The Lee Center sequences aren’t quite nailed down as of yet, but Fick and Hernandez are up for whatever is necessary.
“A lot of it is media-specific, so we’ll focus on screen printing and get technical,” Fick says. “At the same time, we’ll be working on the release print and take turns on the special piece. By the end, we’ll have a mash-up or [the students] will do a totally separate process.”
Hernandez continues, saying that sometimes the students want something different, and each artist has their own vision.
“We can introduce different styles, and we try to add to their existing programs,” he says.
The duo collaborates on pieces throughout the workshops, each taking turns like friends playing a single-player video game. The pair have worked in tandem on countless pieces at previous trade shows, conventions and tours, so stepping on and off on at different points has become second nature to them.
“[When] we started working together, we’d always have crowds wherever we were,” Hernandez says. “We’ve had universities and other centers interested in the way we present printmaking. There’s a mystery to the work we do. People want to know how to cut a block and burn a screen.”
Most of the time, Fick and Hernadez produce posters, which requires Fick to carve out an image on a block to be printed. Hernandez follows up with printed text.
“It’s all about recognizable imagery,” Fick says.
Join the printmaking outlaws on Saturday, May 12 from 10 a.m. to 4 p.m. at Lee Arts Center. The session is free, but registration is required. Learn more about the event at here, and about the individual artists at www.billfick.com and www.carloshernandezprints.com.