Kali Uchis played her hometown twice this week on October 9 and 10, electrifying the crowd at 9:30 Club during sold-out shows. Touring on her debut album Isolation, Uchis brought her angelic voice and diva presence to the famed stage. Her set was filled with songs the crowd wanted to sing along to, such as “Tyrant,” “Just a Stranger” and “After the Storm.” Photo/write-up: Mike Kim
Nine Inch Nails performed twice at The Anthem this week on October 9 and 10, treating fans to nearly two hours of music each time. Both sets included well-known favorites and songs only true hardcore NIN fans would know. Trent Reznor and his band also treated fans to a few surprises, including “Home,” which had not been performed live since 2009, a guitar-filled version of “Closer” and an excellent cover of David Bowie’s “I’m Afraid of Americans.” Jesus and Mary Chain opened for NIN both evenings; their 12-song set opened with “Honey” and ended with the loud guitars of “Reverence.” Photos/write-up: Shantel Mitchell Breen
With a name like All Things Go Fall Classic, the festival’s attendees would likely expect a laid-back day of tunes enjoyed in the crisp autumn air. But those who joined the two-day celebration at Union Market in the infamous DC humidity experienced an energy and crowd that wouldn’t have been out of place at Coachella’s annual music festival.
Saturday’s sets featured an all-female lineup with acts ranging from Billie Eilish to festival curator Maggie Rogers. Sunday proved an equally as jam-packed schedule of various genres with everything from classic pop to R&B – check out our highlights below.
The Provo, Utah-based band The Aces brought their take on guitar-driven power pop early on Sunday. While the assumption could be made that many attended for bigger names, scores of Aces fans made their way to the front and sang along to every word of the songs the four-piece group played. Bandmates even brought a cake onstage for drummer Alisa Ramirez, who celebrated her 21st birthday, prompting fans to join a spirited “happy birthday” singalong.
Following the high-energy dance party that was The Aces, New York-born, DC-based R&B artist Cautious Clay mellowed out the crowd with his smooth lyrics and choir-layered choruses. “Cold War” was easily the crowd-pleaser with dreamy, electronic beats and truth-seeking lyrics asking “but if we spoke like we meant it/would you reference/this open part of me” had the crowd closing their eyes and swaying in time.
Up next was rising indie star Two Feet a.k.a. Bill Dess. The New York City native’s relatively quick rise in popularity started with a drunken online upload of seductive, electric guitar-heavy song “Go F*ck Yourself” that had the All Things Go crowd dancing. The bluesy, beachy “I Feel Like I’m Drowning” where Dess sings of a “suspicious” lover also proved a fan-favorite, including getting lots of radio love as of late. Talking to the crowd, Two Feet was both funny and perhaps a little unsure of himself, but one thing’s for certain – the guy can shred on guitar.
The fun wasn’t just in the music though; in between music acts, concert attendees could grab a pint of ice cream from Vice Cream while waiting in line for a photo booth or to sign their name on one of two giant globe-like balls. There was even a tent where hairstylists braided festival goers’ hair thanks to emBRAZEN – a wine brand that celebrates bold women from history with their selections, including a Celia Cruz chardonnay, Josephine Baker red blend and Nellie Bly cabernet sauvignon.
After hair braiding and stocking up on Vice Cream, a packed crowd started to form in front of the stage as everyone waited to experience the effervescent MisterWives. Singer Mandy Lee encouraged the audience to sing along to hits like “Drummer Boy” and “Our Own House.” Most songs were met with extended jam sessions via Lee and her bandmates, even incorporating Destiny’s Child’s hit “Survivor”at one point, as a dedication to survivors of sexual assault. The powerful stance was also, in Lee’s words, a reflection of the love and light she felt at the festival besides the tumultuous goings on in DC that weekend.
The aforementioned MisterWives joined the concert bill days before the festival began. They took the slot previously occupied by singer songwriter Garrett Borns, better known as BØRNS, after several people came forward stating the singer was responsible for sexual misconduct. The festival, which touted an all female lineup on Saturday had a choice to make – turn the other cheek or serve as an example to others in the music community by disallowing an alleged abuser a platform.
All Things Go issued a statement that Borns would no longer perform at the festival. By doing so they clearly and confidently sent the message that their festival was no place for misconduct and one that would amplify voices aiming to make the music world safer. Sunday was surely a celebration of that, and All Things Go provided a winning combination of hope, fun and progress. It’s like no other festival in DC, or perhaps the country, and we’re already counting down to the next one.
For more information about All Things Go Fall Classic, click here.
Lucero‘s upcoming concert at 9:30 Club will hopefully serve as a reminder of how hard longevity is for rock bands and why the accomplishment is worth celebrating. Returning to their “home away from home,” Lucero will feature new literary songs fashioned by solo singer and lyricist, Ben Nichols, who has written their heartbreaking hits since the band’s inception in 1998.
For 20 years, Lucero has toured under the radar, serenading listeners across the country. Even with 12 albums under their belt, Lucero sometimes sees blank expressions when their name is mentioned. Fortunately, this does not deter them from traveling year-round for an ever-growing following throughout the U.S., U.K. and Australia.
The band’s current lifespan was unexpected for the four-piece band.
“I didn’t think it would last, but I had this romanticized idea of starting a rock and roll band and piling in a van and traveling the country,” Nichols says. “I never planned on changing the world or becoming The Beatles. I just wanted to be one of those garage bands that get in a van and play punk rock shows.”
Despite playing for two decades, the band doesn’t lament mainstream notoriety, as Nichols humbly insists, “we are not a slick, professional-type band. We have shot ourselves in the foot numerous times, probably. Poor decision making here and there.”
“I think there are only certain music listeners that are going to appreciate what we do,” he continues. “It’s not for the general public, even though our crowds keep growing. It’s never going to be mainstream; we don’t want to be.”
Content with their status in the music industry, Lucero prides themselves on maintaining artistic integrity.
“We are a small business, a working band,” Nichols says. “We’re not rich and famous, but we get to do what we love doing, and we’re paying the bills [while] doing it. We ended up exactly where we wanted to be.”
Nichols’ life has traditionally provided much of the inspiration for the band’s often emotional music. However, the latest album Among the Ghosts features a generally fictional narrative drawn from books and old war letters.
“I wanted to become a better songwriter,” Nichols says. “It’s easy to write down a diary entry and have raw emotions spill out on the page, which works sometimes, but we’ve done a lot of that in the past.”
The reach of the new LP is broader, meant to connect with different listeners.
“There’s a song, ‘To My Dearest Wife,’ [and] it’s kind of about a soldier being far from home and writing back home to his wife,” Nichols explains. “There’s an impending battle, and he doesn’t know what’s going to happen. He says [in the letter] kiss our baby girls.”
“There are things I can relate to in this song that aren’t about me,” he continues. “Obviously, I’m not a soldier. I’m not in a war anywhere, but being gone from home is tough. I have a two year-old baby daughter back home, and it’s a different kind of heartbreak being on tour now.”
For a time, Lucero was touring 200-250 shows a year, but has recently scaled back to an average of about 140 per year.
Though the style and years have changed Lucero, their tone has largely remained unchanged.
“I like old rock and roll songs,” Nichols says. “There’s nothing wrong with songs about girls, songs about having a good time. I do a little bit of that, but I like dark, sad songs too.”
To engage their following, Nichols constantly strives for consistent resonance between the band and fans.
“Writing these songs have really gotten me through some tough times,” Nichols says. “To hear from those who have been through tough times and hearing that our music helps [is] big. Hearing about soldiers in Afghanistan… and it helps get them through, those are very nice stories to hear.”
Even though Lucero has accomplished more than they originally set out to, the band still has more goals for the future.
“I would love to have Stevie Nicks’ voice on some of the stuff we’ve written,” Nichols says. “Especially with the Among the Ghost record, her voice would actually fit right in there perfectly. That would be a dream come true.”
Lucero will perform at 9:30 Club on October 14. Doors open at 6:30 p.m. Tickets cost $25 and can be purchased at www.930.com.
9:30 Club: 815 V St NW, DC; 202-265-0930; www.930.com
Wil Gravatt Band and DC Rawhides teamed up for a country dance night at Pearl Street Warehouse, beginning with an hour of dance lessons from DC Rawhides followed by an open dance and the live music of Wil Gravatt and his band. Photos: LaFlicks Photography
Blood Orange serenaded the sold out crowd at The Lincoln Theater on Friday, September 28. Dev Haynes, aka Blood Orange, is currently touring on his new critically acclaimed album, Negro Swan. The new album explores Haynes’s emotions on many types of black depression and the ongoing anxieties of people with minority backgrounds. At the Lincoln Theatre, Haynes showed his versatile talents whether playing the keys for “Orlando” or shredding guitar on “Charcoal Baby.”The Friday night show proves Blood Orange has only just began his ascent into stardom. Yves Tumor opened the evening. Photos: Mike Kim
WEDNESDAY, OCTOBER 3
Leon Bridges with Khruangbin
These two Texan musicians are bringing their acts to the East Coast early this month. Khruangbin sources their inspiration from their newest work Con Todo El Mundo from soul and funk music in the Middle East, which I wouldn’t have even considered to be a thing until I looked into this album. Leon Bridges will bring some classic R&B and soul with a country twang to The Anthem from his new album Good Thing. Though they may occupy dissimilar genres, the smooth soulfulness of their music ties them together really nicely and makes pairing them together on tour a fantastic idea. Doors at 6:30 p.m. Tickets start at $55. The Anthem: 901 Wharf St. SW, DC; www.theanthemdc.com
WEDNESDAY, OCTOBER 3 – SATURDAY, OCTOBER 6
Capitol Hill Jazz Foundation’s Hillfest
Hillfest, an all-day, free concert held in Garfield Park, will bring musicians together in an effort to translate performances into policy. The festival begins with a conference addressing policy concerns that directly affect musicians on a local and national level, followed by a day-long concert. Enjoy performances by bands such as Stefon Harris & Blackout, JOGO Project, Cheryl Pepsii Riley and many more. Learn more about music and marketing through the conferences that will take place on Wednesday and Thursday, and enjoy the various vendors showcasing their wares on Friday. Garfield Park: 2nd and F Streets in SE, DC; www.hillfest.org
FRIDAY, OCTOBER 5
Chicago rap veteran Lupe Fiasco released his new album Drogas Wave in late September. The 24-track album features frequent collaborators like Nikki Jean, Crystal Torres and Simon Sayz, as well as new ones like Damian Marley. Though he’s always been a prominent voice in conscious rap, Fiasco’s work has taken on a new level of self-awareness – especially amid the various controversies and threats of retirement of the past few years. Hopefully, this new album gives fans of his old work something to be excited about again. Doors at 8 p.m. Tickets $30. 9:30 Club: 815 V St. NW, DC; www.930.com
SATURDAY, OCTOBER 6
Black Masala CD Release Party
Celebrate the release of Trains and Moonlight Destinies from this dynamic live brass band based in DC. One of their many musical influences comes from India in the form of Bhangra music. Even their name refers to a term used to describe a mix of spices often used in Indian cuisine. Their eclectic tunes run the gamut from jazz and New Orleans funk to Balkan brass and free-spirited, Romani-tinged folk with punk-rock vibes. Hopefully, their new album demonstrates a bit of growth when it comes to their liberal use of the “g” slur. It’s 2018 and we need to do a bit better, no? Doors at 7 p.m. Tickets $15. Pearl Street Warehouse: 33 Pearl St. SW, DC; www.pearlstreetwarehouse.com
The Presets with Blood Red Shoes
Australian electronic duo The Presets and English alt-rockers Blood Red Shoes take the stage this month at U Hall. Rolling Stone Song of the Year winners The Presets released Hi Viz a few months back after going years without releasing any big projects. Blood Red Shoes took a similar hiatus right before starting to record their new album Get Tragic, which is set to debut in January. According to a recent Clash interview, their leading single “Mexican Dress” is about the lengths people will go to for attention. “Whether it’s online or in real life, small hits of validation and the feeling of having all eyes on you have become our generation’s biggest drug problem,” says guitarist and vocalist Laura- Mary Carter. Doors at 7 p.m. Tickets $25. U Street Music Hall: 1115 U St. NW, DC; www.ustreetmusichall.com
MONDAY, OCTOBER 8
J Cole, Young Thug, Jaden Smith and EarthGang
There’s so much to be excited about for this tour – for one, you get to see J. Cole. Did you know his album 2014 Forest Hills Drive went platinum with no features? I’m so thankful for Cole’s KOD era so that meme can finally be laid to rest. Also, Young Thug posted bond for the felony charges he stacked up in Georgia, so we can expect to see him on this tour date. Plus, he has a new song “On the Rvn” in the works with the legendary Elton John, 6lack and tourmate Jaden Smith that should be coming out any day now. Smith and EarthGang round out this very comprehensive lineup that represents various facets of the rap world and conveniently places them all together on one stage just for you. Doors at 6:30 p.m. Tickets start at $29.50. Capital One Arena: 601 F St. NW, DC; www.capitalonearena.com
TUESDAY, OCTOBER 9
Nine Inch Nails with The Jesus and Mary Chain
In honor of their ninth album Bad Witch, NIN is joining fellow white noise lovers The Jesus and Mary Chain on The Cold and Black and Infinite Tour in October. Scottish alternative pioneers JMC released Damage and Joy in 2017 – their most recent music prior to that was from 2002, so it’s been more than a decade since any fan has seen them play new music on tour. It’ll be an experience to see these two bands touring together again since it’s been almost 30 years since they’ve shared a bill. Doors at 6 p.m. Tickets $95-$175. The Anthem: 901 Wharf St. SW, DC;
THURSDAY, OCTOBER 11
The mysterious producer is coming to Ten Tigers and bringing her unique sound with her. Some of her musical influences include Björk as well as Chopin, Imogen Heap and Nicolas Jaar. The Just Enough EP, which only features two songs, debuted earlier this summer. With these tracks, Mija delves deeper into the concept of her own genre-bending production that she somehow still manages to fill with sensitivity, introspection and raw emotion. She also has a collaboration with Heelys, which accurately reflects her reluctance to stick to only one medium of expression. Any artist that’s making music while simultaneously designing (and probably wearing) Heelys out here in these streets is someone that is clearly riding their own wave, and I definitely respect that. Doors at 10:30 p.m. Tickets $20. Ten Tigers Parlour: 3818 Georgia Ave. NW, DC; www.tentigersdc.com
MONDAY, OCTOBER 15
Singer, songwriter and classically trained harpist Mikaela Davis dropped her debut album Delivery this July, but it’s definitely not the angels-coming-down-from-heaven harp playing that you’d think. Davis uses her harp as one would use a guitar, and her music takes elements from psychedelic rock, chamber pop and folk. For good examples, check out her songs “Get Gone” and “Other Lover,” and be sure to check out her show when she comes to DC, too. Doors at 7:30 p.m. Tickets $13-$15. DC9: 1940 9th St. NW, DC; www.dc9.com
THURSDAY, OCTOBER 18
Junglepussy continues to flourish as she steps further into the greatness she claimed for herself on 2015’s Pregnant With Success. Since then, this queen of affirmation, health and self-awareness has catapulted to new heights not only with musical cameos (shout-out to Insecure) but onscreen ones too. The good sis has an IMDb page now and has appeared in shows like Mostly 4 Millennials, the SXSW movie Support the Girls and HBO’s Random Acts of Flyness. If you missed her in any of these roles, you owe it to yourself to check out her live show when she comes to DC to give us a taste of her newest album JP3. Doors at 7 p.m. Tickets $20. Songbyrd Music House and Record Cafe: 2477 18th St. NW, DC; www.songbyrddc.com
Little Dragon is a Swedish electronic band, or at least that’s how they’re often described. To me, Yukimi Nagano’s vocals and the intelligent musical compositions of her bandmates catapult them into their own realm. The haunting soulfulness in Nagano’s voice makes them able to work with people like Big Boi, Anderson .Paak, Mac Miller (RIP), De La Soul and more. They have a newer song with Faith Evans called “Peace of Mind” up on their website that you should check out if you want to see what I’m talking about. In any case, this is a can’t-miss show especially since it’ll be at an intimate venue like Rock & Roll. Doors at 7 p.m. Tickets $35. Rock & Roll Hotel: 1353 H St. NE, DC; www.rockandrollhoteldc.com
SATURDAY, OCTOBER 20
Call me a nerd for this, but I literally did a project about Mae and the concept albums they released back when I was in high school. Oddly enough, it was for a class where we made our own websites from scratch to learn HTML, and my little artist page and bio that I wrote about them turned out really nice if I do say so myself. Maybe it was the precursor that led me to my true destiny of writing tons of mini-artist bios about upcoming concerts for a local magazine. Personal anecdotes aside, I have a tremendous amount of reverence for one of the bands that formed my emotional landscape as a youth, cemented my love of concept albums and earned me an A in my web design class. Doors at 7 p.m. Tickets $22-$40. Jammin Java: 227 Maple Ave. E Vienna, VA; www.jamminjava.com
SUNDAY, OCTOBER 21
At the time this was written, Colombia’s own J Balvin was the second most streamed artist on Spotify – worldwide. The artist has been working tirelessly to bridge the language barrier of popular music in the American mainstream, and whatever he’s doing is finally paying off. With the recent success of his Cardi B and Beyoncé collabs, and the constant stream of bangers he puts out, I’d say his goal is well within reach. Doors at 7 p.m. Tickets start at $39. EagleBank Arena: 4500 Patriot Cir. Fairfax, VA; www.eaglebankarena.com
LDN-born Lily Allen is back with her new album No Shame. The last I’d heard from her was about her culturally appropriative video for her single “Hard Out Here,” and since then, I’ve not been able to see her music the same way though I had been a huge fan of hers since 2007. Upon realizing she would be coming to DC, I looked to see what she had been up to. In the four years since Sheezus, it seems the pop star has experienced much growth. Not only has she apologized for the insensitive video, but she wrote a memoir detailing her experiences with motherhood, addiction and the perils experienced since rising to fame at such a young age. In her new album, her maturity is apparent – the cheeky honesty that’s been a hallmark of her music from the beginning now comes forth with a lot more vulnerability and wisdom. Her evolution as an artist makes me proud to be a fan again. Show at 7 p.m. Tickets $35-$40. The Fillmore: 8656 Colesville Rd. Silver Spring, MD; www.fillmoresilverspring.com
TUESDAY, OCTOBER 23 – THURSDAY, OCTOBER 25
NSO Pops Presents Star Wars: The Empire Strikes Back with Live Orchestra
The number one reason to go see this show is to have the once-in-a-lifetime experience of having an orchestra play you the Star Wars theme (and the other songs from the soundtrack that are arguably much less iconic) note for note while the movie plays in real time. The number two reason is that if you go see this, you will be able to brag to your friends about how cool it was – and no one would be able to top it unless, you know, they were in the original film or something. Tuesday’s show begins at 7 p.m. but the other two shows start at 8 p.m. Tickets $34-$149. The John F. Kennedy Center for the Performing Arts: 2700 F St. NW, DC; www.kennedy-center.org
WEDNESDAY, OCTOBER 24 – THURSDAY, OCTOBER 25
Beach Fossils and Wavves
For some reason, I really like surf-inspired rock that’s heavy on the angst and emotion. It makes me feel like I’m lying on the beach next to my surfboard contemplating my life choices (mind you, I’ve never even so much as looked at a surfboard up close in real life). Beach Fossils and Wavves will be joining forces with opener Kevin Krauter, whose music offers a nice change of pace to balance everything out. Wavves will be headlining on Wednesday and Beach Fossils on Thursday. Doors at 7:30 p.m. Tickets $25. Black Cat: 1811 14th St. NW, DC; www.blackcatdc.com
THURSDAY, OCTOBER 25
Nick Cave & The Bad Seeds
I’m going to keep it 100 here and say that what marginal knowledge I have of Nick Cave comes from eavesdropping on the excited chatter of my editor. Quite a few members of our editorial staff really go up for this man and are super excited for him to come all the way from Australia to our little corner of DC. From what a brief jaunt through some Google pages has taught me, this post-punk poster boy and his crew are a very on-brand choice to really amp up the Halloween vibes. Catch them at The Anthem this fall. Doors at 6:30 p.m. Tickets $60-$100. The Anthem: 901 Wharf St. SW, DC; www.theanthemdc.com
SUNDAY, OCTOBER 28
Australian duo Kllo is a staple on many “chill” type playlists populating Spotify. The light, airy R&B-inspired vocals of Chloe Kaul and the skillful production of her cousin Simon Lam make for an ambient blend of music that is danceable yet incredibly calming. Come see what all the fuss is about when they travel to DC this month on the U.S. leg of their tour. Doors at 7 p.m. Tickets $15. Union Stage: 740 Water St. SW, DC; www.unionstage.com