Shakey Graves, Dr. Dog and Liz Cooper and the Stampede at The Anthem

Rocking out on September 13 at The Anthem was Shakey Graves and Dr. Dog, on a joint tour this summer. Joining them on the tour was Liz Cooper & The Stampede, a folk rock band from Nashville who released their first album, Window Flowers, in 2018. Their dreamy grooves and climatic jams made one hell of an opener. Fresh off their latest album Critical Equation, Dr. Dog came out performing some of fan favorites such as “Where All the Time Go?,” “Lonesome” and “The Breeze”. Finally, Shakey Graves closed the night with melodic folky sounds, which may have made this one of the folksiest rock shows at The Anthem to date. Photos and write-up: Kimchi Photography

Angels and Airwaves at the Fillmore Silver Spring

Rockers Angels and Airwaves, fronted by the legendary Tom DeLonge, played at the Fillmore Silver Spring on Saturday, September 14. Photos: Shantel Mitchell Breen

Seratones at Pearl Street Warehouse

Louisiana American soul funk rock band Seratones played at The Wharf’s Pearl Street Warehouse on Saturday, September 14. Photos: Kimchi Photography

Driven to Clarity at Nationals Park

Every Friday night home game at Nationals Park is best spend on Budweiser Terrace. As the Nationals warmed up to play the Braves on September 30, fans enjoyed funk / pop-rock hits from Driven To Clarity. Photos: Kimchi Photography

Jennifer and Jessica Clavin of Bleached // Photo: Nicky Giraffe

Bleached Talk Touring, Sobriety and Being Kind to Your Inner Teenager

Sisters Jennifer and Jessica Clavin have a longstanding history with music. Growing up around the entertainment world in Los Angeles with a parent in the industry, they took to the craft at a young age and eventually went on to form punk band Mika Miko. After the dissolution of that group, the Clavin sisters came together once again to form Bleached, an honest but relatable, realistic but still sunny, band that’s been around since 2011.

While anyone in the music industry for as long as these sisters is bound to look for inspiration in different places, it truly came from the unexpected on their most recent album cycle – getting sober. As the sisters exited a hiatus and worked to improve themselves and their music, they found going through this change (and doing it together) was an empowering and vulnerable way to make music. On Tap chatted with Jennifer (vocals, guitar and synths) about this life changing process, life on the road and learning to have self-compassion ahead of their upcoming stop in DC.

On Tap: Your new album Don’t You Think You’ve Had Enough has been out in the world since July. Now that you’re a few months into the album cycle, what’s it been like being on tour and hearing fan responses?
Jennifer Clavin: I think we’ve got three or four shows on the tour so far. The fan reactions are just so positive and uplifting. Sometimes there are these weird downtimes where you make the record and then you put it down, and you’re just kinda sitting with it before it comes out. And then [the record] came out and then…it’s not really until the live shows I think [we] can really tell [what the response is]. So far it’s been awesome.

OT: Has anything surprised you about the way that fans have responded to the album in general, or to certain songs?
JC: It’s funny because when we were first putting together the album, we didn’t know what songs to make the singles. Like there was a debate between us and our manager and the label. And so now I have proof that “Daydream” and “Somebody Dial Nine One One” are a lot of people’s favorites. And then likewise, I can tell everyone gets super excited for “Hard to Kill.”

OT: You’ve talked a lot about how your sobriety kind of affected your songwriting process and musicianship. Walk me through how that affected this album and why you guys decided to make this change in your life.
JC: Well, it wasn’t a planned decision. I woke up one morning and I was like, ‘I can’t live my life like this anymore.’ I just decided I needed to get sober and then when we started getting the record [together], it was just a very different type of experience than I’d had writing previous records. I feel like the biggest thing was just being present with everything: with every thought, with every feeling, with every reaction. When in the past I could literally check out if I wanted to with drugs or alcohol, which I would do. It was really cool to be more a part of the whole experience.

I guess sometimes it can be scary, right? Just having to be present for all of that and not having the option to check out. But I had to find other ways and use other tools, whether it be meditation, going outside, walking down the street and getting an iced tea or talking to friends. When we were doing the lyrics, I was just thinking about so much stuff from my past that I was trying to let go of. And so singing it over and over and over again, I was just like, ‘I feel insane.’

OT: Yeah. I think a lot about how I have songs that mean so much to me that I can’t listen to anymore because they just affect me emotionally. So I can’t imagine, as a musician – especially for you all, who have been making music for such a long time – having these almost constant reminders of certain parts of your life.
JC: Yeah, totally. It’s similar to that. I remember one time not-so-long-ago we were in Amsterdam playing a show and there was a song about my boyfriend at the time and then we ended up breaking up and I remember playing that [song that] night, crying and trying not to let anybody see that I was crying on stage. Even the process of having to say the lyrics over and over, it was like a form of letting go in a way. But this is one of my most favorite records we’ve ever written. So it’s showed me that doing this whole thing sober and being present actually produced the best record, in my opinion. 

OT: I’ve noticed an uptick in people, especially in creative circles, embracing sobriety. I recently read a book called Sober Curious about someone who was a journalist and then went on a similar journey. It’s just very interesting to see almost a prioritization of overall health, and actually being with your feelings. As somebody who’s gone through getting sober and making this change, why do you think people are starting to be more cognizant of their drinking habits?
JC: [People] have talked about how to do it [on] social media. There are people being super honest about their struggles and their journey – people that we and other people look up to. I feel like that probably is such a big part of it. I think before, you never really knew what other people were going through. You felt very alone in that journey if you were trying to get sober. Now, there’s just so much more support. I feel like that’s almost like the most important ingredient in sobriety is having that support and not just like isolating yourself.

OT: You and your sister have been in the music world for quite a while now, as Bleached and past projects. You also grew up in the music world. How has your relationship with music, personally and professionally, changed over time.
JC: That’s a really good question, because we’re actually on tour with these younger girls right now called The Paranoyds. They were all big fans of our first band, Mika Miko. Watching them is really taking me back to when I first started playing music, first started going on tour, [and was] trying to figure stuff out. It’s funny cause I didn’t have any confidence back then but they all seem, at least to me, very confident and sure of themselves. It’s just really cool to watch and be like, ‘Oh, I probably was, I was cool like them, too.’ But I just didn’t know it because I was so insecure. Now over time, I’ve been being more loving toward myself and having more compassion and just working on myself to where I can now play a song and just feel super proud. 

OT: I always think it’s interesting how, having been a former teenage girl, I have so much compassion for them. I didn’t have that same compassion for myself at the time I was that age, though. I recently started to reflect on how teenage me is still there, too, and I still need to be nice to her and to my current self.
JC: Exactly. That’s another thing, as we are playing these shows and seeing [teenage girls] there it has been bringing back that exciting feeling I feel you kind of lose along the way. Where everything’s so new and maybe it’s a little scary. It’s also just really exciting, you know? And it’s like, just where my brain is right now, too. 

Bleached plays U Street Music Hall on Tuesday, September 17. For more on their new record, visit hellobleached.com.

U Street Music Hall: 1115 U St. NW, DC; 202-588-1889; www.ustreetmusichall.com

Two Door Cinema Club and Overcoats at 9:30 Club

Playing back-to-back sold out show at 9:30 Club, Two Door Cinema Club is back on tour. They started their U.S. tour at DC promoting their latest album, False Alarm. Known for their indie rise due to their debut album, Tourist History, they came out electrifying the sold out crowd performing fan favorites like “Undercover Martyn” and “What You Know.”  Opening up for the tour is the electropop duo Overcoats. One of duo, Hana Ellon, grew up in DC giving fans a hometown flare. Photos and write-up: Kimchi Photography

Capitol Riverfront Concert Series at Yards Park: As If

The Capitol Riverfront concert series at Yards Park concluded on Friday, September 6 with  live music from 90s tribute band As If and ice-cold Corona and wine for a relaxing evening with waterfront views. Photos: Nick Moreland Phototography

Photo: Rob Wallace, Mindful Photo, Courtesy of Wolf Trap

Kacey Musgraves Brings More Than Just Crossover Country to Wolf Trap

There’s nothing better than hearing a full album you’ve treasured since its release live with amazing visual and instrumental effects in an intimate concert setting. On the second leg of her Oh, What A World Tour, Grammy-winning singer-songwriter Kacey Musgraves stopped in Vienna, VA to play a magical set for a sold-out crowd at Wolf Trap’s Filene Center. 

Word of this must-see show is definitely out, as most of the rest of her tour dates are also (understandably) sold out. Saturday, September 7 marked her return to Vienna’s national park since the Live From Here show in May 2018.

She nailed the reappearance in an endless number of ways, but I’ll just mention these: By playing every song on her most recent and best album yet (Golden Hour); by choosing a fantastic power-house vocalist as her opener (British singer-songwriter Yola); by incorporating several perfect acoustic moments; and by engaging the audience with colorful wow-factor visuals.

Musgraves started her career as a country artist, but has since ditched all labels and headed down a path of emotionally charged lyrics, smooth angelic vocals and laid-back vibes to appeal to the affinity of music lovers of all kinds. 

However, she does please her pre-Golden Hour fans on this tour with her more twangy side, performing “High Time” and “Family is Family,” and the small-town-life anthems “Merry Go Round” and “Follow Your Arrow,” both from her 2013 album Same Trailer Different Park. By keeping these country jams in her set, she’s proved that she can be a retro disco diva queen without losing her unique, raw Southern sound.

She lets her Golden Hour songs shine their brightest on this tour, opening with “Slow Burn,” which sounded just as dreamy as it did at the CMA Awards 2018, and ending with the most upbeat, energetic song on the album, “High Horse.” In the first half hour, we’re blessed with some of the more groovy, retro-sounding songs on the album “Butterflies,” “Lonely Weekend” and “Happy & Sad,” all accompanied by vibrant graphics on stage from a kaleidoscope of butterflies to light outlining smiley faces with one teardrop.

For Musgraves’ short but sweet ballad “Mother,” she is isolated from her band with a spotlight and her guitar for acoustics. She then comes front and center to play a bright, almost bluegrassified version for “Oh What A World,” featuring banjo, pedal steel guitar and a plucking bassist. Though the song is heard without it’s electronic edge, it doesn’t lose its beautifully dramatic and fantastical vibe.

The ear-pleasing electric sounds returned for “Love Is A Wild Thing,” written about her love story with husband and fellow singer-songwriter Ruston Kelly. Musgrave vocalized her love for the “chill” audience that showed up for her Saturday night show, but appreciated those that screamed and fangirled for her iconic “when-I-say-yee-you-say-haw” moment with the crowd. This fan-powered energizer was followed by Musgraves’ funky “Velvet Elvis” and a cover of Gloria Gaynor’s disco-era, golden oldie “I Will Survive.”

Saturday night’s breathtaking pre-fall weather was matched by a glorious, stunning night of Musgraves’ epic performance. The Oh, What A World: Tour II, even as it nears its last month on the road, packs legendary moments with high energy and total poise. Oh, what a treat. 

To read more about Kacey Musgraves and the tour, visit www.kaceymusgraves.com. To see upcoming shows at Wolf Trap, visit the website www.wolftrap.org.

Wolf Trap’s Filene Center for the Performing Arts: 1551 Trap Rd. Vienna, VA; www.wolftrap.org

Jenny Lewis at The Anthem

Jenny Lewis and The Watson Twins stopped by at The Anthem for their On the Line tour on Thursday, September 5. Jenny Lewis performed songs off of her latest album On the Line, such as “Heads Gonna Roll” and “Wasted Youth.” She also performed songs from her former band, Rilo Kiley, such as “Silver Lining.” The opening The Watson Twins also joined Jenny Lewis on stage to perform from their collaboration album, Rabbit Fur Coat. Photos and write up: Kimchi Photography

Pebble to Pearl at Mount Vernon Triangle

Tunes in the Triangle at Milian Park concluded for the summer with female R&B group Pebble to Pearl playing an acoustic set for the Mount Vernon Triangle neighborhood. Photos: Nick Moreland Photo