Clones of Clones Return With New Single “Mine”

Almost exactly a year to the day from their release of the This Means War EP, DC-based indie rockers Clones of Clones are back with a new song called “Mine.” It kicks off their campaign toward the release of a new album, and they’ll release more singles as the band works toward finding the perfect timing to grace listeners with new material in full. In the meantime, let the magnificent new track and our conversation with singer and guitarist Ben Payes tide you over ’til you undoubtedly hear more from this band on the rise.

On Tap: Start by telling us about this new song. You mentioned it’s going to be part of an upcoming album. Why did you end up choosing this as the first single?
Ben Payes: Prior to this album, if a song didn’t work in practice or in a live session, we would send it to song purgatory.  I think we tried to arrange “Mine” in a practice session three or four years ago, but it wasn’t doing anything for us. Many times, if a song gets tossed to the side, it doesn’t mean it’s a bad song. In fact, we loved the melody and rhythm of this track. We just couldn’t get it to sound good in a live setting.      

Occasionally, I go through my hard drive and listen to old songs or demos. When I listened to the demo again after not hearing it for years, I felt that instant rush of endorphins you get after hearing a new song you like. The playful melody, big electronic drums, strange detuned vocals and a slightly-out-of-sync arpeggiated synth pulled me back in.

OT: What was the process of bringing it back into the limelight?

BP: I brought it to the band and we decided to arrange the track in the studio instead of in practice. This was a new process for us and I think it worked really well. In fact, we liked the process so much that we arranged and wrote a handful of album tracks in the studio. We do all our recording in a home studio these days, so we have the luxury of writing and arranging while recording without incurring crazy pro studio costs.

We picked “Mine” for the first single simply because we really like the song and wanted to share it with everyone as soon as we finished it. It was fun to create, we finished it fairly quickly, so it never felt stale to us, and we think people will connect with it.


OT: Tell us more about the timing of your upcoming album.
BP: We plan on releasing one single every month until we feel like the timing is right to drop the album. Could be three singles, could be eight. We want to give every song a chance to get some ears on it. With previous large releases, a handful of songs just don’t get the same audience as the lead singles. The streaming services seem to be pushing artists toward single releases too. We’re happy to oblige because it allows us to string the marketing period out and build a bigger audience in the process.

OT: Are there any major themes, musically or lyrically?

BP: We’ve never really been into overarching themes for records. I think that requires a lot of planning, awareness and intention and that’s just not really our thing. We write songs that we’re into and make us feel good and we hope it vibes with others.   

OT: Did writing or recording this album differ in any way from your past work?

BP: Every album we’ve made says a little bit about what we feel and what we’re into in the time of that record. That situation probably sets up some sonic themes. I’ve been listening to The Beatles’ White Album a lot lately and I’m really into the concept of nonconforming arrangements. We’ve always treated every song like it could be the one that propels us to the next level. In order to do that, we had to write and arrange in a box; everything had to sound and feel like a pop single. Don’t get me wrong, we really enjoy pop arrangements and I think that’s a huge reason why we stuck with them for so long and why we continue to write them.

We operated a little more outside of that box on this album. There are a couple ditties, some strange interludes and we used sounds we’ve never used before. It still sounds like us, but maybe a more liberated and fun us.

OT: How has the DC music scene supported you over the years? Do you feel it’s changed at all?
BP: Three out of four of us grew up in the DMV, so we have a lot of roots here, we definitely feel a special connection to the city. Brian and I currently live in the city. There’s too much to say about DC and the evolution of its art culture since we became involved in the local scene. I think our first show was at the Red and the Black on H street over 10 years ago. Clubs, bands and even some of our band members have come and gone since then. It’s been fun to see the scene change over the years.

OT: What is the best thing about being part of this community?

BP: The best thing about the scene is the people. If people are at a local show, whether it’s listeners, club engineers and employees, or musicians, they want to feel a part of this DC arts community, for better or for worse. It’s not the easiest scene to get into or remain a part of, especially because of how transient the city is, but I think that makes the community bonds even stronger. We’ve made great friends over the years with like-minded artists. It’s nice to have that support group when you’re going through the creative process; the lows can be as low as the highs are high, and it’s nice to have fellow musicians to share those experiences with and to help you stay centered.

OT: What do you all look forward to most with the release of new music?
BP: We’re mostly excited to see how people react to the music. For people that have heard our stuff before, we hope “Mine” will be a welcomed change. For people who have never heard of us, we hope to make new fans with the song and the upcoming releases. We’re also still trying to figure out the most effective way to release music for us in the streaming age. So I think the next few single releases and the album will give us plenty of opportunities to see what works best.

OT: Any upcoming tour dates planned?
BP: No upcoming tour dates at the moment, but stay tuned.

Listen to “Mine” by Clones of Clones here. For more on the band, visit clonesofclones.bandcamp.com.

Photo: Jati Lindsay

Kennedy Center Arts Summit Explores The Human Journey: Creating the Story of Us

On April 29 the annual Kennedy Center Arts Summit created space for leaders in the arts and arts advocacy to address the difficult questions surrounding the role of the arts in an unjust world. The theme of this year’s symposium, The Human Journey: Creating the Story of Us, invited the dissolution of traditional boundaries between artistic disciplines and between the “arts world” and the “rest of the world.”

Storytellers from all walks operating as catalysts for change within a dramatic variety of arenas convened to redefine what even a story is – A technology? An art form? A breathing thing all its own? – and to consider why it matters here and now.

Words spoken aloud, words heard, narratives propelled forward into the space in a room, into the air, are driven by voices – and that is what gives them power over paper.

In a series of roulette-style interviews punctuated by musical performances, the first half of the day-long summit proved just that. The format alone attested to the power that can be wielded by being in charge of a narrative – as each session’s interviewee became interviewer for the next panelist, the dynamic shift in the person, progress and direction a story can take was on display.

Snap Judgement’s Stephanie Vu, who uses the awareness of this power to combat Complex PTSD, asked the audience to consider “how does the experience shift when you go from the interviewer to the interviewee, even when you’re interviewing yourself.” She continued, “giving of self is part of the process of unfolding a story.”

Hip-hop and rap artists, poets, podcast producers, PhD sociologists, musicians, educators pushed on each other and themselves to place art in dialogue with dominant narratives told in the public, and within the self, to identify the parts of our tangled stories that we do and don’t share, and to consider how the process of creating a new story is like stitching together disparate wounds to emerge with a stronger whole.

And with seeds planted during the morning, afternoon breakout sessions took a deeper dive, pushing participants to examine intentionality, authorship and intersectionality; pursue the idea of “radical listening”; and discuss strategies for generating stories, both personal and communal.

Theatre artist Kaneza Schaal reminded Vanessa Ramon-Ibarra, a 16 year-old member of 826DC who is struggling to keep the oral histories of her family alive, that “the world is built of stories” and that in telling hers, she is “building an entire ecosystem.”

Earlonne Woods, formerly incarcerated at San Quentin State Prison, and Bay Area artist Nigel Poor, started the podcast Ear Hustle when Earlonne was still within in the prison system. Woods encouraged the audience and his fellow panelists to let conversations happen: let stories emerge, let yourself tell your story. In essence, he told us, there is more than one side to every story, and there is more than one layer to every character.

James L. Knight Foundation’s Victoria Rogers questioned the role of patrons of the arts – if storytelling is a technology, who has access to it and who decides who gets that access?

And finally, Princeton sociologist Betsy Levy Paluck gave us scientific evidence for the power of storytelling. Stories, she says, can motivate war, but they can also drive its resolution. In a study that explored the rolls of mass media in the Rwandan genocide, Paluck showed just how intimately and biologically stories bind us on a deep neural level.

Ultimately, if we use that bond to do good, the art we create within and of ourselves can actually change the world.

The Kennedy Center Arts Summit is an annual one-day convening to investigate the power and potential of the arts, for more information visit here.

The John F. Kennedy Center for the Performing Arts:
2700 F St. NW, DC; 202-467-4600;
www.kennedy-center.org

Image: Courtesy of Shakespeare Theatre Company

Inside The Oresteia’s Original Score with Composer Kamala Sankaram


Kamala Sankaram has worked within many musical mediums throughout her career. With a background in opera, she eventually moved into composition, and even has her own band called Bombay Rickey. The theme that weaves her work together is combining global music elements with technical prowess to evoke the exact feeling needed to fully engage audiences in the heart of a theatrical work.

On Tap spoke to Sankaram about her latest venture as composer for Shakespeare Theatre Company’s The Oresteia, a new play by Ellen McLaughlin based on the only surviving piece of Greek theatre trilogy. While its original iteration was written by Aeschylus in the 5th Century B.C., McLaughlin has made the play relevant to modern audiences, and Sankaram’s score brings it into the new world as well.  

On Tap: How did you come to be involved with Shakespeare Theatre Company? What drew you to The Oresteia?

Kamala Sankaram: I think someone gave them my name, so I went and met with [director] Michael Kahn and talked about the play. I’m very interested in how music can function semiotically
— how it creates a sense of place, or a sense of character. This play is tricky, because it moves through time. You have characters who are ghosts, you have unseen influences from these gods, so how can you represent that in a staged work? One of the ways you can do that is through really subtle musical shifts.

Thinking about how instrumental timbre or harmony or even just the kinds of sounds that are found change, and imperceptibly influence the feeling of the play. I also was an early adopter of [production software] Ableton Live, and have done a lot of work with electronics. One of the other interesting things about it is how in this strange in-between space
— it’s not ancient Greece, it’s not really modern day, so I’m interested in using this mix of real, acoustic instruments and voices with industrial sounds like radiators and machines and broken computers in the score.

OT: Tell us more about working with a play that has the paradoxical element of being drawn from the oldest surviving Greek tragedy, but also being adapted into a completely new and original work.

KS: What [playwright] Ellen McLaughlin did that’s really great is she took these three plays and condensed them into something that retains the essence of the original plays. It’s not trying to sound like a Greek translation, it sounds like two people talking. And then there are moments where they break into something poetic, just as the original does. So there’s a mix of both things on the modern and the abstract sides. Am I going to make this sound like Greek music? Am I going to have Greek instruments? I toyed with that a bit and recorded some but it didn’t fit when we went to rehearsal. It didn’t make sense, so it was cut. The nice thing about Ableton is I’m working with it as if I’m making a very big ambient soundscape, where I have all of these layers and in the rehearsal process we’re figuring out when they come in and out, what I’m adding and what I’m taking away in response to what’s happening on the stage.

OT: Are there any elements of the play you felt particularly inspired by as you composed the score?

KS: I started to think about who the characters were and what their psychological states might be. For me, the whole play hinges on the relationship between Queen Clytemnestra and her daughter Iphigenia. The whole tragic series of events is kicked off when King Agamemnon kills his daughter in order to get the winds to blow so he can take his army to Troy. From that point on, everything just goes further south. I started with Iphigenia
— what could she have, thematically? I started with a string theme and from that then the strings are sort of this warm signifier. When we first enter the play, there are these string chords that are kind of sad but still not as evil as they become later. When  we go into the past, it’s all of these voices, it’s very warm, and then the further forward in the future we go the sound changes to being very metallic. I used a lot of cymbals and slowed them down so we hear all the in-harmonic tones beating against each other, and by the end, there are no strings left and no voices.

OT: What do you feel your score contributes to the play as a whole?

KS: What the music does is support what’s happening on stage and help create a feeling of abstraction that we’re not really in this real world place. Until we get to the third act, when everyone breaks out of this chorus role and they become this jury of real individuated people. At that point, the score is pretty much gone. But before that, what it’s doing is creating a heightened sense of whatever the mood of the play is. I think the score functions as a design element, almost like a lighting cue, in that it’s subtle and supporting but it’s also present.

OT: What difficulties did you face with such a unique play and score?

KS: With music it’s always difficult because it takes a while to make the music to begin with, but you also have to be willing to just throw it out. I tried to work in a modular fashion where I had all of these possibilities of what the layers could be, and then through the rehearsal and watching the actors, I tried to follow what they were doing. Where their dramatic beats happen, that’s where a music change will happen. I couldn’t have known that until I was in the rehearsal room. That was the most challenging part
— to support what the actors are doing and let the text lead. In opera, it’s very different. You’re making all the decisions as a composer, and the performers are doing whatever you set down.

OT: As you worked on the score, what has been the most exciting element of this specific project?

KS: It’s been so great to dig into the actual bones of a new play. That’s not something you always get to do, even when you are working on a lot of new pieces. The time that we’ve had to figure out what the play is and how it functions
— it’s very educational for me to now be able to go back and say, ‘I know I can follow this dramatic structure for next time I want to set something as an opera, I now have a better understanding of how that works.’

It’s also been great and difficult trying to figure out how to make the chorus work. We landed on this musicalized speech and I got to work with them on finding tempo and pulse within the text. I’m excited to see how that grows and develops. It’s something I don’t think you see a lot in theatre.

OT: What makes The Oresteia relevant to audiences today?

KS: Seeing something like this is a reminder that the human condition has not changed all that much. We’re still struggling with the difficulty of letting go of a desire for vengeance, dealing with people who are different than we are, and deciding how to define the common sense of community and justice within a community. The third part of the trilogy is all about creating the first court trial, which is a huge philosophical leap to make, and it’s been really interesting watching everyone work through the third act. We’re thinking about what does it mean to have justice and how do we find a sense of justice? That’s really relevant and still a huge question today.

The Oresteia opens at Shakespeare Theatre Company today and runs through Sunday, June 2. For times, tickets and more information, visit www.shakespearetheatre.org. For more on composer Kamala Sankaram, visit www.kamalasankaram.com.

Shakespeare Theatre Company’s Sidney Harman Hall: 610 F St. NW, DC; 202-547-1122

Awesome Con 2019

From April 27-29, Awesome Con once again took over DC’s Walter E. Washington Convention Center bringing a score of fun events for casual and hardcore fans alike.

On the weekend of both Avengers: Endgame and Game of Throne‘s epic battle-fueled “The Long Night,” fans carried a high level of enthusiasm for all things comic and fantasy. Awesome Con only helped add fuel to the burning fire of fandom by offering a ton of exhibits, panels and guests including Luke Cage’s Mike Colter, The Punisher’s Jon Bernthal, and numerous names from shows like Steven Universe and Riverdale. 

Other features including a special exhibit celebrating 80 years of Batman with memorabilia from movies, life-size costumes and poster-size prints of select cover art.

Photos: James Coreas

Photo: Courtesy of Adams Morgan Day

Festival Makers: The Creative Minds Behind DC’s Iconic Events

Festivals can often be sensory overload for attendees. With food, drinks, art and whatever else you can think of all interlinking to create a vibrant atmosphere for those who participate, it’s no doubt that putting all these moving pieces in place takes a ton of work. Who are the masterminds behind are favorite local events? We caught up with a few of the creatives behind the scenes at some of the most iconic DC festivities.

Funk Parade
David Ross, Festival Organizer
Jeffery Tribble Jr., The MusicianShip Executive Director

On Tap: Why did the MusicianShip decide to start running Funk Parade?
Jeffery Tribble Jr.:
I’ve been a volunteer for a couple years so I was already promoting it and knew how effective it was. With our organization being all about creating musical experiences to benefit young people in underserved communities, it seemed like another great way to bring exposure to our cause.
David Ross: I was legacy. I was with Funk Parade last year. I was the third person. I was the first official hire. [Founders] Justin [Rood] and Chris [Naoum] had done it so long. When they wanted to take a step back, the MusicianShip seemed like an amazing opportunity to continue the tradition.

OT: What new things did you all want to implement and what was the festival already doing well that are you looking to accentuate?
JT:
As an educational organization, our emphasis is more on education this year. We’ll have a conference and an extension on the academy of funk, and we’re also going to have a marching band exhibition. We don’t only want to entertain and have a good time; we want to educate and for people to be better than they were when they first came. There have been some talks of Funk Parade East [at entertainment and sports arena St. Elizabeths East], but it’s more likely to be a 2020 effort if it happens based on conversations we’ve had with other interested parties and sponsors.
DR: There’s some interesting activations we haven’t done before. I’m most proud in the way we’ve creatively used U Street. We’re not using the big theatre settings for our showcase. We’re using the environment. We’ve adjusted because we’re using smaller venues like SXSW.

OT: How did the collaboration beer with Aslin Beer Company come to be?
JT: We brainstormed different ideas to raise the profile of the festival and by extension, raise the profile of Aslin. Because we are attached to so many venues, it made a lot of sense to offer the Funk Parade beer in said venues, and we are also using it as a fundraiser.

OT: Is this year more about sustaining the momentum of festivals past as opposed to putting a new stamp on Funk Parade?
JT:
You hit the nail on the head. This year is about sustainability and [maintaining] what has been done historically. After we do it successfully, then we can look at how to grow it. To be honest, I don’t have substantial thoughts on what we might do differently in the future. We’re so focused on making this Funk Parade [that] given the ecosystem of the parade and all of the [participating] venues both big and small, it fosters opportunities for growth.
DR: From having worked on it last year, the MusicianShip asked the right questions immediately. Any hiccups that came along the way, we were able to adjust them. This year, what I’ve seen is stronger preparedness and because of that, you’re allowed to grow.

OT: Why do you think the Funk Parade is so impactful for the local community?
JT:
Music changes lives and is a powerful platform, drawing young people to achieve in all areas in life. Music is a way to advance conversations about social justice and any other movement across time. It also doesn’t hurt that it facilitates a good time. We bring a lot of the city’s and the nation’s best musical acts to perform on this day. When people come out and experience it, it’s always new and friendly and the spirit of it is all about unification – which we need, especially now.
DR: I think this is a festival where DC allows itself to let loose. So often as a city, our identity is tied to what happens at 1600 Pennsylvania Ave. People don’t know about the rich culture we have here. People really want to celebrate the city they live in, and this is a great place to do so – maybe more than any other event we have.

The sixth annual Funk Parade takes place on Saturday, May 11. The festival is free to attend and features music from 1-7 p.m.,a parade from 5-6 p.m. and a featured showcase at 8 p.m. Various locations on U Street in NW, DC; www.funkparade.com

AFI Silver Film Festivals
Todd Hitchcock, AFI Silver Theatre Director of Programming

On Tap: How does the AFI balance so many festivals? What goes into planning each?
Todd Hitchcock: We’re mindful of what we’re going to do throughout the year. [They’re] what we call curated festivals. [Our staff] attends major festivals throughout the year beginning with Sundance, Berlin, Cannes and Toronto; at least two of us are attending and seeing as many films as we can, which is typically 50-plus. In all of these cases, you have to whittle it down and make a decision on what we’re going to include.

OT: How important is the balance of countries included to the authenticity of the festivals, particularly the Latin American Film Festival and the European Union Film Showcase?
TH:
When you embrace that identity and focus, that means that films from smaller countries are going to have an opportunity for inclusion and to get screened. It’s wonderful when you find a film from say the Baltic countries or in Eastern Europe; for instance, we’ve had a lot of success with Hungarian films. In Latin America, you could say that the region as a whole doesn’t get enough representation in the film world. We’re going to push to include Ecuador and Paraguay. We’ve had some terrific films from those countries.

OT: How do you approach the festivals in fresh ways?
TH:
I think our audience has a strong association with these festivals. If you graph it out, there’s been a growth spurt. These are new films from these countries, and in many cases, this is the only chance [the audience will] have to see them. The DC area has people from all these countries living here because of its diversity; it works out for everyone.

OT: Why do you think film is a medium that lends itself well to a festival setting?
TH:
I would say year in and year out, we find exciting films. There’s more than enough to be excited about as far as quality and exciting, innovative films. It’s an opportunity to see something that they might not otherwise see. The newness factor: that’s the huge reality of the film business. It’s exciting.

Upcoming Film Festivals at AFI Silver Theatre include the DC Caribbean FilmFest from June 6-12, the Latin American Film Festival from September 12 to October 2 and the European Union Film Showcase from December 4-22. For more information on these and other festivals screened at the AFI Silver Theatre and Cultural Center, visit www.afi.com/silver. 8633 Colesville Rd. Silver Spring, MD; www.afi.com/silver

By the People Festival
Nicole Dowd, Program Director of the Halcyon Arts Lab

On Tap: There are a lot of moving parts with the By the People Festival. How do you select a curator and then work with them on the theme?
Nicole Dowd: We identify a curator a year in advance of the festival. We ended up with Jessica Stafford Davis [this year] because her focus hasn’t really been present in the art world over the last decade. I think that we definitely knew that we wanted to work with her in some capacity and some of the qualities other than her own amazingness are finding people with a strong vision.

OT: How far out do you plan?
ND:
We move pretty quickly. We’re quite nimble in the way we produce programs and events. In two to three months, we were pretty set on who we wanted to showcase. For myself, coming from the art and museum world, it’s a very quick timeline. Artists are very excited to be part of it and we work heavily with them to make something impactful in a relatively short amount of time.

OT: How do you balance the mediums of the work presented? 
ND:
A lot of it is dictated by the specific site. There are two roads working together. One is thinking about what would be most appropriate for the site: is it going to be performative or a painting? And then we think about who is going to look at the artwork: what’s most accessible and impactful?

OT: Tell us a little bit about this year’s new gallery feature.
ND:
People asked us last year where they could buy the art, so we’re trying to create an environment for artists who identify with the DMV to exhibit and sell their work to new [or local] collectors. That will take place at a location in Georgetown, and it’ll be open from June 8-23. It extends the festival and makes it more inclusive for some of the artists in the location.

OT: Why do you think a festival is such an effective way to deliver art, and what has the response been from attendees?
ND:
There are so many people [who view museums as] a barrier to appreciating art. So for us to meet people where they’re at – whether they’re in a public square or on the river or in their neighborhood – it’s a good way to get people engaged with art.

The 2019 By the People Festival takes place in various locations around DC from June 15-23. For information about the participating artists and locations, visit www.bythepeople.org.

Adams Morgan Day
A. Tianna Scozzaro, Festival Organizer

On Tap: When you took the reins of the festival four years ago, did you think it would be where it is now?
A. Tianna Scozzaro:
I knew that the festival and the community were too strong for it to die. I’m so proud of what’s grown out of that really desperate place. We had two years where it was on the sidewalks and it was pretty lean, but last year was our 40th anniversary and this year, we have committees ready to go for September.

OT: Why did you feel so strongly about Adams Morgan Day continuing, and what are some of your favorite aspects?
ATS:
I think it’s eclectic and diverse in a way that is [true] to its identity. It was one of the [first] few neighborhood festivals in DC. In the past few years, we’ve seen the demographics of the city change [and] a lot of other great festivals have risen up. There’s a history of Adams Morgan Day that’s really special.

OT: What is surprising to people that may not know AdMo very well? Why is it important to introduce it to people who may be less familiar?
ATS:
I think the number of locally owned businesses that have been around for decades. Some people go to Adams Morgan for dancing and a jumbo slice but may not know of the great bookstores and the most delicious churros in town. It’s important for these local businesses to have an outlet that spotlights them. The funkiness as a whole is great: there’s been graffiti arts and hula hoop contests and [other] interactive, creative opportunities for people to participate in. We always need more of those activities in DC.

OT: Where do you think it’s going in the future? How do you see the festival evolving?
ATS:
The festival started as a park potluck [and] grew to its heyday in the 80s. That’s when DC was less safe, but this provided an opportunity for people to get out, celebrate and listen to go-go music. My desire would be to see the festival become sustainable with sponsors that support the festival as an intrinsic part of the neighborhood business and community cohesion.

Adams Morgan Day takes place Sunday, September 8. 18th Street in NW, DC; www.admoday.com

Photo: Ernie Tacsik // Haute Phototure

DC Festival Guide 2019

As the clouds dissipate from the sky and make way for the sun to illuminate the world, tents and stages begin to roll out for perhaps the most vibrant time of the year: festival season. From big to small, festivals represent inviting areas for people to mingle in areas meant to incite enthusiasm and joy. Luckily for us, residents of the DMV live in one of the most fertile grounds for these events in the country, whether you’re looking to chow down on fare at the Giant National Capital Barbecue Battle or want to dance to pure exhaustion at Funk Parade and DC101’s Kerfuffle. Over the next few pages, we’ve collected an extensive list of some of the very best the region has to offer with details on what to expect from each, plus interviews with local festival makers and some of our top picks.


THURSDAY, MAY 2 – SUNDAY, MAY 12

Pow! Wow! DC
Since 2016, artists from the DC region and around the globe – a different mix each year, lead by DC’s very own Kelly Towles – have come to NoMa for 10 days in May to create larger-than-life murals that enliven buildings and streetscapes. The 10-day celebration of art features a kickoff event at Wunder Garten, mural walking tours and more. Various dates, times and locations; www.nomabid.org/pow-wow-dc

FRIDAY, MAY 3 – SUNDAY, MAY 5

M3 Rock Festival
Now in its 11th year, M3 Rock Festival has grown from up-and-comer to a definitive way to party like it’s 1989. Start with the annual Kix-Off Party on Friday, and head into the festival on Saturday and Sunday. M3 features enough hard rock and hair metal bands to make your head spin. Lineup includes Dokken, Whitesnake, Autograph and Vince Neil. Various times. Tickets are $80-$255. Merriweather Post Pavilion: 10475 Little Patuxent Pkwy. Columbia, MD; www.merriweathermusic.com

Sleepy Creek Spring Dig
Returning for its sixth year, this annual campout offers a stellar line up of local roots music and national superstars. Other attractions include playgrounds, parades, face painting, food, arts and crafts, late night bonfires and open jam circles. Sleepy Creek events remain dedicated to providing fun for all ages and creating memories that last a lifetime. Early arrival party with Jakob’s Ferry Stragglers starts at 4 p.m. Friday and Saturday 12:30 p.m. – 1 a.m. Sunday open mic party. Exit by 5 p.m. Tickets are $60-$100. Free admission for kids 15 and under. Sleepy Creek on the Potomac: Joshua Lane in Berkeley Springs, WV; www.sleepycreekpresents.com

SATURDAY, MAY 4

Kingman Island Bluegrass and Folk Festival
Join DC’s signature folk festival in its 10th year with headliners Dustbowl Revival, The Ballroom Thieves and Hackensaw Boys, along with a host of other featured artists. Celebrate spring at this Best of DC 2018 award-winning festival with amazing local talent, tremendous local merchants and the natural beauty of the nation’s capital. 12-8 p.m. Tickets are $35-$100. Kingman Island Bluegrass and Folk Festival: 575 Oklahoma Ave. NE, DC; www.kingmanislandbluegrass.info

SATURDAY, MAY 4 – SUNDAY, MAY 5

National Wine & Food Festival
A world class, waterfront culinary event! Join in the excitement of the 11th annual Wine and Food Festival at National Harbor; bringing together world-renowned chefs, artisanal craftsmen and culinary pioneers with thousands of Metro DC’s foodies. 12-6 p.m. Tickets begin at $40. National Harbor Waterfront: 804 National Harbor Blvd. National Harbor, MD; www.wineandfoodnh.com

SUNDAY, MAY 5

Fiesta Asia Silver Spring
Fiesta Asia Silver Spring brings together diverse Asian cultures on one street, where participants can experience the richness of the arts and tradition the region has to offer. Happenings include live performances, open market exhibitors, interactive displays, dance, music and much more. 10 a.m. – 6 p.m. Free to attend. Fiesta Asia Silver Spring: 916 Ellsworth Dr. Silver Spring, MD; www.fiestaasia.org

FRIDAY, MAY 10 – SUNDAY, MAY 12

Preakness Balloon Festival
The Howard County Fairgrounds will brighten the skies this year as the centerpiece venue for the long-running balloon festival. Spectators will enjoy the wonder of hot air balloons, specialty crafts, entertainment and good food during this family-friendly festival. Friday  4-9 p.m., Saturday 11 a.m. – 9 p.m. and Sunday Mother’s Day Morning Balloon Flight 6:15-7:45 a.m. Balloon ride tickets are $250. Howard County Fairgrounds: 2210 Fairgrounds Rd. West Friendship, MD; www.preaknessballoonfestival.com

SATURDAY, MAY 11

Maryland Craft Beer Festival
Celebrate your favorite Maryland breweries at the Maryland Craft Beer Festival. More than 40 local breweries will present nearly 200 unique, finely crafted ales and lagers. There will be live music, delicious food and fun craft vendors. 12-5 p.m. Tickets are $40, with $15 designated driver tickets available. Carroll Creek Linear Park: 44 South Market St. Frederick, MD; www.mdcraftbeerfestival.com

Of Ale and History Beer Fest
Find more than 50 beers available for tasting including European imports, American craft brews, hard ciders and specialty beers at the longest running beer festival in Virginia. Enjoy live music all day from Mojo Mothership and The Robbie Limon Band. Admission includes a souvenir glass, eight tastings and access to all vendors. 11 a.m. – 6 p.m. At the gate, tasting tickets will be $30. Designated drivers or guests under 21 may purchase admission tickets for $10, including two non-alcoholic beverages. Belle Grove Plantation: 336 Belle Grove Rd. Middletown, VA; www.bellegrove.org

SATURDAY, MAY 11 – SUNDAY, JUNE 9

Virginia Renaissance Faire
Find music and dancing, shops filled with the finest crafts, and a variety of foods and beverages at the Virginia Renaissance Faire. Join the militia in pike drills or present a case in the Court of Common Pleas. Entertainment and vendors to be announced. 10 a.m. – 5 p.m. Tickets are $12. Free admission for kids 6 and under. Lake Anna Winery: 5621 Courthouse Rd. Spotsylvania, VA; www.varf.org

THURSDAY, MAY 16 – SATURDAY, MAY 18

Domefest
Head to the lineup page to view all of the bands playing at Domefest 2019 alongside Pigeons Playing Ping Pong, Aqueous, Magic Beans, Litz, Mungion, Joe Hertler & The Rainbow Seekers, The Fritz and more. Stay tuned to social media for fun updates including themes, late night acts and workshop information. Gates open Thursday at 1 p.m. and close Sunday 2 p.m. Tickets are $135. Marvin’s Mountaintop: Masontown, WV; www.domefestival.com

FRIDAY, MAY 17

SAVOR: An American Craft Beer & Food Experience
A must-attend for craft beer aficionados and foodies alike, SAVOR offers a memorable craft beer and food experience to a limited number of guests in a truly unique atmosphere. At SAVOR, 90 small and independent craft breweries from around the country showcase 181 beers, each one thoughtfully paired with a small plate that will dazzle your palate. 7:30-11 p.m. Tickets $135. National Building Museum: 401 F St. NW, DC; www.savorcraftbeer.com

FRIDAY, MAY 17 – SUNDAY, MAY 19

Northern Virginia Fine Arts Festival
Festival attendees will enjoy viewing inspiring and innovative art in a wide variety of media and styles, interacting directly with artists from around the country, and exploring their own creativity in the Family Art Park, featuring free face painting and balloon animals. Expect to get a festival guide with more than $100 worth of coupons. 10 a.m. – 5 p.m. Free to attend. Reston Town Center: 11900 Market St. Reston, VA; www.restonarts.org/fineartsfestival

Riverrock
From music to mud pits, bikes to beer, SUPs to pups, and climbing to kayaks – it’s uniquely Richmond! Rock the day and night away, watch professional athletes thrill the crowd, and maybe even get a little dirty yourself.  Friday 5-9:30 p.m. Saturday 8 a.m. – 9:30 p.m. Sunday 8 a.m. – 4 p.m. Ticket prices vary. Historic Tredegar: 500 Tredegar St. Richmond, VA; www.riverrockva.com

Spring Wine Festival & Sunset Tour
Celebrate the history of wine in Virginia with exclusive evening tours of the mansion and cellars, more than 20 Virginia wineries, and live music overlooking views of the estate and the Potomac River. 6-9 p.m. Tickets are $42-$48. Mount Vernon Estate & Gardens: 3200 Mount Vernon Memorial Hwy. Mt. Vernon, VA; www.mountvernon.org

SATURDAY, MAY 18

Adventure Brewing Company 5th Anniversary Festival
This brewery birthday party features live music and local vendors. Event is pet-friendly. Check the website for daily updates on festival details. 12-10 p.m. Free to attend. Adventure Brewing Company: 33 Perchwood Dr. Fredericksburg, VA; www.adventurebrewing.com

Fiesta Asia Street Fair
The 13th annual National Asian Heritage Festival’s signature event, the Fiesta Asia Street Fair, features more than 1,000 performers on five stages representing more than 20 cultures. Enjoy outdoor craft exhibits, live performances, food and open market vendors, interactive displays, martial arts demonstrations, talent shows, cooking demos and many more. 11 a.m. – 7 p.m. Free to attend. Pennsylvania Avenue between 3rd and 6th Streets, NW, DC; www.fiestaasia.org

InfieldFest
InfieldFest is a full-day music festival that takes place amid one of the most anticipated and attended annual sporting events, the Preakness Stakes. The 2019 lineup features Norwegian DJ Kygo, Maryland’s own Logic, Diplo, Juice WRLD, Fisher and Frank Walker. 8 p.m. Tickets are $79-$199. Pimlico Race Course: 5201 Park Heights Ave. Baltimore, MD; www.infieldfest.com

SATURDAY, MAY 18

Pearl Street Preakness Party
Join Pearl Street for an official Preakness party, infield style. Party to live music from Lovely Rita, enter our hat contest, then catch the race on the big screen. The bars will be open and they’ll have plenty of Stella Artois and Black Eyed Susans. Must be 21 and over to consume alcohol. 4-7 p.m. Free to attend. Pearl Street in SW, DC; www.wharfdc.com

Sour Mania! Sour Beer Festival
Pucker up and join the 2nd Annual Sour Beer Festival. Sample special and limited edition sour ales from around the region and across the country at this indoor event. Enjoy live music and fantastic food while sipping some truly tart ales. Starts at 11 a.m. Admission is free, samplers and snacks available to purchase. Mad Fox Brewing Company: 444 W Broad St. Falls Church, VA; www.madfoxbrewing.com

Virginia Wine & Craft Festival
Grab a drink and hit the caves. Relax and enjoy shopping for handmade crafts from over 100 vendors, artists and crafters from all over the East Coast, listen to live music, play games and try wine from 20 different wineries. 10 a.m. – 6 p.m. Free to attend, $25-$30 for wine tasting. Historic Downtown Front Royal: 106 Chester St. Front Royal, VA;www.wineandcraftfestival.com

SATURDAY, MAY 18 – SUNDAY, MAY 19

Wine in the Woods
The 27th Annual Wine in the Woods is the largest wine festival in Maryland and continues to rank among the best festivals in Howard County. Sample a variety of Maryland’s finest wineries from a souvenir glass, purchase food from an abundance of high quality restaurants and caterers, attend wine education seminars, purchase art and specialty crafts, and revel in continuous live entertainment from the Unified Jazz Ensemble, Bad Influence and I&I Riddim. Saturday 11 a.m. – 6 p.m., Sunday 11 a.m. to 5 p.m. Tickets are $25-$44. Symphony Woods Park: 10475 Little Patuxent Pkwy. Columbia, MD; www.wineinthewoods.com

SUNDAY, MAY 19

Porchfest DC – Southeast Edition
Porchfest is a festival of mini-concerts held on front porches. The Southeast Porchfest embodies the life and soul of DC, spotlighting the region’s top emerging talent and is an outing for the entire family! With well-manicured lawns, tree-lined streets and super friendly residents, Hillcrest is the perfect choice for the 2019 Southeast Porchfest. This year’s line-up includes spoken word performances and bands representing all music genres, including: jazz, folk, rock, hip-hop and go-go. There will also be food trucks, vendors and more! Please bring a lawn chair, walking shoes and cash to tip the performers. For updates, follow @porchfestdc on Instagram. The map of the final performance route will be published the second week of May. 12-6 p.m. Free to attend. The Hillcrest community in SE DC; www.porchfestdc.com

SUNDAY, MAY 19

DC Polo Society
Are you on the list?
www.dcpolo.com

THURSDAY, MAY 23 – SUNDAY, MAY 26

DelFest
With acts like The Del McCoury Band and The Travelin McCourys, this family-friendly music festival is pure bluegrass bliss. You’ll find incredible music all day long on multiple stage, intimate artist playshops, late night shows, a fun-filled kidzone, a quality art and craft faire, delicious food and drinks, plentiful camping space and RV hookups, and much more. Various times and performances each day. Various ticket packages available. Allegany County Fairgrounds: 11400 Moss Ave. Cumberland, MD; www.delfest.com

FRIDAY, MAY 24 – MONDAY, SEPTEMBER 2

SummerFest at Gaylord National
The Capital Region’s premier waterfront resort, Gaylord National, comes alive with Summer FUN!  Overnight guests can enjoy resort entertainment and activities as part of their annual SummerFest. From outdoor events and great music to campfire stories, scavenger hunts, seasonal cocktails and more, there is something for everyone. Whether you are visiting the DC area to sightsee, a family looking for a getaway or a great night out with friends, you will find everything you need to make your summer getaway memorable. Various times. Gaylord National Resort and Convention Center: 201 Waterfront St. National Harbor, MD; www.marriott.com

SATURDAY, MAY 25 – SUNDAY, MAY 26

Caribbean Wine, Music and Food Festival
Listen to steel drums and reggae beats while enjoying arts and crafts, great food and the island vibes of this wine festival. Open your palate to unique Linganore wines and take home a souvenir wine glass. 10 a.m. – 6 p.m. Tickets are $25. Linganore Wine Cellars: 13601 Glissans Mill Rd. Mt. Airy, MD; www.linganore-wine.com

WEDNESDAY, MAY 29 – SATURDAY, JUNE 2

Focus on the Story Festival
Focus on the Story is an independent, nonpartisan, non-profit organization based in DC, founded on the driving principle that photography can spark meaningful conversations at the intersection of policy, civic engagement and visual storytelling. Join in the nation’s capital as they celebrate the art of photography and the stories behind the images with talks, workshops, portfolio reviews, exhibits, contests and photo walks about everything from Brutalist architecture to the White House. Various times and locations. Registration is $225-$245. Student rates available. www.focusonthestory.org

THURSDAY, MAY 30 – SATURDAY, JUNE 2

Mountain Music Festival
Mountain Music Festival is an annual celebration of the best outdoor adventures West Virginia has to offer, with live music to match. Situated on a 1,500-acre outdoor adventure resort in the New River Gorge, Mountain Music Festival brings the spirit of Appalachia to life through its two greatest exports: music and wilderness. This year, Mountain Music Fest welcomes Tyler Childers, The Floozies, Big Something and many more to the stage atop Wonderland Mountain. Tickets are $79-$329. ACE Adventure Resort: 1 Concho Rd. Minden, WV; www.mountainmusicfestwv.com

SATURDAY, JUNE 1

Great Grapes Wine & Food Festival
Great Grapes! has grown to be Baltimore’s premier casual Maryland wine festival with live music, fun festival eats, arts and crafts, and a free kids’ area. Grab a souvenir glass and stroll from tent to tent, sipping and savoring selections from more than 150 different international and local wines, beers and spirits at Oregon Ridge Park. 1-8 p.m. Tickets are $40-$75. Oregon Ridge Park: 13401 Beaver Dam Rd. Cockeysville, MD;www.uncorkthefun.com

Takoma Trukgarten
Don’t miss Takoma Trukgarten featuring local beer, food trucks and live music. This one-day beer festival features local breweries pouring over 20 different craft beers plus cider and a new wine tent. There will be local restaurants and food trucks plus live music all day! 12-5 p.m. Tickets are $25-$45. City Parking Lot: 201 Ethan Allen Ave. Takoma Park, MD; www.mainstreettakoma.org

SATURDAY, JUNE 1 – SUNDAY, JUNE 2

FSGW Washington Folk Festival
The 39th Annual Washington Folk Festival showcases the diversity of traditional music in the DC area. All musicians, storytellers, dancer and craftspeople live in the greater DMV metropolitan area and volunteer their talents to put on a first-class festival of national renown. 12-7 p.m. both days. Free to attend. Glen Echo Park: 7300 MacArthur Blvd. Glen Echo, MD; www.fsgw.org

Vintage Virginia
Since 1982, Vintage Virginia has offered an opportunity to taste from nearly half of Virginia’s homegrown wineries, from the most renowned to the new and exciting. Saturday 12-6 p.m. Sunday 11 a.m. – 5 p.m. Tickets cost $40-$65. Bull Run Special Events Center: 7700 Bull Run Dr. Centreville, VA; www.vintagevirginia.com

SUNDAY, JUNE 2

Taste of Peru DC
Taste of Peru celebrates the cultural influences and the creativity of Peruvian chefs all over the United States. The event promotes the unique culinary perspectives of local and international chefs. 10 a.m. – 6 p.m. Tickets are $15-$40. University of the District of Columbia: 4200 Connecticut Ave. NW, DC; www.tasteofperudc.com

FRIDAY, JUNE 7 – SUNDAY, JUNE 9

Capital Jazz Fest
Come see Gladys Knight, Babyface, Gregory Porter, India.Arie, Marsha Ambrosius and more jazz and soul musicians at Merriweather Post Pavilion’s Capital Jazz Fest. Enjoy fine arts and crafts at the festival marketplace and culinary treats from the food court, plus artist workshops, plus meet and greets. Doors open at 6:30 p.m. Friday. Doors open at 10 a.m. both Saturday and Sunday. Tickets are $59.50-$129.50. Merriweather Post Pavilion: 10475 Little Patuxent Pkwy. Columbia, MD; www.merriweathermusic.com

FRIDAY, JUNE 7 – SUNDAY, JUNE 16

DC JazzFest
The DC JazzFest invites you to explore the exceptional array of renowned masters and emerging artists from across the jazz spectrum and beyond. Find your favorite artists and various performances located throughout the District, including The Wharf and even in your own neighborhood through the Jazz in the ’Hoods concert series. Various showtimes, ticket prices and venues. Various locations in DC; www.dcjazzfest.org

SATURDAY, JUNE 8

Breaux Vineyards Cajun Festival
Come join your Cajun cousins at Breaux Vineyards the 22nd Annual Cajun Festival.  Enjoy wine tastings, craft vendors, Cajun fare for sale, and more at this annual celebration. Starting off the day, the festival will feature live music with the Voodoo Blues followed by The Dixie Power Trio for the rest of the afternoon. Kid-friendly activities will be available. 11 a.m. – 6 p.m. Tickets are $20. Breaux Vineyards: 36888 Breaux Vineyards Ln. Purcellville, VA; www.breauxvineyards.com

Summerfest DC
Get your own tasting glass and enjoy more than 80 carefully selected craft beers in a single afternoon. Enjoy live music, unlimited wine and cider tastings and amazing food selections. Then get active with outdoor games, arts and activities. This is a 21 and over only event. Various times and ticket prices. The Bullpen: 1201 Half St. SE, DC; www.summerfestdc.com

SUNDAY, JUNE 9

Capital Pride Festival
Join the LGBTQ+ community, on America’s Mainstreet for the 2019 Capital Pride Festival presented by Live! Casino & Hotel. Enjoy a full day of entertainment, music, food, drink, education and celebration. The Pride Festival includes three stages of national and local talent, and will host 300 exhibitors including local community groups and businesses, food vendors, and organizations looking to promote their products and services to our community. 12-10 p.m. Free to attend, VIP packages are available for purchase. Pennsylvania Avenue & 3rd Street in NW, DC; www.capitalpride.org

SATURDAY, JUNE 15

5th Annual Baltimore Wine Fest
Join b Scene Events for the 5th Annual Baltimore Wine Fest at the picturesque Canton Waterfront Park. Experience 160+ wines from around the world, gourmet eats provided by local eateries, live music, chef cooking demonstrations, wine seminars, craft beers and spirits, unique shopping and a family zone. 12-7 p.m. Tickets are $15-$89. Canton Waterfront Park: 3001 Boston St. Baltimore, MD; www.baltimorewinefest.com

Beer, Bourbon and BBQ
Enjoy beer, bourbon, music, cigars and barbecue. Admission buys you a souvenir glass, so you can enjoy an all-you-care-to-taste sampling of the 60 beers and 40 bourbons on tap. The amazing barbecue selection includes the Shrine of Swine, featuring pulled pork right from the source. There’s also live rock and blues music all day. Additionally, the event comes to Leesburg in October. Tickets are $75-$119. 12-6 p.m. on Saturday. The Plateau at National Harbor: 165 Waterfront St. National Harbor, MD; www.beerandbourbon.com

FreeState Beer, Wine and Seafood Festival
Find the area’s best seafood, Maryland craft brewers, Linganore wines, awesome live music, and a special appearance by Justin Schlegel of Justin, Scott and Spiegel on 98 Rock at the Freestate Beer, Wine and Seafood Festival. Purchase a VIP ticket and receive a larger souvenir glass and access to an exclusive private area that includes indoor bathrooms. 11 a.m. – 6 p.m. Tickets are $35-$50. Linganore Winecellars: 13601 Glissans Mill Rd. Mt. Airy, MD; www.linganorewines.com

Silver Spring Blues Festival
Enjoy this all-day blues block party with two stages, a fountain to cool off in and plenty of places to eat and shop at the music-filled celebration in downtown Silver Spring. 10 a.m. – 10 p.m. Free to attend. 921 Wayne Ave. Silver Spring, MD; www.silverspringbluesfest.yolasite.com

SATURDAY, JUNE 15 – SUNDAY, JUNE 23

By the People
By the People is a new, inclusive, international arts and innovation festival that facilitates connection and celebrates creativity. Enjoy fun and free arts installations, performances, talks and programs about life, liberty, and the pursuit of happiness. The Smithsonian will have extended evening hours on June 23, and augmented reality art at each of the festival sites. Various times. Free to attend. Various locations in DC; www.halcyonhouse.org/by-the-people

WEDNESDAY, JUNE 19 – SUNDAY, JUNE 23

AFI DOCS
AFI DOCS is the nation’s documentary film festival known for showcasing the best in documentary filmmaking from the US and around the world. AFI DOCS is also the only film festival in the United States that offers the unique opportunity to connect film audiences with national opinion leaders, filmmakers and intriguing film subjects. With conversations and experiences you won’t experience at any other film festival, AFI DOCS harnesses the power of this important art form and its potential to inspire change. Screenings during this annual five-day event take place in landmark venues in DC and the world-class AFI Silver Theatre, the independent film hub of the metropolitan region. Tickets are $50-$275. Various locations and times; www.afi.com/afidocs

THURSDAY, JUNE 20 – MONDAY, JUNE 24

Capital Congress
Capital Congress is the largest Salsa Festival in the DC area. Since 2005, thousands have come to DC to dance Salsa and other Latin styles in this family-friendly environment. Instructors from around the world teach daily dance workshops to all levels. All ages welcome. Various times. Tickets $110-$350. The Hilton Mark Center: 5000 Seminary Rd. Alexandria, VA; www.capitalcongress.com

FRIDAY, JUNE 21 – SUNDAY, JUNE 23

Firefly Music Festival
Your favorite summer weekend is just around the corner. Three days, several stages and countless bands. Artists include Panic! At The Disco, Tyler, The Creator, Courtney Barnett, Travis Scott, Passion Pit, Post Malone and many more. Various show times and ticket prices ranging from single-day camping passes to weekend passes. The Woodlands in Dover, DE; www.fireflyfestival.com

SATURDAY, JUNE 22 – SUNDAY, JUNE 23

27th Annual Giant National Capital BBQ Battle
Kick off summer at America’s barbecue party, the 27th annual Giant Barbecue Battle. Pennsylvania Avenue will be smokin’ with rock, reggae, jazz and blues from 30 bands on three stages. Cookbook authors and celebrity chefs like Myron Mixon, Moe Cason and Tuffy Stone of Destination America’s popular “BBQ Pitmasters” will entertain and educate with cooking demonstrations on the popular Giant Demonstration Stage. Enjoy free barbecue and grilled food samples in the Taste of Giant sampling pavilion while witnessing America’s best eaters onstage at Nathan’s famous hot dog-eating contest. Other activities include Anheuser-Busch beer gardens, and Giant Corks to Caps Microbrew and Wine Tasting tent. This year’s Capital BBQ Battle will raise funds for USO of Metropolitan Washington with the Capital Area Food Bank. Saturday 11 a.m. – 9 p.m. and Sunday 11 a.m. – 7 p.m. Tickets are $12-$155. Pennsylvania Avenue between 3rd and 7th Streets in NW, DC; www.bbqindc.com

SATURDAY, JUNE 29 – SUNDAY, JUNE 30

Smithsonian Folklife Festival
This festival honors contemporary living cultural traditions and celebrates those who practice and sustain them. Produced annually by the Smithsonian Center for Folklife and Cultural Heritage, the festival has featured participants from all 50 states and more than 100 countries. This year’s festival will focus on the social power of music. Experience living traditions from around the world, as the festival works with communities to strengthen and preserve their cultures and share them with you on the National Mall. Festival hours and events TBD. Free to attend. The National Mall: www.festival.si.edu

TUESDAY, JULY 9 – SUNDAY, JULY 28

Capital Fringe Festival
Capital Fringe will showcase seven venues with 13 stages, all within walking distance of each other in Southwest DC, presenting more than 94 highly-ambitious productions with 60 percent of the participating artists residing in the DC Metro area. With countless performing groups, there’s bound to be something for everybody from theatre to dance, including risky art and nontraditional acts. Tickets are $72-$500 and go on sale June 17. The Logan Fringe Arts Space: 1358 Florida Ave. NE, DC; www.capitalfringe.org

SUNDAY, JULY 14

Silver Spring Arts & Crafts Summer Fair
Check out the Silver Spring Arts & Crafts Fair this summer, featuring arts and crafts, food and beverage vendors, a cultural dance show with performances from different countries around the world and many fun family activities. 2-8 p.m. Free to attend. Silver Spring Veterans Plaza: 1 Veterans Pl. Silver Spring, MD; www.chiceventsdc.com

FRIDAY, JULY 19 – SUNDAY, JULY 21

ARTSCAPE 2019
Check out fashion designers, outdoor sculpture, photography and art cars at America’s largest free arts festival. Experience the Baltimore Symphony Orchestra and other incredible live music on outdoor stages. Expect to see a delicious international menu of food and beverages available throughout the festival. Times TBD. Free to attend. Various locations in Baltimore, MD; www.artscape.org

SATURDAY, JULY 20 – SUNDAY, JULY 21

Summer Reggae Wine Festival
Shop the open-air market with hand-crafted and imported goods from around the world. Enjoy a day sampling delicious wines and listening to live bands. 10 a.m. – 6 p.m. Tickets are $20-$25. Linganore Winecellars: 13601 Glissans Mill Rd. Mt. Airy, MD; www.linganorewines.com

 WEDNESDAY, JULY 24 – SUNDAY, JULY 28

FloydFest
FloydFest 19: Voyage Home is five days of music, magic and mountains in the picturesque paradise at Milepost 170.5 on the Blue Ridge Parkway in Floyd, VA. The festival features outdoor adventure, vibrant and varied vendors, quality brews and chews, healing arts, workshops and whimsy, children’s activities and a lineup featuring more than 100 artists on eight stages. Various times for each day. Single, multi and camping passes available for various prices. 894 Rock Castle Gorge Rd. Floyd, VA; www.floydfest.com

 SATURDAY, JULY 27

Trifecta Food Truck Festival
More than 35 of Maryland’s best food trucks will transform the racetrack into a festive playground with live bands, local craft beer tents, mechanical bull rides, a dunk tank, a pie-eating contest, a kids’ play land, moon bounces, a local artist village and more. 12-11 p.m. Tickets $15. Maryland State Fairgrounds: 2200 York Rd. Lutherville-Timonium, MD;
www.mt.cm/trifecta-food-truck-festival

SATURDAY, AUGUST 10 – SUNDAY, AUGUST 11

Moonrise Festival
Since its debut in 2014, Moonrise Festival has grown into one of the most anticipated East Coast festivals of the summer, touching all corners of the dance floor with styles spanning from heavy-hitting bass to hip hop, live electronic acts to house music, and everything in between. The event also features art installations, a sprawling vendor village, amazing food and beverages, stylish VIP lounges and more. 11 a.m. – 11 p.m. both days. Tickets are $149.50-$239.50. Pimlico Race Course: 5201 Park Heights Ave. Baltimore, MD; www.moonrisefestival.com

SUNDAY, AUGUST 11

Taste of Linganore
Presented by Linganore Winecellars & Red Shedman Farm Brewery, this event will showcase some of the area’s favorite restaurateurs and caterers, featuring samplings of small plates made with Linganore Wines. Stroll the grounds to shop unique local vendors while enjoying this foodie paradise, paired with great wines and craft beers.  11 a.m. – 6 p.m. Tickets are $10-$15. Linganore Winecellars: 13601 Glissans Mill Rd. Mt. Airy, MD; www.linganorewines.com

SATURDAY, AUGUST 17

Around the World Cultural Food Festival
Around the World Cultural Food Festival brings together diverse, authentic, living traditions from different countries around the world. Their mission is to preserve and strengthen the culture of each country by giving all participants a chance to learn from one another and understand their cultural differences. Expect to see one restaurant for each country. Saturday 11 a.m. – 7 p.m. Free to attend; VIP tickets are available for $25-$35. Freedom Plaza: 1455 Pennsylvania Ave. NW, DC; www.aroundtheworldfestival.com

Hot August Festival
The exciting music lineup this year includes Pigeons Playing Ping Pong, Turkuaz, Billy Strings, Dirty Grass Players and more. Gates open at 11 a.m. Tickets are $58-$199. Oregon Ridge Park: 13401 Beaver Dam Rd. Cockeysville, MD; www.hotaugustfestival.com\

Kegs and Corks Festival
Head to the Anne Arundel County Fairgrounds for the 8th Annual Kegs and Corks Festival, a beer and wine festival featuring 16 craft breweries and 16 Maryland wineries along with great music, good food and a variety of arts and crafts vendors. Unlimited samplings, live music and souvenir glass included. 12-7 p.m. Tickets are $25-$120. Anne Arundel County Fairgrounds: 1450 Generals Hwy. Crownsville, MD; www.kegsandcorksfest.com

THURSDAY, AUGUST 22- SUNDAY, AUGUST 25

LOCKN’ Festival
Jam band fans: it may not get better than this. Two nights and four sets of Dead & Company, and three nights of awesome music from Tedeschi Trucks Band, The Revivalists, Jason Isbell and the 400 Unit, Old Crow Medicine Show, Gary Clark Jr. and so much more. The stellar lineup is only matched by the beautiful setting in the mountains of Virginia. Various times. Tickets are $229-$289. Infinity Downs Farm: 1510 Diggs Mountain Rd. Arrington, VA;www.locknfestival.com

SATURDAY, AUGUST 24

Chesapeake Crab & Beer Festival
This annual festival is an all-you-can-taste extravaganza complete with over 30,000 crabs, lots of beer, arts and crafts, live music, family fun and more. 11 a.m. – 3 p.m. for session one, 5-9 p.m. for session two. Tickets are $40-$125. The Waterfront at SouthPointe National Harbor: 804 National Harbor Blvd. National Harbor, MD; www.mdcrabfest.com

Cigar, Bourbon and Beer Festival
Join for an amazing day of cigars, bourbon and craft beer. Hogshead Cigar Lounge will be showcasing all kinds of different cigars from their lounge. Explore a showcase of bourbons from all across the country and some from right there in Virginia. Check out some of their fine spirits they offer like Jack Daniel’s, Wild Turkey and Old Forester, plus craft beers from local Fredericksburg breweries sampling some of their award-winning beers. 4-9 p.m. Tickets are $10-$50. Fredericksburg Fairgrounds: 2400 Airport Ave. Fredericksburg, VA; www.cigarbourbonbeer.com

World Heritage Festival & Festival of Kites
Taste delicious ethnic food, get refreshed with a scoop of ice cream or shaved ice or even a fresh smoothie while enjoying a cultural show on the main stage. You will have an array of vendors to choose from with more than 60 artists displaying everything from fine art to jewelry, ceramics to crafts and every creative item in between. Other vendors include area nonprofit organizations, entrepreneurs and local businesses. 11 a.m. – 6 p.m. Free to attend. Ida Lee Park Recreation Center: 60 Ida Lee Dr. Leesburg, VA; www.chiceventsdc.com

SATURDAY, AUGUST 31 – SUNDAY, SEPTEMBER 1

Virginia Scottish Games
You can wear a kilt and bring your dog! The Scottish Games are one of the few places inside the Commonwealth where you can experience authentic Scottish culture and traditions, including spectacular highland dancers, bagpipes, adorable Scottish dogs, cool British cars and sheep herding. Gates open at 9 a.m. both Saturday and Sunday. Tickets are $20-$30. Great Meadow: 5089 Old Tavern Rd. The Plains, VA; www.vascottishgames.org

SATURDAY, SEPTEMBER 14

6th Annual Baltimore Seafood Fest
Baltimore loves its seafood, but Charm City also loves all the wonderful local restaurants that truly make Baltimore one of the best places for foodies to visit. Baltimoreans are so proud of their crab cakes, crab soup, shrimp salad, local oysters and of course, Maryland blue crabs. It seems fitting to host a waterfront festival showcasing some of Baltimore’s favorite restaurants serving their signature seafood dishes. 12-7 p.m. Tickets are $15-$95. Canton Waterfront Park: 3001 Boston St. Baltimore, MD; www.baltimoreseafoodfest.com

DC Wine Fest
Specially curated wineries serve patrons tastings over a multi-session, all-day, all-night vino experience. You’ll have the chance to sample premium wine to your heart’s content, while live entertainment keep the party lively during this one of a kind experience. 12-10 p.m. Tickets are $35-$60. National Union Building: 918 F St. NW, DC; www.dcwinefest.com

Virginia Cider Festival
At the Virginia Cider Festival, you and your friends will be surrounded by hard ciders from all across the country. The event will also feature even more Virginia Cider this year from cideries like Cobbler Mountain, Potter’s, Winchester CiderWorks and Bold Rock. There will be a list of more than 25 Cider producers who will be pouring over 50 ciders. Check out the local live music on the Safford of Fredericksburg stage for your listening pleasure. Be sure to check the weather for what to wear. The event will take place rain or shine. 11 a.m. – 5 p.m. Tickets are $10-$30. Fredericksburg Fairgrounds: 2400 Airport Ave. Fredericksburg, VA; www.vaciderfest.com

SATURDAY,  SEPTEMBER 21

Arts & Ales: Downtown Hyattsville Arts Festival
Enjoy more than 100 exhibiting artists and artisans, Maryland breweries, food trucks and vendors and live entertainment block by block in Downtown Hyattsville. 12-6 p.m. Free to attend. Farragut Street, Gallatin Street and Church Alley in Hyattsville, MD; www.hyattsvilleartsfestival.com

FRIDAY, SEPTEMBER 27 – SUNDAY, SEPTEMBER 29

Devils Backbone Hoopla Festival
Devils Backbone Brewing Company’s Hoopla Festival features live music, award-winning beer, camping and fun for the whole family. The weekend includes pop-up beer tastings, outdoor adventures, property tours, crafts, great eats and tons of incredible live music. Come check out the award-winning beer and bands, including Robert Walter’s 20th Congress, Kat Wright and the Jon Stickley Trio. Tickets $50-$340. Basecamp Brewpub and Meadows: 200 Mosbys Run, Roseland, VA; www.dbbrewingcompany.com

SATURDAY, OCTOBER 5

Hops & Harvest Festival
A beer festival on the Columbia, MD lakefront with unlimited tastings of more than 50 beers from Maryland brewers. The festival also features cideries, artisans and live music. Tickets are $15-$40. Columbia Lakefront: 10275 Wincopin Cir. Columbia, MD; www.hopsandhavest.com

CONCERT SERIES

WEDNESDAY

Wednesdays at the Wharf Concert Series
June 5 – August 21
Head to The Wharf each Wednesday evening this summer to listen to live music on Transit Pier. Don’t miss DC favorites such as Collective Dellusion, Jarreau Williams Xperience, Brent & Co. and more playing on the floating stage. From indie rock to Latin fusion, there’s something for everyone. Enjoy ice cold beers and food from Cantina Bambina and take a mid-week break. 6-8 p.m. Free to attend. The Wharf: 700 Water St. SW, DC; www.wharfdc.com

THURSDAYS

Bethesda Summer Concert Series
May 16- June 13
Bask in the sweet melodies and the summer air as you catch the music in Veterans Park. Featuring local favorites like Brent & Co., Moxie Blues Band, 19th St. Band and more. 6-8 p.m. Free to attend. Veterans Park: 7898 Woodmont Ave. Bethesda, MD; www.bethesda.org

THURSDAYS

Rosslyn Rocks
June 6 – 27
Grab your friends and head to Central Place Plaza on Thursdays in June to listen to live music. Each week will be a new cover band, featuring Party Like It’s, White Ford Bronco, The Jarreau Williams Xperience and Driven to Clarity. Enjoy the concerts while sipping on a glass of wine or having a beer in downtown Rosslyn’s outdoor space. Must be 21+ (no outside alcohol). 6-8 p.m. Free to attend. Central Place Plaza: 1800 N Lynn St. Arlington, VA; www.rosslynva.org

FRIDAYS

Budweiser Terrace Pregame Concerts at Nationals Park
Select Fridays May to September
Every Friday home game, the best place to pregame is at the Budweiser Terrace inside the ballpark. Enjoy cold Bud and Bud Light and great tunes from local bands like Lovely Rita, Uncle Jesse  and Hand Painted Swinger. Concerts run from 5-6:50 p.m. First pitch is at 7:05 p.m. Nationals Park Bud Light Terrace: 1500 S. Capitol St. SE, DC; www.nationals.com

Farragut Fridays
May 31 – September 27
Farragut Fridays are a full day of getting outside in the Golden Triangle. Starting at 9 a.m., drop in for an outdoor “office” that includes free Wi-Fi, tables and chairs, and games to get your creative juices flowing. At noon, the picnic in the park begins. Grab a bite to eat, play lawn games (cornhole, foosball and table tennis), hang out with puppies and listen to live music. Then, head back after work for the Golden Cinema movie series. Pre-show fun starts at 7 p.m. Free to attend. Farragut Park: Connecticut Avenue and K Street in NW, DC; www.goldentriangledc.com

Fridays at Fort Totten
June 7 – Aug 23
The Fridays at Fort Totten Summer Concert Series is every Friday through August 23. Come out and enjoy delicious bites from a featured food truck each week, and amazing live music from Of Tomorrow, Sol Roots, Cecily, Oh He Dead and so many more. There’s a new band and tasty food truck each Friday. We hope to see you there. In partnership with The Modern at Art Place. 6-8 p.m. The Modern: Corner of South Dakota Avenue and Galloway Street, NE, DC; www.fridaysforttotten.com

Friday Night Concerts in Yards Park
June 7 – August 30
Spend your Friday night relaxing in the Capitol Riverfront, voted one of DC’s best places for live music!  Spread a blanket, grab a cold one and get down with some great local music. Enjoy bands like the Shane Gamble Band, 7 Deadlies, Brent & Co., Aztec Sun and more on the boardwalk stage. The featured artists are fun for the whole family, and ice cold Corona beers and wine will be available on-site at the outdoor tented bar. 7-9 p.m. Free to attend. Yards Park: 355 Water St. SE, DC; www.capitolriverfront.org

Herndon Friday Night Live!
May 3 – August 23
Enjoy another year of Herndon Rock’s cold beer, hot tunes and fantastic food during the summer. Featuring party favorites Garden State Radio, Here’s to the Night, The Stormin’ Norman Band and more, Herndon takes you through the summer with the best local and regional talent from the East Coast. 6:30-10:30 p.m. Free to attend. Town Green: 777 Lynn St. Herndon, VA; www.herndonrocks.com

Lubber Run Amphitheater Summer Concert Series
June 14 – August 11
This year’s 50th anniversary summer concert series features a diverse lineup of internationally renowned musicians and regional favorites. Friday and Saturday shows at 8 p.m., and Sunday shows at 11 a.m. Free to attend. Lubber Run Amphitheater: North Columbus and 2nd Streets, Arlington, VA; www.arlingtonarts.org

Rio Concert Series
May 25 – September 28
Every Saturday night, the party is lakeside at the Rio Center boardwalk. Just outside the Union Jack’s and near the paddle boards, enjoy live music from Handpainted Swinger, Soctt Kurt & Memphis 59, City Groove and more. 6-9 p.m. Free to attend. Rio Washingtonian Center: 209 Boardwalk Pl. Gaithersburg, MD; www.riowashingtonian.com

Rock the Block
May 24, June 28, July 26, August 23, September 27 and October 25
Rock the Block at Old Town Square in Fairfax is back this summer. Each fourth Friday of the month from June through October, walk, run, ride your bike or drive because you don’t want to miss out on The Rockets, JunkFood, The Reflex and more. Food and drink vendors will be onsite. Bring chairs or blankets to sit on, and kids can wear swimsuits and bring towels for the splash pad. No pets allowed except service animals. 6:30-9:30 p.m. Old Town Square: 10415 North St. Fairfax, VA; www.fairfaxva.gov/government/parks-recreation/rock-the-block

Tarara Winery Summer Concert Series
May 25 – October 5
Named the Best Music Festival by Northern Virginia Magazine, the Tarara Summer Concert Series celebrates 20 years in 2019 as one of the most eagerly anticipated outdoor events of the season in Loudoun. Dance under the stars on Saturday nights this summer to the sounds of your favorite cover bands, such as The Reflex, Gonzo’s Nose, The Legwarmers, Bruce in the USA, Crack the Sky, Three Sheets to the Wind and more. Tarara Winery: 13648 Tarara Ln. Leesburg, VA; www.tarara.com

MOVIE NIGHTS

TUESDAYS

Adams Morgan Movie Nights
May 21 – June 18
The Adams Morgan BID is excited to announce this year’s Adams Morgan Movie Nights lineup as they celebrate the 50th anniversary of the moon landing by collaborating with the National Air and Space Museum to bring you five great space-themed titles, including Armageddon and Spaceballs, and a few surprises along the way. Each movie starts at 8 p.m. Free to attend. Marie Reed Soccer Field: 18th and California Streets, NW, DC; www.admodc.org/movies

WEDNESDAYS

NoMa Summer Screen
June 5 – August 21
This season marks the 12 of NoMa’s Summer Screen series, one of the longest-running free public events in the neighborhood. This year features a fun lineup of sports-related films including The Karate Kid, Bend It Like Beckham, Remember the Titans and Bring It On. Each film begins at approximately 8:30 p.m. Free to attend. 1150 First St. NE, DC; www.nomabid.org

THURSDAYS

Canal Park Movies
June 13 – August 22
From classics to the latest Academy Award winners, the people spoke and the movies will be shown! Join the Riverfront community for free movies at Canal Park on Thursday evenings. Films this year include: Crazy Rich Asians, Spider-Man: Into the Spider-Verse, The Goonies and more. Movies begin at sundown. Free to attend. Canal Park: 200 M St. SE, DC; www.capitolriverfront.org

Tunes in the Triangle
May 30,  June 6, June 20, August 6, September 5
Stop by Milian Park on select Thursdays this summer with your friends, family and/or pets for free live concerts from great local bands. 499 Massachusetts Ave NW, DC; www.mvtcid.org

FRIDAYS

Burgeoning Crystal City Bid
Crystal City has been in the news a lot lately, and there’s definitely plenty to talk about. Just minutes from downtown DC, the greater Crystal City area (consisting of the Crystal City, Pentagon City and Potomac Yard-Arlington neighborhoods) is the largest walkable downtown in Virginia, with 12-million square feet of office, 15,000 residents, 5,900 hotel rooms, and almost 500 restaurants and retailers. In addition to experiential retail like Alamo Drafthouse Cinema and Bowlero opening in the near future, Crystal City has more than 250 events each year. From weekly live music outside at the Crystal City Water Park to the Twilighter 5K, there’s always fun to be had in Crystal City. For more information on events and happenings, visit www.crystalcity.org.

Rosslyn Cinema with Pub in the Park
June 7 – July 12
Every Friday this summer in Gateway Park, bring a blanket or low chairs and a group of friends to enjoy a night under the stars with your favorite movies. Movies start at dusk, but the fun starts at 5 p.m. with games and the Pub in the Park. Movies this year include Spider Man: into the Spider-Verse, Crazy Rich Asians and more. This event is kid- and dog-friendly. 5 p.m. Free to attend. Gateway Park: 1300 Lee Hwy. Arlington, VA; www.rosslynva.org

FRIDAYS

Union Market Drive-In
May 3 – October 4
The drive-in at Union Market is back for a new season! The first Friday of every month will feature classics like Con-Air and Jaws,  and recent films like Coco. There’s a film for everyone. The lot opens at 6 p.m., and films will start at 7:30 p.m. $15 parking fee; free walk-ups. Union Market: 1309 5th St. NE, DC; www.unionmarketdc.com

Off the Beaten Path Events

No matter where your interests lie, you can bet there’s a festival catering to the more specific interests of DMV denizens. Our list below points you in the direction of the cool, the quirky and the oddly specific for prime opportunities to celebrate with fellow whatever-your-thing-is enthusiasts.

SATURDAY, MAY 4

Unicorn Festival at Hogback Mountain Pony Rides
This festival has been voted Most Loved Place to Go by Leesburg-Ashburn Hulafrog for 2018 and  2019. It includes Pony rides, unicorn photos by Chris Weber Studios, face painting with Painted Sunshine, vendors and so much more.11 a.m. – 5 p.m. Tickets begin at $20. Hogback Mountain Pony Rides: 19732 Hogback Mountain Rd. Leesburg, VA; www.hogbackmountainponyrides.com

National Math Festival
Don’t miss the 2019 National Math Festival. This all-ages event brings today’s most fascinating mathematicians together for a variety of presentations, performances, short creative films, and hands-on puzzles, games, art-making, mathletic competitions and more. See how math connects to what you love.Film animation, pro football, magic, music, dating, dance, art, cryptography, planet earth….whatever your interest, they’ve got the math for that. Free to attend. 10 a.m. – 4 p.m. Walter E. Washington Convention Center: 801 Mount Vernon Pl. NW, DC; www.msri.org

SATURDAY, MAY 11

Baltimore Hot Sauce Festival
Sample 30+ of the region’s tastiest hot sauces. This event also features spicy Maryland indie and alternative rock on stage, with performances by Outcalls, Thunder Club, Sgt Gusto and more. Don’t miss delectable food, themed drinks and saucy games. 12-8 p.m. Tickets are $15-$45, and there is a $5 surcharge at the door for guests under 21 years old. All guests will be carded upon entry, so don’t forget your IDs. Power Plant Live!: 34 Market Pl. Baltimore, MD; www.powerplantlive.com

Taiwan Bubble Tea Festival
The Taiwan Bubble Tea Festival is a family- and kid-friendly fun event, open to all. The festival will be held at the Rockville Town Square. In addition to providing a variety of name-sake bubble teas, the festival will have education and outreach opportunities that strengthen social connections in the community. The festival will display rich Asian culture through live performances, crafts, arts and delicious traditional cuisines. This year, six different bubble tea vendors will be coming from the DMV area including Bubble & Tea, Sharetea, Bobapop, Gong-Cha, Tea-Do and Momo’s Cafe. 11 a.m. – 3 p.m. Free with registration, and tasting cards are available to purchase on-site for $5, cash only. Rockville Town Square: 30 Maryland Ave. Rockville, MD; www.rockvillemd.gov

SATURDAY, MAY 18

Smile Herb Festival
Join Smile Herb Shop celebrating 45 years of herbs, gardens and herbalism education this May. Enjoy plants in our garden center, live music, food, garden tours, plant walks, lectures, natural product vendors and more. 10 a.m. – 4 p.m. Free to attend. Smile Herb Shop: 4908 Berwyn Rd. College Park, MD; www.smileherbschool.com

Chesapeake Sea Glass Festival
With over 30 sea glass artisans from all over the area, this event is a fun-filled day of lectures and shard identifications. It will be a great way to see what people collect from each area and to have your shards identified and listen to lectures. Chesapeake College: 1000 College Cir. Wye Mills, MD; www.visitmaryland.org

SUNDAY, MAY 19

Maryland Psychic Fair
Many of the best psychics, mediums, healers and readers of all types, along with related arts and crafts vendors from Maryland and the surrounding areas, will come together for the Maryland Psychic Festival. For both those who are serious or for those who are just curious, this event can be anything from a life-changing experience to just a fun time. Three out of four tables offer some type of readings, one of the four tables offer related arts, crafts, books, oils, crystals, information and more. Snacks and soft drinks will be available to purchase. 9 a.m. – 5 p.m. Tickets $5-$10 at the door, cash only. Bowie Elks Lodge No 2309: 1506 Defense Hwy. Gambrills, MD; www.fb.com/EventPsychics4u

THURSDAY, MAY 23 – SUNDAY, MAY 26

Maryland Deathfest 2019
A celebration of the best of death metal in the region. Performances take place across all major Maryland venues like Rams Head Live! and Baltimore Soundstage. Don’t miss the pre-festival party on Wednesday at Ottobar, featuring artists like Church of Misery, Yellow Eyes, Cro-Mags and more. Tickets $23-$249. Various times and locations; www.deathfests.com

FRIDAY, MAY 24 – SUNDAY, MAY 26

Museum of Science Fiction Gallery Opening at Escape Velocity 2019
The Museum of Science Fiction and NASA are partnering to bring Escape Velocity 2019 to Washington, DC. The event is a futuristic world’s fair to promote informal STEAM educational activities within the context of science fiction using the fun of comic cons and fascination of science and engineering festivals. Escape Velocity 2019 seeks to make a measurable positive impact to boost informal learning on the more conceptually challenging academic areas. Escape Velocity’s mission is to attract young people to science, technology, engineering, art, and math by producing and presenting the most compelling, exciting, educational, and entertaining science festival in the United States using science fiction as its primary engine. 11 a.m. – 4 p.m. Free to attend. Gaylord National Resort and Convention Center: 201 Waterfront St. National Harbor, MD; www.escapevelocity.events

SATURDAY, MAY 25 – MONDAY, MAY 27

The FantasyWood Festival
The FantasyWood Festival hosted by ManneqArt and Circus Siren Pod is a magical three-day experience over Memorial Day Weekend. Join for a walk in the woods with surprises around each corner. Meet mermaids, fairies, watch live knights duel and even see a live unicorn. 10 a.m. – 5 p.m each day. Tickets $5-$20. The Chrysalis Theatre, Merriweather Park at Symphony Woods: 10431 Little Patuxent Pkwy. Columbia, MD; www.visithowardcounty.com

Stage and Screen: The White Snake, John Cusack, God of Carnage and More

THROUGH SUNDAY, MAY 19

The Great Commedia Hotel Murder Mystery
The Great Commedia Hotel Murder Mystery promises to give you “Zanni bellhops, femme fatales, hidden clues, mustachioed detectives and more!” In the tradition of classic mysteries from Agatha Christie, Sherlock Holmes and Clue, this entertaining whodunnit ends Faction of Fools Theatre Company’s monumental 10th anniversary season. Various dates and times. Tickets $22. Faction of Fools Theatre Company: 800 Florida Ave. NE, DC; www.factionoffools.org

THROUGH SUNDAY, MAY 26

The White Snake
Inspired by an ancient Chinese fable, The White Snake tells the story of animal spirit White Snake, who transforms into a beautiful woman to experience the human world. When White Snake falls in love with a pharmacist’s assistant, their illicit romance draws the ire of a villainous monk who sets out to destroy their relationship. Various dates and times. Tickets $19-$45. Constellation Theatre Company: 1835 14th St. NW, DC; www.constellationtheatre.org

THROUGH SUNDAY, JUNE 2

The Oresteia
Adapted from the Greek tragedy trilogy, Ellen McLaughlin’s The Oresteia is coming to the Shakespeare Theatre Company. On the surface, it’s an epic story about love, betrayal, murder and revenge. But at its core, The Oresteia is a critique of human civilization. McLaughlin condenses the trilogy into one dynamic show with expert finesse. Various dates and times. Tickets $44-$118. Shakespeare Theatre Company’s Sidney Harman Hall: 610 F St. NW, DC; www.shakespearetheatre.org

THROUGH SUNDAY, JUNE 9

Love’s Labor’s Lost
In this early Shakespeare comedy, a young king and his three companions swear off women in order to focus on their studies and fasting. However, when a princess and her female companions arrive, the young men find it increasingly difficult to deny their lustful desires. Directed by Vivienne Benesch, Love’s Labor’s Lost is a delightfully witty, amusing and timeless tale. Various dates and times. Tickets $42-$79. Folger Theatre: 201 E. Capitol St. SE, DC; www.folger.edu

WEDNESDAY, MAY 1 – SUNDAY, JUNE 2

The Children
The protagonists of The Children, a couple of retired physicists, live in a remote cottage on the British coast. They live a simple, modest life in the aftermath of a nuclear disaster, carefully conserving their resources to get by. But a surprise visit from a former colleague upends the couple’s lives, revealing old secrets with catastrophic consequences. The Children is loosely based on the Fukushima nuclear disaster of 2011. Various dates and times. Tickets $52-$65. Studio Theatre: 1501 14th St. NW, DC; www.studiotheatre.org

SATURDAY, MAY 4 – SATURDAY, MAY 25

God of Carnage
The 2009 Tony Award-winning play God of Carnage was originally a French tale but has been translated due to popular demand. The play centers around a feuding set of parents who meet after their children clash in a playground altercation. What begins as a civil conversation devolves into a jarring confrontation between the parents and ultimately their own partners. Various dates and times. Tickets $50. Keegan Theatre: 1742 Church St. NW, DC; www.keegantheatre.com

TUESDAY, MAY 7 – THURSDAY, MAY 9

The Chibok Girls: Our Story
Few girls have captured the world’s attention like the Chibok Girls. In 2014, 273 Nigerian girls were kidnapped from a school in the town of Chibok, stirring international outrage and widespread protests in Nigeria. In a predictable fashion, the world seemed to forget about the kidnapped girls just as quickly as they’d learned about their disappearance. Renegade Theatre’s The Chibok Girls: Our Story is a reminder in the form of testimonial theatre. The event also features Nobel Prize-winning playwright and author Wole Soyinka and is part of CrossCurrents, a “citywide biennial festival that highlights innovative artists from around the world who are harnessing the power of performance to humanize global politics.” Begins at 7:30 p.m. each night. Tickets are $20. Davis Performing Arts Center: 37th and O Streets NW, DC; www.georgetown.edu

THURSDAY, MAY 16

John Cusack, Plus a Screening of High Infidelity
John Cusack is recognizable from a ton of movie roles, but perhaps none are as iconic and memorable as Rob Gordon, a music connoisseur and record shop owner searching for love in the classic rom-com High Fidelity. Throughout the film, Gordon muses on his past relationships and the sobering realities of love and companionship. Cusack himself will discuss the film in person and take questions from the audience following the screening at the Warner Theatre. Doors at 6:30 p.m. Show at 7:30. Tickets $49-$150. Warner Theatre: 513 13th St. NW, DC;www.warnertheatredc.com

Pancakes & Booze Art Show at The Howard Theatre

Washington DC’s underground pop-up art show returned this year, hosted at The Howard Theatre, featuring over 100 local artists, all-you-can-eat pancakes, live audio performances from local DJs and producers, live body painting and more. Photos: Mike Kim Photography

Photo: Roy Rochlin

Daveed Diggs of “Hamilton” Talks Career-Spanning Work at Sixth & I

Rapper and actor Daveed Diggs called the Sixth & I Historic Synagogue, and spaces like it, “empathy gyms” – where audiences use live performances to work on how to negotiate feelings in real time.

In Monday’s wide-ranging onstage interview by NPR’s Ari Shapiro to celebrate the synagogue’s 15th anniversary, Diggs, whose mother is Jewish and father is African-American, discussed his career, including his latest role in the play White Noise and life after Hamilton.

“Daveed’s artistic choices mirror the multifacted nature of his talents and his personal background,” said Sixth & I Executive Director Heather Moran. “Offering colorful and provocative art at the intersection of race, culture and identity, Daveed Diggs embodies the essence of what Sixth & I stands for.”

Diggs won a Tony and a Grammy in 2016 for his dual part as Marquis de Lafayette and Thomas Jefferson in the musical Hamilton. While Diggs made his entrance to the song “Guns and Ships” from the musical – the conversation focused on his hip hop group Clipping and more recent work, not just the founding-father themed phenomenon.

He performed “Something in the Water” from the soundtrack of Blindspotting, the 2018 movie he wrote and starred in with friend and collaborator Rafael Casal. Mutual friends introduced the two and set them up on a “rapper playdate” shortly after college and they have been creating music and art together since, Diggs said.

He dismissed the idea of dividing his career into pre- and post-Hamilton eras, instead saying his spot in the musical was actually “part of a very long progression.”

At first, working on the musical was just “doing a piece of art with my friends,” he said. “It felt very small until the whole world wanted to see it.”

“What Hamilton did for me, more than anything else, was allow me to keep working in the way that I’ve always been working but making money off of it,” Diggs said.

He had been writing raps and doing plays with his friends for as long as he could remember, “and nobody cared, and then Hamilton happened and everybody cared.”

Days after wrapping up his three year stint as Lafayette and Jefferson, Diggs said he flew straight to play a teacher in the movie Wonder. He later had roles in Black-ish, The Unbreakable Kimmy Schmidt and the upcoming small screen adaptation of Snowpiecer.

“I just wanted to keep doing things that I have never done before,” Diggs said, so film and TV were the logical next steps.

But Diggs has also found his way back to the stage – although he emphasized he was looking to do another play, not musicals, as Hamilton was a unique scenario.

His latest role is Leo in Suzan-Lori Parks‘ White Noise that opened last month off-Broadway. The piece tackles how two interracial couples who are longtime friends deal with the aftermath of Leo getting attacked one night and brings up intense racial discussions.

The conversations Park’s play or Shapiro’s discussion with Diggs at Sixth & I can spark are why live performances are needed in an age of so many screens and media choices, Diggs said.

“We just are all here negotiating whatever we’re talking about in real space,” Diggs said. “Places that have committed to creating these kinds of spaces are so important because they create community.”

Diggs’ appearance is a part of a larger fundraising campaign for the synagogue’s 15th anniversary celebration this year. for more on his work, visit www.daveeddiggs.com.

Sixth & I Historic Synagogue: 600 I St. NW, DC; 202-408-3100; www.sixthandi.org

National Geographic’s Queens of Egypt: Women Who Ruled the Ancient World

The ancient Egypt you know is a lie. It’s a golden, glittering myth created by Hollywood as an excuse to parade Elizabeth Taylor around draped in gold and makeup. The ancient world could not have been so divorced from the Egypt of my youth: dusty, hot, poor and filled with people who aren’t white.

One exhibit in DC this year is setting the record straight.

The National Geographic Museum is hosting an exhibit on the Queens of Egypt in DC until September 2, and Nat Geo researchers have taken a more nuanced approach to discussing women rulers in ancient Egypt.

The way ancient Egypt exists in the collective Western imagination is not actually how it existed at all. According to National Geographic Egyptologist and author of When Women Ruled the World, Kara Cooney, real life in the ancient world was extraordinarily hard.

“The reality was very different,” Cooney says. “We’re talking about people with a much darker skin color to be sure – people of a North African descent – and a place that, while opulent for a few, was much more real for others in terms of a hard life: constant labor, farming, parasites, diseases, life expectancy at the age of 30.”

The myth probably started with Shakespeare’s Antony and Cleopatra. For all of his contributions to literature, the Bard portrayed Egypt as little more than a place to get a tan and cheat on your wife.

So even though there was more to life in ancient Egypt, at least we are right in feeling empowered by its female rulers. Right? Well, it’s more complicated than the “You go, girl” mentality we tend to adopt when talking about Egypt’s queens.

Although some women were able to attain the highest positions of power in Egypt, they still ruled and existed within a rigid, unforgiving patriarchal society. Many queens were simply holding the throne until the rightful king – a son, nephew or brother – was old enough to assume it.

And while each queen ruled differently – facing different challenges, accomplishing different goals and failing in different ways – their entire existence as a ruler was in service of a system that would hand power to the appropriate male as soon as he was old enough.

“There were some women who could surmount the obstacles in their path of being a woman in a patriarchal society, but there was not one woman who was a feminist who was going to move the system in a different direction,” Cooney says. “There was no way of thinking in that way in the ancient world.”

The West likes to think of Cleopatra as the most empowered of queens – even Cooney describes her as the least traditional. But her relationships with Roman warlords, which long ago captured the Western man’s imagination, were intended to solidify her power. And by getting involved with Rome, she invited their violence and civil war into Egypt, Cooney says.

“She’s brought herself into that realm so one can ask: is that Cleopatra knowing she needs a man, a male presence by her side, and looking to the strongest man in her political arena and getting herself in trouble by drawing a target on her back?”

The fact that Cleopatra is the queen cemented in our minds is quite revealing. Queen Hatshepsut, who ruled Egypt from 1479-1425 BC, was arguably the most successful queen.

Hatshepsut assumed the throne as regent on behalf of her infant stepson after her husband’s death. After just five years, she was crowned pharaoh. She was such a successful ruler that she was often depicted with masculine features, including a beard as a symbol of her power.

According to Cooney, the queens we can name tell us a lot about how we treat women in power. The ones who succeed have their womanhood erased. The ones who fail are immortalized as a warning against vice and promiscuity.

“One succeeded and one failed. One is forgotten and one is remembered. And I like those comparisons. They’re very useful for us to see what we do to the female who is a failure. [We] make her a cautionary tale. And what do we do to the [successful queen]? Just erase her.”

If learning about the queens of ancient Egypt with all their complexities and flaws sounds more interesting than watching Elizabeth Taylor make eyes at white men for four hours, then check out the National Geographic Museum’s Queens of Egypt exhibit.

The exhibit is open daily until September 2 from 10 a.m. to 6 p.m. Tickets are $10-$12 and can be purchased online or at the museum until 5 p.m. Learn more about the exhibit at
www.nationalgeographic.org/events/exhibition/queens-egypt.

National Geographic Museum: 1145 17th St. NW, DC; 202-857-7700; www.nationalgeographic.org