Podcasts are a dime a dozen these days. They’re easily created and just as quickly forgotten. Name a comedian, sports writer, author or filmmaker, and they’ve probably dabbled in coordinating a program discussing most anything. There’s plenty of reasons for these folks to give podcasting a shot: there’s money to be made and ears to grab, and it’s a great promotional tool for other types of programming, whether it be a standup special or an opinion column.
The brainpower behind “All Fantasy Everything” agreed with the sentiment. Founded by comedian and television writer Ian Karmel, the podcast is a show of three to four people sitting around fantasy drafting anything and everything: from Tom Hanks films to road trips.
“[Karmel] just wanted a way to interview people,” says cohost and comedian Sean Jordan. “He wanted a podcast where he could talk to his friends. He came up with the idea [and] shopped it around.Originally, people weren’t receptive. We did one together one day and it stuck.”
“All Fantasy Everything” debuted on the Internet in 2016 and is recorded weekly in Portland, Oregon with new episodes populating feeds every Friday. While episodes have featured a roulette of guests, including The Late Late Show host James Corden and NBA writer Zach Harper, the constant staples are Karmel, Jordan and standup comedian David Gborie. On July 13, locals will actually be able to sit in the same room as these folks as they live draft on Black Cat’s stage.
“It’s a very natural feel,” Jordan continues. “If you’re going to listen to people sit and talk, it has to have that real feel. We have running jokes, but I think one of the reasons it’s so good is because it sounds as if we’re just sitting in the living room watching basketball. It makes people feel at ease, as if they’re there.”
The format is predictable, which you’ll know if you’ve ever tinkered with any kind of fantasy draft. The hosts and guests each take turns picking something involving the theme, followed up by an explanation. The true magic of the show is in these unscripted moments where the listener is thrown into a full-fledged discussion either celebrating or dissecting the preceding selection. The ribbing is delightful and sincere and rarely, if ever, nasty or offensive.
“Sometimes there’s that feeling if someone is making a joke and it goes down the wrong road, it’s tricky because we’re three straight dudes,” Jordan says candidly. “We’re quick to wrangle it in. We just like to talk about how cool stuff is and how cool people are, and how often we cry.”
The transition from a studio or couch to a live crowd seems like a surreal thing for a podcast built upon the idea of shooting the shit among friends while debating which villain is more interesting or what fast-food items reign supreme among lit drive-thru menus. And while they do present differences in the flow of a normal show, the comedians aren’t afraid to ratchet it up for the crowd.
“[The live shows] are a lot trickier to rein in because the crowds are very hyped,” Jordan says. “When it’s a live show, I’m so excited and thrilled that anyone cares about anything I’m part of. I’m not sure anyone knows for certain that people will care about what they do, so when a thousand people are there to see them, you try to give them a show.”
Undoubtedly, the most intriguing aspect of the pod is the themes chosen. Jordan says they try to align it with whatever guest they’ll have, but often they opt for a general topic anyone could dive into without a huge amount of research.
“Even if you don’t know anything about it, it’s fun,” Jordan says. “Like vegetables – I hate vegetables. Sometimes, we’ll just decide randomly. It’s pretty easy. You don’t have to prep – just wing it. It’s just an excuse to sit around and bullshit, so it usually works.”
Themes for upcoming live shows – including the one in the District – have yet to be decided, but Jordan says they’ll be figured out beforehand. And though I tried to get the comedian to spill the beans on what it could be, he holds firm and doesn’t budge, only divulging the most generic of information.
“We try to keep it local but broad enough,” Jordan says. “It’s hush-hush for now.”
As of right now, there’s more than 100 episodes available to get listeners hyped for their DC show. So plug in your headphones while you prep for your own upcoming fantasy drafts, and pray we get a theme as wacky as celebrity sex tapes or stuff to do when you’re drunk.
“All Fantasy Everything” comes to Black Cat on July 13. Tickets $20. Stream the podcast at www.headgum.com/all-fantasy-everything.
Black Cat: 1811 14th St. NW, DC; 202-667-4490; www.blackcatdc.com