The moment Thom Yorke walked onstage at the Kennedy Center on November 30, the crowd shot out of their seats with fervent cheers and applause. But as Yorke, co-collaborator Nigel Godrich and audiovisual composer Tarik Barri launched into their first song, the crowd sheepishly sat after a person a few seats over from me loudly declared their distaste for the bout of standing as “This is the Kennedy Center, after all!”
Mere minutes later, Yorke asked the crowd to rise again. And once we were all on our feet – some dancing, some swaying and some just transfixed by the storied musician – it felt like the show had actually begun.
While the Kennedy Center is a formal venue, were we really going to let that stop us from fully enjoying the show – movement and all? Yorke’s grand assortment of achievements certainly make him worthy of a show there, but the venue itself shouldn’t act as a gatekeeper for how we experience the art. Eventually, even the once agitated attendee was seen standing and swaying.
The show itself was a healthy mix of just about everything Yorke has done outside his illustrious Radiohead career. From his own work, supergroup Atoms for Peace and even the Suspiria soundtrack, the show was a reminder that even though he’s best known as Radiohead’s frontman, his other ventures are just as jaw-droppingly stunning.
Yorke appeared to be having the time of his life, too – dancing and shimmying across the stage, sometimes with a guitar and sometimes making his way to a table of synths. Even during the stripped down and serious “Suspirium,” he closed his eyes and smiled. Many in the audience did the same.
The Kennedy Center’s stage was the perfect backdrop for Barri’s audiovisual elements. Sure, Yorke and company could have performed at a larger or less formal space, but perhaps those venues wouldn’t have accommodated the dizzying images on the triptych as well. They felt so integral to the performance as a whole, so the trade-off felt more than fair – especially once concertgoers committed to immersing themselves in the music, the movement and the images.
For more on Thom Yorke, visit www.wasteheadquarters.com.
The John F. Kennedy Center for the Performing Arts: 2700 F St. NW, DC; 202-467-4600; www.kennedy-center.org