“How do we relate that sense of division that’s brought upon us from top down, from people in power who seek every day to divide us and categorize us as human beings and prevent us from collectively coming together?”
Algiers bassist Ryan Mahan poses this question to me over the phone from his home in the UK. Now more than ever, I surely don’t know the answer. But through their genre-smashing catalog, Algiers might be close to finding it.
The four-piece outfit was a sociopolitical force before they were ever a band. Atlanta natives Mahan, vocalist Franklin James Fisher and guitarist Lee Tesche formed in 2007, eventually adding drummer Matt Tong – formerly of Bloc Party – to the fold in 2016.
Over the course of their 11-year career, the band has never been interested in what others call them. They’re more interested in using music as a unifying force, especially at a time when division is more common than ever in so many creative spaces.
“We actually came up with the concept of Algiers before we ever had written a note of music,” Mahan says. “We were focused much more specifically on the social context of the music – how that relates to the actual sound that you’re trying to project and looking at music in spatial ways. That’s where the politics come from too, because there’s a politic to that in and of itself. We deal with issues like appropriation and colonialism within music itself, and exclusionary spaces where you maybe see a particular scene that has been built up.”
On any given Algiers song, you’ll hear hints of post-punk, gospel, new wave and more. There are a lot of bands who could have potentially influenced Algiers, but there are no other bands who sound – or think – like Algiers.
When Mahan dissects the conglomeration of sounds that make up his band’s music, he explains, “It might sound a little bit analytical as an approach. But it actually allows us to be quite free with our music and play with our music in very different ways.”
He continues, crediting the culture industry for creating this sense of genre “in its own twisted, distorted way.”
“It almost polices these boundaries and prevents the fluidity of music and us from grasping music in a much more holistic way. We’re obviously engaged with history and our own histories and the history of oppression. How do we relate that sonically?”
Mahan and company explore that question and more on the band’s most recent record, The Underside of Power, released last June. With members now living in the States and the UK, their sophomore effort was influenced by the disarray of politics in both places. Their songs directly deal with everything from police brutality to the 2016 election and the resurfacing of fascist ideals. They seamlessly reference and draw inspiration from the Black Panthers, Che Guevara and Albert Camus, to name a few.
The band does important work using music as their vehicle, and their voices to give rise to others’ voices in turn. Algiers appears on the bill for Black Cat’s 25th anniversary show this month, and the band is looking forward to performing in a city that remains an epicenter for creative resistance. Algiers’ strength lies in their ability to embody the energies of these spaces, no matter the location.
“It’s all about inserting yourself in these spaces, and that’s why playing this 25th anniversary show at the Black Cat is powerful for us,” Mahan says. “Dante [Ferrando, owner] and the people at the Black Cat see us within this scene. We’re playing alongside some of our heroes: Mary Timony in Ex Hex, Mike Watt, Gray Matter and Subhumans. This is all where we see ourselves, and maybe people from the outside – unless they’re fans – don’t really get that. I think that’s kind of a constant battle that we take on.”
And while the band will continue to tackle subjects that very much need light shed on them – Mahan says they’ve recently begun to work on new music – their final goal is to be a unifying force among likeminded people.
“As a band, we just want to connect with people. We really feel like there’s so many people who also feel that way. It’s not through a sense of naiveté. We’re very cynical in our approach, but through that cynicism there is – as we particularly try to reflect on our last album – a sense of light.”
Algiers plays the second night of the Black Cat’s 25th anniversary event on Saturday, September 15. Tickets are $25. Doors open at 7 p.m. For more information on Algiers, visit www.algierstheband.com.
Black Cat: 1811 14th St. NW, DC; 202-667-4490; www.blackcatdc.com