Encouraged by family, Isabelle De Leon has been playing music since she was four and the drums since she was seven. But hers is not a story of a child prodigy forced into a life of performance at any cost. De Leon has talent in spades, and she marches to the beat of her own drums. As an early teen, De Leon found a deep connection in writing music. She has since made it her mission to use the power of music to inspire and heal, and she does it in hundreds of different ways. On any given day, you can find her jetting from one gig to another, running jam sessions, teaching music lessons, serving as an ambassador to the DC music community and being the kickass lady drummer in a rock band.
At 27, De Leon has already played major venues including the Kennedy Center and DAR Constitution Hall, is the recipient of countless music scholarships and recognitions – including a stint as a Strathmore Artist in Residence – and still finds time to rock out with local synth-pop bands Prinze George and Paperwhite, and funk/soul band Lionize. Even with her many accomplishments, the local musician remains humble. On Tap caught up with De Leon to learn more about her “constant learning journey” and how the musician incorporates her life experiences into the music she plays.
On Tap: You’ve played all over the country. What keeps you in DC?
Isabelle De Leon: I’m from Montgomery County, so not far. I’ve always loved the city, and it was always a dream of mine to move here and be more immersed in the scene. It’s great because the music scene is very active so there are a lot of opportunities to perform and meet other musicians. What’s cool about being here is that DC is a much smaller city but there’s still a lot happening, and I feel like I can be part of creating something here versus where it’s already oversaturated.
OT: You started out playing music at a young age with your family. How did your relationship with music develop as a child?
IDL: It was always a family thing. My whole family played music. My dad was the one who taught us music when we were really young. He was teaching us all piano, guitar and bass. When I was seven, he brought home a drum set and taught me some basic things. At that point, he started asking each of us which instrument we wanted to take lessons for. I think he had a vision for what to steer us each toward. Our whole family played at church every weekend, and that was where we really learned about music theory, chord structures, arrangements and how to play in an ensemble – the nuances of improvising, taking cues and listening to each other. Those things are really valuable and hard to teach in a classroom.
OT: What drew you to the drums?
IDL: One of our favorite movies [growing up] was Selena, and it’s even more precious now because their story was very similar to ours. Their dad loved music and started them young, playing in this family band. I just remember that scene where he’s trying to get Suzette to play the drums and she’s adamantly protesting and she’s like, “Girls don’t play the drums.” And for some reason, I took that as, “Oh, I’m going to play the drums now and prove everybody wrong and show people that girls can play the drums.” So that was one of the reasons why I wanted to pursue it.
OT: It can be hard to make a career out of your passion. How did you make music both for you?
IDL: When I was really young, I didn’t know any other female drummers except [Santana’s] Cindy Blackman, who I idolized and still do. I realized that I was in a very unique position being a woman on a male-dominated instrument, and also being a woman minority in the music industry. I realized there was a power in that, in being able to inspire young girls to go out for things that people were telling them they couldn’t do. In a way, that’s really what my mission is. It’s one of the reasons why I feel like I can’t ever quit, necessarily. I yearn for that kind of figure I can look up to myself, and if I can be that for someone else who needs a role model, I would love to be that person for them.
OT: How does being a Filipino woman in this space affect what you do within the creative industry in DC?
IDL: Being a female drummer already sets me as a minority, and that’s something I’ve experienced my whole life. But one thing that I didn’t realize until I was much older was what my identity was and who I was. We grew up primarily around white people and because of that, I felt in a way more connected to American culture even though I know I don’t look “American.” But in Filipino circles, I didn’t feel like I fit in, in a way. That same kind of conflict came out when I started studying jazz music and participating in the DC music scene.
OT: What challenges have you faced breaking into the local jazz scene?
IDL: Right now, I’m trying to get better at and play jazz, funk and soul music that’s oriented around really groovy drumming. There was an instance recently where it came to my attention that some people either roll their eyes at me when I come and play or they kind of judge me because according to them, I didn’t grow up in the “church” so I don’t really have a gospel background. That was hurtful because first of all, it’s not true. Also, music is supposed to be about camaraderie, sharing and connection. People who get hateful like that, or just bitter, defeat the purpose of what we do.
OT: You recently started a regular jam session at Pearl Street Warehouse. Is that a jazz series?
IDL: It’s called Southwest Soul Sessions. It’s not specifically jazz per se. I actually started the jam session with Elijah Jamal Balbed, who’s also an accomplished musician here, and our goal with the session was to bridge all of our music communities in DC. I’ve done a lot of work in the rock and pop scenes, and he’s very heavy in the jazz, R&B and go-go scenes. We realized that together, we would have a vast network of people and we really wanted to bring all of them together. The great thing about jam sessions is that you’re playing with people you may have never played with before and may never again. But in that moment, you’re just trying to create something that’s different and bring all of your influences to the table. We really wanted it to be like a dance party too, and Pearl Street Warehouse is perfect for that.
OT: You are very accomplished and constantly working on different projects. What keeps you focused and awake?
IDL: I’ve always known what my goals are. They’re pretty big, but I also have some that are more tangible like to be Beyoncé’s drummer. [Laughs] One thing that my mom taught me early on was to write down your priorities and goals and make lists of steps that you can take to get there. I make sure I check in with myself pretty regularly. My overall goals have been the same since I started to really pursue music, and I always keep that in the back of my mind. It’s really important to always remember your “Why?” It’s also important to take a break every once in awhile. There are days where I don’t do anything music-related.
OT: What do you enjoy doing on those days away from the music scene?
IDL: I really enjoy movies. I love being adventurous and trying new things, whether it’s an activity I’ve never done or something like bowling or just going on a walk in a park. I love cooking and catching up with friends. Relationships are really important to me, so I try to make sure I stay in touch with the people who are important and make time for them. I also really love shopping. I don’t mind spending money to beautify my room, because I’m creating music there and it needs to be a place of inspiration and a beautiful place that I can relax in and enjoy. My room is pretty decked out and full of plants.
Follow De Leon on Instagram at @isabelledeleon_ and on Facebook at @IsabelleDeLeonMusic. Learn more about her Southwest Soul Sessions with Balbed at www.pearlstreetwarehouse.com and sign up for drum lessons with her at www.7drumcity.com.