What’s your name? Who’s your daddy?
Sound familiar? The psychedelic rockers behind some of the most iconic lyrics of the 60s from hits like “Time of the Season,” “She’s Not There” and “Tell Her No” are on a 23-stop tour, and headlining The Birchmere on March 13. The Zombies are fresh on the heels of a 2018 Rock & Roll Hall of Fame nomination, and have breathed new life into their original sound after a 30-year hiatus with three albums over the past decade. The latest iteration of the band – founding members Colin Blunstone (vocals) and Rod Argent (keyboard), guitarist Tom Toomey, former Kinks’ bassist Jim Rodford, and his son and drummer Steve Rodford – have spent the past few years embarking on wildly successful tours performing their 1968 album, Odessey & Oracle, in its entirety.
And though tragedy recently and unexpectedly struck the band (Jim passed away suddenly in late January), the band is determined to move forward with this leg of their tour. On Tap chatted with the charming, eloquent and disarmingly soft-spoken Blunstone about losing his dear friend, recording new music with his bandmates and the legendary rockers’ upcoming show at Birchmere.
On Tap: First, let me start by saying how sorry I was to hear of Jim’s passing.
Colin Blunstone: It’s been a huge shock to us. We’re totally lost because he’d been with us since the founding of this incarnation of the band. He’d been with us for 19 years. He’s Rod’s cousin and our drummer Steve’s father. It’s been a huge shock, but we decided pretty early on that Jim would want us to go ahead. He was very much a “show must go on” type person. So, we decided to keep going and we managed to find someone who is a wonderful player. He’s coming over from Denmark at the end of the week and he’s very [familiar] with the Zombies’ repertoire.
OT: That’s great that you were able to find someone quickly who is a good fit for the band.
CB: We’re very fortunate to have him on board. Here we go. We haven’t really had time to think about it too much. There was a wonderful celebration of Jim’s life, actually, in St. Albans Cathedral where we all come from. It’s a huge, very, very old cathedral and it was absolutely packed. There were hundreds of people there. It was a very sad time but there was a strange beauty about the ceremony [in the cathedral]. It was great to see so many of [his] friends.
OT: Wow, that’s such a testament to how loved he was by his community.
CB: He was a very special person. He always had time for everyone. He was a real musician’s musician. He had many friends who were musicians because he was so respected as a player. But he always had time to speak to other people as well.
OT: I feel really lucky that I was able to see you guys play together at 9:30 Club for the Odessey and Oracle tour last year.
CB: Did you enjoy it?
OT: I loved it – it was a fantastic show. In fact, my husband bought one of the tour T-shirts and wears it to a lot of shows and concertgoers always strike up conversations with him about your band. Speaking of the Odessey and Oracle tour, how has that been going?
CB: It’s been incredibly successful. The whole reason for doing those shows was because it was the 50th anniversary of the recording of the album. There are a lot of harmonies and overdubbed instruments on that album, so we were very determined to recreate every note that was on the album. We had great help from Darian Sahanaja from the Brian Wilson Band. He knew it better than we did. With the help of all these wonderful players, we were able to recreate the album note for note. And it was great for us to do that.
OT: Why do you think the album has such staying power five decades later?
CB: Year on year, it just attracts more and more attention. It’s a very strange story. No one had been promoting it, no one had been marketing it. It was just word of mouth. There are lots of critics and reviewers that have named the top albums of the 60s, and you usually see Odessey and Oracle in there somewhere.
OT: For the upcoming leg of your tour, will you be performing much of the album? Or focusing on more recent discography?
CB: It’ll be a cross-section of tunes that we’ve recorded over our whole career. We will be playing some songs from Odessey and Oracle, but we will be playing lots of songs from more recent albums. Our last album actually got into the Top 100 in Billboard, and we’ll be playing two or three songs from that album, and some other things that we’ve recorded. Sometimes we even put tracks in there that we’ve recorded away from The Zombies. I’ve recorded quite a lot with the Alan Parsons Project and of course, Rod has his own band, Argent, so we try to give a fair interpretation of what we’ve been doing over the last 50 years, but it varies from tour to tour.
OT: What was it like to go back into the studio three decades later with your bandmates who you had recorded with in the 60s?
CB: The strange but wonderful thing is that when we started playing concerts together, it felt as though we’d played a few weeks before. But in actual fact, at that point it was probably 30 or 40 years since we’d played a tour together. And that led to us going into the studio. It just felt very, very natural. Our first experiences of professional recording studios were in our formative years together. When we were 18 years old, we went into [the studio] and recorded “She’s Not There” and from there on, [we spent] three or four years recording constantly. Because we grew up recording together, I think it just came very naturally. We just slipped back into the partnership that we had before.
OT: Any plans to record a new album?
CB: We will be. We’re just talking about recording now. We’re really in the writing stages of things. There’s one or two ideas that have come up. I think there will be a new Zombies album next year. I’m saying next year because most of this year is full of concerts. I don’t know when we would get a chance, really, to get into the studio so I would imagine it’d be next year.
OT: Have you played The Birchmere before?
CB: I think we’ve played there three or four times before and always had a wonderful time. If anybody is thinking about coming out to see The Zombies, this is a great place to come and see us. It’s quite intimate, so you’ll be very close to the band. The acoustics there are great. It’s a wonderful place to see live music.
OT: Are there any up-and-coming musicians on your radar?
CB: This might sound a bit strange, but because we’re traveling all the time, I don’t get an awful lot of chance to listen to new artists. But off of the top of my head, Ed Sheeran, [and] there’s a wonderful Canadian female singer-songwriter called Sara Bareilles. She’s absolutely sensational.