The Architecture and Design Film Festival kicks off on February 22 at the National Building Museum. Founded in 2008 by architect Kyle Bergman, the festival is about more than showcasing beautiful buildings and the architects behind them.
“We look for an interesting and engaging design story as well as a human story; that’s our sweet spot,” Bergman says. “As architects and designers, we talk to ourselves all the time, but film allows that dialogue to go broader and wider.”That’s certainly true of this year’s lineup. Building Hope: The Maggie’s Centres (2016) is a perfect example of a film with more than one story to tell.
“Was it in essence a film about cancer, or a film about architecture? Obviously, the answer had to be that it was about both,” says the film’s director, Sarah Howitt.
In 1993, a cancer patient named Maggie Jencks was informed that she only had three months left to live and had nowhere to go to process the news but a plastic chair in a hospital corridor. She dedicated the final year of her life to founding care centers for cancer patients that are beautiful, welcoming and comforting – a far cry from that cold hallway.
Howitt worked hard to make sure both the human and design sides of the story were represented:
“Using moving drone and gimbal shots to show the buildings off at their best, and the words of the buildings’ users under some of those shots, helped to strike the balance and bring both strands of the story, literally, under one roof.”
Howitt says making the film changed the way she thought about how architecture affects our daily lives:
“I really had never thought about architectural spaces in such a profound way before, and I’d certainly never been in buildings as special as these ones. ‘Special’ modern architecture for me was always something applied to iconic buildings, not buildings meant for ordinary people just to spend time in, and certainly not on the grounds of a hospital.
She also added some thoughts on how the Centres moved her even as she was filming:
“I still find myself drawn to the Maggie’s Centres. As a filmmaker you often try very hard to be something of a dispassionate observer. Of course, the truth is so much complicated than that. Working with the Maggie’s Centres charity though, you cannot fail to care about the work they do. I hope any viewer will appreciate the work they do and tell others about them.”
Building Hope isn’t alone in its innovative and people-focused approach to telling design stories; Citizen Jane: Battle for the City (2016) is a true David-and-Goliath story about a fight for the soul of New York City itself.
Jane Jacobs was a reporter and the author of seminal book The Death and Life of Great American Cities. The film looks back at her campaign to protect what are now some of New York’s most iconic neighborhoods from power-hungry urban planner and “master builder” Robert Moses, who sought to build a road through the heart of Washington Square Park.
“I saw the book in a bookstore in Greenwich Village, so I bought it and immediately saw why the book has never been out of print since 1961; it makes you see a city differently,” says the film’s director, Matt Tyrnauer. “The power and effect of that book was extraordinary and Jacobs’s activism combined with her brilliance as an observer and chronicler of the city was not well known, so seemed like a ripe subject for a documentary.”
The guiding principle of Jacobs’s book and her community activism was that cities are made by the people who live in them – not bureaucrats.
“Thousands upon thousands of individuals going about their own business come together in this kind of chaotic order to make the city; it’s not the urban planner sitting in their office,” says Tyrnauer. “Cities tend to plan themselves if you let people do it.”
Tyrnauer says we can learn a lot from Jacobs:
“Her activism was very thoughtful and very well-plotted. It took a long time to gain results, but she was dogged and relentless,” he says. “She had several significant successes against an entrenched, egotistical and imperious bureaucrat in Robert Moses, who seemed to be an insurmountable foe before Jacobs came along.” It’s an inspiring story for inarguably turbulent times.The National Building Museum is an ideal setting for a festival celebrating architecture, but it does present a few challenges: namely, the acoustics in its iconic Great Hall. The essential question for Kyle Bergan (again, the festival director) was:
“How do we show a film there in a good way, because the space is so grand? The solution? Wireless headsets, creating a drive-in movie theater vibe: visitors who haven’t bought tickets can still watch the film without sound, adding a new dimension to the museum experience during the festival. The festival will also feature a lounge where attendees can view short films and even try on a VR headset – seeing a new way to experience the world around us and the buildings where we live, work, and play.”
Bergman says that at the end of the day, the festival is about bringing the untold stories of architecture and design to people who wouldn’t otherwise get to experience them. “It’s not just [about] coming to see the films,” says Bergman. “It’s engaging with people and creating a dialogue.”
The festival runs through February 25. For tickets and showtimes visit: www.nbm.org
National Building Museum: 401 F St. NW, DC; 202-272-2448; www.nbm.org