The radiantly captivating Kathryn Tkel lends a tearful and droll performance as Emmy in Round House Theatre’s DC premiere of A Doll’s House, Part 2, showing at the Shakespeare Theatre Company’s Lansburgh Theatre.
Written by Lucas Hnath in 2017, A Doll’s House, Part 2 resumes 15 years after protagonist Nora, played by Holly Twyford, forswears varying degrees of commitment to achieve her version of love; freedom.
Emmy is the youngest child of Nora and in the original A Doll’s House, written in 1879 by Henrik Ibsen, she is little more than a prop in the background. However, as a young adult, she provides a thoughtful voice, often challenging her mother’s perspective on life.
“You’ll learn from Emmy that everyone has their opinion of marriage and people are willing to stand up for their world view, whether or not it aligns with others,” Tkel purports. “There’s something about a younger woman speaking up that makes this conversation deeply important to witness.”
The characters in A Doll’s House, Part 2 are few in number, but prove powerful in the story. Including three self-identifying women and one man, the cast produces an emotional tale full of self-reflection and self-actualization. Tkel stands tall among giants, as she supports other characters played by DC notables like the aforementioned Twyford and Craig Wallace, as Torvald.
Before the performance, the main question for me was how does Tkel bring so much to the table while surrounded by veterans of the craft.
“I see many parallel narratives as a theater practitioner working on the play and as a character,” she says. “These actors and actresses have a longer history of working together, and I am the youngest actress and this is my first time working with these artists. Their characters were in the A Doll’s House.”
“Whereas my character, Emmy, is very much so removed. I have to think about how Emmy’s voice is different in the story and how she herself is different in the room,” she continues. “It’s freeing coming from a different place than others. You have more freedom to have a different take because you don’t know it’s different.”
The predominantly female cast brilliantly addresses issues found in the mid-19th century still felt today. The barriers circumventing women’s equality and independence underscore the humor that makes this play a quality hit.
“[There’s] room for women to have different opinions on stage and in the story, discussing their ideas about marriage and what it means to be a woman,” Tkel gleams.
It’s an eclectic collection of empowering perspectives that will cause the audience to question where their loyalties lie within the conundrum of gender identity and gender roles.
“It’s a very exciting play. [A] play everyone will have at stake in because it is about marriage, divorce, agency and independence for women and men,” Tkel explains.
Further noting the very complicated societal dynamics layered with the necessary levels of vulnerability, Part 2 annihilates the boundaries of female and male normative behaviors. But where do the men factor in? How will they respond to the performance?
“I think men will like the play. Through Nora’s husband, Torvald, the writer has a lot to say about what society and women may want from men.”
Torvald, played by critically acclaimed actor, Craig Wallace, offers a strong masculine take on love and commitment, showcasing an uncommon vulnerable side.
“The play absolutely stands on its own and you’ll get so much from it,” Tkel encourages. “We’ve all had relationships and family. Whatever your history is, you will pick up pretty quickly that Nora is returning to territory that she used to be in, in a very different fashion.”
“Because the subject matter is so engaging, your own personal feeling about loyalty love, commitment and family will make you question your own view structure.”
A Doll’s House, Part 2 is simply relatable and as Tkel puts it: “Ripe for the picking.”
Round House Theatre’a A Doll’s House, Part 2 runs at Lansburgh Theatre through June 30. Tickets are $50-$61 and can be purchased at here.
Lansburgh Theatre: 450 7th St. NW, DC; 202-547-1122; www.roundhousetheatre.org
In a city filled with bars touting the best craft cocktails, local beer programs or even late-night eats, what’s bound to make patrons stick around and even more importantly, come back time and time again? The atmosphere created by a bar can make or break its overall experience, no matter how good the drinks on hand.
Two new additions to DC’s ever-growing cocktail scene, however, prove that providing the best of both is possible. And while the overall style and décor of these locations is not similar at first glance, they share a common goal: unpretentious, enjoyable sips in atmospheres unlike anything else in the city.
Owner Devin Gong and Bartender // Partner Eli Schwarzschild
“I always rode trains when I was little, and I loved the dining car of the train where you had the bar in the middle and the seating on either end,” owner Devin Gong says of the narrow but inviting locomotives that inspired the look of his newest venture, Dupont Circle’s Astoria. “When I first walked in, it was a very long and narrow space, and it reminded me a lot of a train car.”
With the help of CORE architecture + design, Gong brought his childhood nostalgia to life. With nods to his flagship spot on H Street, Copycat Co., the space invokes the kind of intimate setting you’d perhaps get from a drink on a bustling train car in the midst of a grand adventure. A talented artist himself, Gong painted the three works of art that hang over large, cozy booths – they even look like train car windows at first glance.
It’s a subtle callout, however, and Gong was careful to make sure he didn’t “hit people over the head” with his interior inspirations. Similarly understated is the bar’s approach to food and drink. Astoria’s beverage director Eli Schwarzschild points out that while the concept is inherently creative, they aren’t trying to overthink things.
“It’s a combination of classics paying homage to drinks that have stood the test of time,” Schwarzschild explains. “If the drinks aren’t broken, don’t fix them is partially our philosophy. We want to respect the drinks. But on the other hand, there’s creativity in a sense. We have originals, but it’s not about us per se. We’re just trying to put out drinks that could perhaps be mistaken for a classic; not so many infusions, just going back to the basics and staying true to the ingredients, which is a very French idea.”
One thing that’s present at Astoria but not necessarily at other outposts serving classic cocktails is an array of doodles flanking the menu, hand-drawn by Schwarzschild himself. They’re incredibly detailed and time-consuming to produce, so why do it?
“Not many people notice it, but it’s the one person in a million who does that makes it worth it,” Schwarzschild says. “It’s just that characteristic of art that is almost existential. Whatever you decide and whatever matters to you, that’s what it is. It’s kind of meanderings – left-brain kind of thoughts. As long as there’s a feeling there, I let my brain go with it.”
The bar provides a welcome combination of outside-the-box elements with unpretentious but well-crafted drinks. At the end of the day, it’s clear Gong and Schwarzschild are able to incorporate personal passions into this endeavor, and the bar is even better for that energy.
“I don’t have lofty goals to change the scene or anything like that,” Gong concludes. “I know what I do, and for me this is more self-indulgent than anything else.”
Punt e Mes vermouth
Astoria: 1521 17th St. NW, DC; www.astoriadc.com
General Manager Kit Yarber
The second floor of The Passenger in Shaw was home to a sporadically used space, only opened on the rare occasion that the neighborhood bar was hosting a band. Kit Yarber saw an opportunity to transform the underutilized level into what he now describes as the “a little goth, a little kitschy” Hex.
As general manager of the newly minted space, Yarber decided the décor and menu would take cues from astrology, tarot and the occult. Numerology comes into play as well, as “hex” indicates the number six and the menu is broken up into six categories. All 12 astrological signs are represented on the menu, and Yarber says he based it off people he knew when deciding what sign to name the drinks after.
“It’s been funny because people come in and want to order their sign, of course, and they’re like, ‘How did you know?’” he explains. “I just tell them I based it off of someone who was that sign.”
If you’re feeling adventurous, you can draw a rune – or divinatory symbol – from a bag behind the bar, and you’ll be presented with a drink that corresponds to the symbol hidden on the menu. There are also runes flanking the wall to the right of the bar, along with a stuffed unicorn head, lovingly called Ophelia.
“I always loved the Victorian haunted mansion, pictures on pictures on pictures look,” Yarber says of the plethora of design elements that adorn the walls and tables. “We talked about having a curio aspect. Everything kind of mismatches but it ends up working out together. We just had fun with it.”
The resulting space is a nod to the supernatural and spiritual without feeling spooky. It’s overall feel is intimate and inviting. Since opening, it’s been a mix of lovers of the elements present at the bar and those who are completely unfamiliar that have stopped in for one of Yarber’s creations. The spot has even caught the attention of local pan-Pagan group The Firefly House, who plans on hosting a handful of regular happy hours at the spot. You can also catch occasional tarot readings.
Whether you’re the type to pull a daily tarot reading and analyze everything through the lens of the zodiac or just want to enjoy a drink in an inviting space, Yarber wants Hex to be a place where you can sit, relax and connect.
“I wanted Hex to have a different ambiance,” Yarber says. “I love the craft cocktail scene and craft cocktail bars, but I feel like they get stuck in a certain era. I don’t want it to feel pretentious. I just want it to be chill. I want to get people up here who love talking to people and [offer] a different ambience that can still be appreciated as something unique.”
Sacred Bond Brandy
Cocchi Vermouth di Torino
Punt e Mes vermouth
Hex Bar: 1539 7th St. NW, DC; www.hexbardc.com
A punk rock band from Los Angeles, California, Starcrawler brought their raucous brand of incredible energy to the 9:30 Club on May 31. As always, lead singer Arrow de Wilde stole the show with her unmatched stage antics, proving yet again that she’s a force of nature. Photos: Shantel Mitchell Breen
Boston-based Lake Street Dive has been a band for an impressive 15 years as of this May, and their unique conglomeration of pop, soul, bluegrass and more has made them a fast favorite for listeners of many genres.
While at first glance, their crossover appeal would seemingly make them an instant hit, the band has slowly and steadily climbed to the top 10 of the Billboard 200, received critical acclaim from a whole host of outlets and toured internationally in support of 2018’s Free Yourself Up.
Rachael Price (vocals), Mike Olson (trumpet, guitar), Bridget Kearney (upright bass), Mike Calabrese (drums) and Akie Bermiss (keyboards) decided to forego any outside help and self-produce their most recent record, making it a true reflection of the band’s dynamic and skill.
Kearney explains that after being a band for that long, they looked at self-production as a way to challenge each other in a way they hadn’t before in their career.
“It was intimidating in some ways because you always rely on a producer as someone outside the band to make little decisions about the technical aspects of the record,” she elaborates. “But also, big picture elements of the record like what songs are going to be on it and what the general thrust of the album [is]. Those are often times the producer’s role. Not having a person to be the definitive decision maker was scary.”
The group surprised themselves, though, embracing the change in dynamic and each other when the going got tough.
“In the end, it was a really great flow for us. We found that working in that way, especially as a collaborative unit, was really fun. [There were] several of us on board to make democratic decisions, or at times to pass the producer hat around to another person in the band and say, ‘Look, I’m exhausted and I can’t tell which guitar part I should use. It’s your day to decide!’”
The resulting album deals with interpersonal relationships, gender dynamics and ever-so-subtly, but still effectively, politics. The songs are so catchy it’s easy to skim over the convictions present, but Kearney confirms their inclusion and lyrical subject matter were a conscious choice as they set out to create an album in the world post-2016 election.
“We were just shocked and devastated by the results of the 2016 election and the ensuing chaos,” Kearney says of the political lilt present in songs like “Shame, Shame, Shame,” for one. “At the same time, I always want to take some genuine feeling and inspiration and make it into a song that can be not just for people right here, right now, but for people that might hear it 20 years from now and are in a completely different situation – be it political or interpersonal. You want to leave some elements up to the listener to interpret the song as they would like.”
In keeping with the band’s ethos of diverse influences both lyrically and systematically, Lake Street Dive drew on an impressive list of influences on Free Yourself Up. Kearney recalls how they were able to use the collective sorrow surrounding the deaths of iconic musicians as a way to explore genres they may have otherwise not considered.
“[We said], ‘David Bowie just passed away – let’s check out his music and what he was doing.’ Tom Petty also passed away while we were in the studio, so we were listening to [his] records in the studio and going ‘Whoa, this thing is super cool that he was doing.’ It was little things, like the way the rhythm guitar was being played on a track or an improvised ambient foundation we hadn’t tried before.”
The small improvisational energies that make Free Yourself Up such a compelling record will be evident as the band embarks on a summer tour in support of the record, including the band’s stop at Wolf Trap on June 8. Kearney notes that she’s anticipating getting back on the road with The Wood Brothers, and even plans to showcase some special collaborations with the band onstage.
“They’re a really amazing band and they have an incredible bass player, Chris Wood, who I am excited – as a bass player – to get to listen to every night. I think we have six or eight shows with them, so we were like, ‘We should take some time to get some extra special things together for those shows.’”
Whether in the studio or on the road, the band’s willingness to evolve and create together is evident in all they do. Catch them at Wolf Trap on Saturday, June 8. Tickets begin at $40 and gates open at 6 p.m. For more on Lake Street Dive, visit www.lakestreetdive.com.
The Filene Center at Wolf Trap: 1551 Trap Rd. Vienna, VA; 703-255-1900; www.wolftrap.org
THROUGH SUNDAY, JUNE 9
For centuries, the Fisk Jubilee Singers broke racial barriers internationally by entertaining kings and queens across the world. The acapella group first established themselves as entertainers at Fisk University in Nashville and used their collective musical talent to raise money for college. Tazewell Thompson’s Jubilee brings creativity and emotionally provoking music to the stage by highlighting themes of suffering, strength and endurance. Various dates and times. Tickets $92-$115. Arena Stage: 1101 6th St. SW, DC; www.arenastage.org
TUESDAY, JUNE 4 – SUNDAY, JUNE 7
Broadway legend Betty Buckley stars in Hello, Dolly! at the Kennedy Center this month. Acclaimed as “the best show of the year” by NPR, the musical takes audiences back to 1955 and follows the story of the matchmaker as she travels to Yonkers, New York to find a match for the half-a-millionaire Horace Vandergelder, played by Lewis J. Stadlen. Various dates and times. Tickets $49-$159. The John F. Kennedy Center for the Performing Arts: 2700 F St. NW, DC; www.kennedy-center.org
WEDNESDAY, JUNE 5 – SUNDAY, JUNE 30
A Doll’s House, Part 2
Nicole A. Watson’s A Doll’s House, Part 1 ends with protagonist Norma Helma leaving her husband Torvald by the slam of a door. The follow-up production to this feminist battle cry opens with Helma knocking on that same door in search of closure, but she’s ultimately surprised by the reactions from those she left behind. Various dates and times. Tickets $55-$70. Round House Theatre: 4545 East-West Hwy. Bethesda, MD; www.roundhousetheatre.org
THURSDAY, JUNE 13
Kennedy Center x Frank Brown and DC Millennials with
Port City Brewing Co.
June 3 marks the first Records on the Rooftop event, the Kennedy Center’s free summer happy hour series offered in partnership with local and national partners who curate each event. The rooftop will transform into a modern lounge space with an eclectic lineup of live music featured throughout the series. Three of DC’s top DJs will set the scene mixing summery, feel-good hits atop one of the District’s most unique rooftops with brews from Port City Brewing Co. 5-8 p.m. Free to attend. Kennedy Center Rooftop Terrace: 2700 F. St. NW, DC www.kennedy-center.org
TUESDAY, JUNE 18 – SUNDAY, JULY 14
Blackbeard takes a look at English pirate Edward Thatch, who navigated by ship through the West Indies and North American colonies. The production staged entirely on a pirate ship begins with Blackbeard learning he’s a wanted man by the British army. But perhaps Signature Theatre’s website sums up the new production best: “Blackbeard and his crew of maritime marauders embark on a fantastical journey across the globe to raise an undead pirate army from the depths of the sea.” Various dates and times. $40-$84. Signature Theatre: 4200 Campbell Ave. Arlington, VA; www.sigtheatre.org
WEDNESDAY, JUNE 19 – SUNDAY, JULY 21
This immersive one-man show performed by Kelvin Roston, Jr. takes a look at the life of 70s soul singer and composer Donny Hathaway, best known for his duets with Roberta Flack like “The Closer I Get To You.” Twisted Melodies provides a glimpse into the musician’s last days, his inner struggle with mental illness and the muses that inspired him. Various dates and times. Tickets $20-$68. Atlas Performing Arts Center: 1333 H St. NE, DC; www.atlasarts.org
SATURDAY, JUNE 22 – SUNDAY, JUNE 23
A Sense of Wonder
A Sense of Wonder by Dance Exchange brings a creative performance that innovatively brings science and dance together on the Dance Place stage. As always, Dance Exchange is meant to inspire change and connect people of all ages to the questions that often provoke the medium of dance and its many beautiful performances. Starts at 8 p.m. on Saturday and 7 p.m. on Sunday. Tickets $15-$25. Dance Place: 3225 8th St. NE, DC; www.danceplace.org
MONDAY, JUNE 3
This indie band hasn’t really changed much since I was in college, when I first heard them at the recommendation of several friends. While that may seem like an insult, I think there’s something refreshing about a band who doesn’t feel the need to constantly change it up, and why would you if you unlocked a near perfect formula for making emotional, enjoyable pop music? You wouldn’t, at least not for awhile. Doors at 7 p.m. Tickets $36. 9:30 Club: 815 V St. NW, DC; www.930.com
WEDNESDAY, JUNE 5
The English Beat
The racially diverse group The English Beat got its start in the late 70s and early 80s as an alternative-pop band. Fronted by vocalist Dave Wakeling, the group perfects a balance of pop and rhythmic melodies, which led to mainstream popularity in the U.K. and a cult status in the United States. Their latest album Here We Go Love was released in May of last year, making it their first release in 36 years. The concert starts at 7:30 p.m. Tickets $35. The Birchmere: 3701 Mount Vernon Ave. Alexandria, VA; www.birchmere.com
THURSDAY, JUNE 6
Mindi Abair & The Boneshakers
One of the most recognized and prolific saxophonists, Grammy nominee Mindi Abair is back with her collaborators The Boneshakers. The sound vacillates between country and blues, providing twangy lyrics in between the big wind sounds. The band’s new record No Good Deed hits stores on June 28, but you’ll likely hear tunes off their latest at the Birchmere. Doors at 7:30 p.m. $35. The Birchmere: 3701 Mount Vernon Ave. Alexandria, VA; www.birchmere.com
FRIDAY, JUNE 7
Davina and The Vagabonds
How often have you heard 30s music? I’d wager that the answer is somewhere between “barely” to “never.” That being said, the musical stylings of old-fashioned era specific New Orleans jazz is part of the appeal of Davina and The Vagabonds. With pianos, bass, trumpet, drums and trombone all accompanying the soothing vocals of Davina Sowers, who draws influence from legends like Billie Holiday, this band is a throwback revelation. See this quintet harness the powers of music from nearly 90 years previous. Show at 8 p.m. $17.50-$37.50. AMP by Strathmore: 11810 Grand Park Ave. NW, DC; www.ampbystrathmore.com
SATURDAY, JUNE 8
Everything about Pink Sweat$’s music is scaled back. His production is minimal, his vocals are subdued and his lyrics are as subtle, sweet and seductive as his favorite beverage: Coke & Henny. The Philadelphia takes the moniker to new levels in all his appearances, often clad in various shades of pink whether he’s rocking track suits, sweaters or an astronaut suit. Doors at 6 p.m. Tickets $20. 9:30 Club: 815 V St. NW, DC; www.930.com
MONDAY, JUNE 10
Far from Lazy, this DIY indie pop band is still new to the scene, only forming in 2017, but that doesn’t mean their music sounds inexperienced. In such a short time, this group has opened for genre standouts such as Charly Bliss, Wolf Parade and Diet Cig, putting them on equal footing with some of the best indie rock groups going. Doors at 8:30 p.m. Show is free, but a $7 donation is recommended. Songbyrd Music House and Record Cafe: 2475-2477 18th St. NW, DC; www.songbyrddc.com
TUESDAY, JUNE 11
This four-piece punk band from Memphis, Tennessee makes sporadic sound good. The music is breakneck, all fueled by an unflappably pulsating bassline and a chant-like vocal method. While the music is fun to listen to (or headbang to) in a car, there’s no doubt that this kind of sonic wave is more enjoyable in person, preferably front row. Doors at 7 p.m. Tickets $10-$12. Songbyrd Music House and Record Cafe: 2475-2477 18th St. NW, DC; www.songbyrddc.com
THURSDAY, JUNE 13
Will Varley began is career in London performing at open-mic nights blending personal storytelling and ancient folk traditions. Varley signed with Xtra Mile recordings after self-releasing two studio albums in 2015. Varley’s latest album “Spirit of Minnie” was released in February of last year and touched on a lot of political undertones. Doors open at 7:30 p.m. Tickets $32. DC9 Nightclub: 1940 St. NW, DC; www.dc9.club
FRIDAY, JUNE 14
An Evening with Star Kitchen
Star Kitchen features bassist Marc Brownstein from The Disco Biscuits, drummer Marlon Lewis (Lauryn Hill and John Legend), guitarist Danny Mayer of the Erik Krasno Band and keyboardist Rob Marscher of the Addison Groove Project. Star Kitchen will take you beyond the universe giving you an improvisational performance of funky, R&B music. Doors open at 7 p.m.Tickets $15. Gypsy Sally’s: 3401 K St. NW, DC; www.gypsysallys.com
SATURDAY, JUNE 15
Percussion-based group Ghost-Note draws their influences from artists such as James Brown, J Dilla and Herbie Hancock as well as West-African and Afro-Cuban sounds. Their sound can be described as a mix of hip-hop, jazz, EDM and rock. Their latest studio album, “Swagism” featured heavy-hitting beats rich in instrumental sounds. Doors open at 7 p.m. Tickets $15-$20. Pearl Street Warehouse: 33 Pearl St. SW, DC; www.pearlstreetwarehouse.com
MONDAY, JUNE 17
“Heartbreak never sounded so good,” is the way San Cisco describes their brand of indie pop quartet describes their more moody tunes. The band generally keeps the sound light and bouncy, but that doesn’t mean the subject matter can’t deal in the serious. With synths, dynamic thumps and appealing vocals, this Australian outfit is one not to miss. Doors at 7:30 p.m. Tickets $18. Black Cat DC: 1811 14th St. NW, DC; www.blackcatdc.com
TUESDAY, JUNE 18
This Japanese outfit is all about their honoring their psychedelic forefathers. Harnessing all the powers of trippy guitar riffs that can leave your mind wandering and pondering and thinking and blinking. Listening to Kikagaku Moyo (Japanese for geometric patterns) is not dissimilar to taking in a piece of art in a gallery, you need to take time past the initial glance and truly take in the work in totality. Doors at 7 p.m. Tickets $18. U Street Music Hall: 1115 U St. NW, DC; www.ustreetmusichall.com
WEDNESDAY, JUNE 19
Listening to DC’s own Flasher is like hearing music in a time machine. No matter how new the release, their music contains a timeless classic appeal. From shoegaze to punk, the band has carved out a niche in the local scene, and are often mentioned as some of the city’s best. 2018’s Constant Image provided a look into their inner anxieties and how they overcome them via music and art. Doors at 9 p.m. Tickets $12. Comet Ping Pong: 5037 Connecticut Ave. NW, DC; www.cometpingpong.com
FRIDAY, JUNE 21
Grande’s “Thank U, Next” single provoked a nostalgic feeling for millennials with inspiration from romantic comedies such as “Mean Girls” and “Legally Blonde.” The video highlights the importance of self-care during heartbreaking situations. “Thank U, Next” delves into the theme of heartbreak with the death of rapper ex-boyfriend Mac Miller and the ending of her engagement to actor Pete Davidson. Doors open at 6 p.m. Tickets start at $175. Capital One Arena: 601 F St. NW,DC; www.capitalonearena.com
Las Vegas native, Sizzy Rocket pulls influences from the punk-rock genre with a mix of catchy pop lyrics. Rocket released a cover of Beastie Boys’ “Girls” in 2014 which became a viral hit and then later released her debut single “I Wanna Rob.” Her latest EP “Mulholland” features catchy lyrics of pop love songs with instrumental beats. Doors open at 8 p.m. Tickets $15. Rock & Roll Hotel: 1353 H St. NE, DC; www.rockandrollhoteldc.com
SATURDAY, JUNE 22
Ocean Alley hails from the Northern beaches of Sydney, Australia and have been described as having a sound perfect for cruising down the coast or hanging out at the beach.There sound is considered a mix of modern reggae and alternative rock with influences from artists like Jimi Hendrix, Bob Marley and Pink Floyd. Doors open at 8 p.m. Tickets $15. Rock & Roll Hotel: 1353 H. St. NE, DC; www.rockandrollhoteldc.com
THURSDAY, JUNE 27
Atlanta native and Indie artist Faye Webster comes from a family of musicians with her grandfather being a bluegrass guitarist and her mother being a former guitarist and fiddle player. Webster’s sound is a mix of country and pop melodies. Doors open at 7:30 p.m. Tickets $10-$12. DC9: 1940 9th St. NE, DC; www.dc9.club
FRIDAY, JUNE 28
Rich the Kid: The World is Yours 2 Tour
Atlanta native, Rich the Kid has appeared on tracks from The Migos and Kendrick Lamar blowing away the trap music scene. Head of Rich Forever music, Kid’s sophomore album The World is Yours 2 debuted in March and features some of the biggest artists in hip-hop such as Big Sean, Nav and Takeoff. Doors open at 7 p.m. Tickets $27. Fillmore Silver Spring: 8656 Colesville Rd. Silver Spring, MD; www.fillmoresilverspring.com